Quinceanera Summary

Marked as a celebration of the transition from childhood to womanhood, quinceaneras have been a long-standing tradition among Latin American families. Though “quinceanera” literally means “fifteen year old girl,” the term has become more closely associated with the celebration itself, oftentimes by non-latinx people. Among Latin American families and culture, the celebration is often referred to as “fiesta de quince años” (fifteen year party) or simply a “quinces.” To avoid any confusion, I use “quinceanera” to refer to the celebration, rather than the individual, for the remainder of this paper. Historically, fifteen was seen as the age when Latina girls were ready for marriage, and the quinceanera celebrated that transition. While modern quinceaneras have drifted away from this initial intent, and now reflect more of a celebratory coming of age narrative, the marriage and wedding-related symbolism is still apparent.

. The day of my Quinceanera started early. I had just turned 15 and it was the birthday I had always dreamed of. I was always a dama in other Quinceanera’s, but now it was time for my own celebration. In Mexican culture, a dama is just like a bridesmaid. I had 14 of my closest friends as my dama’s to be a part of my “court of honor”. All 14 girls wore beautiful hot pink dresses and had polished hairstyles. The girls looked like beautiful dolls. When my mother was a little girl she had two Quinceanera’s. One celebration took place in Mexico and the other here in California. Looking back at my

Caminero-Santangelo, Marta. 2007. On Latinidad: U.S. Latino Literature and the Construction of Ethnicity. Gainesville, FL: University Press of Florida.

All birthdays are special. Birthdays celebrate life and the passing of time. In a young Mexican girl life, there is no birthday more important then her quinceañera. The quinceañera is a celebration of a girl’s journey into womanhood. The story of my fifteenth birthday is contributed for a better understanding of how special it is to celebrate a girl’s transformation into a lady, and how it differs from any other birthday she celebrates.

Stavans, Ilan. The Riddle of Cantinflas: Essays on Hispanic Popular Culture. Albuquerque: University of New Mexico Press, 2012.

Stereotypes are dangerous weapons in our society. “The Myth of the Latin Woman: I Just Met a Girl Named Maria” is a short essay in which the award winning poet and professor of English, Judith Ortiz Cofer, wishes to inform and persuade the audience that labels and stereotypes can be humiliating and hurtful. The author targets the general public, anyone that doesn’t understand that putting someone in a box because of a stereotype is wrong. Cofer starts out the essay by telling the reader a story with a drunk man who re-enacted “Maria” from the West Side Story, and how angry that made her feel. She continues by explaining how she grew up in the United States being a Puerto Rican girl trying to fit in, but always being labeled as an island girl. Cofer carries on by explaining why Latin people get dressed and act a certain way. Then she recalls some more stereotypical incidents.

Throughout the years since, I have attended to many quinceaneries. The one that stands out the most in my mind is my Cousin Christian’s quinceanera. The moment she told me what where steps in having a quinceanera was the moment that I will never forget. Thanks to her, I ready know what quinceanera is and what does it stand for. Most countries need to celebrate their daughter’s fifteen birthday by having quinceanera because

In Spanish-speaking communities in the United States, girls do still have a Quinceanera, but it has to be altered in the way that it is done. There are many people that do not speak Spanish in the U.S., so there’s has to be a way to coordinate these people into the celebration, since mostly even have the English Language in common. Invitations for Quinceanera are made both in Spanish and In English. The invitations that are in English might read “Sweet 15” instead of a Quinceanera. Traditions that are done during the ceremony might not be done, they might be done before the ceremony. A young girl may chose to have a “Sweet 16” instead of the traditional Quinceanera. A “Sweet 16” is the coming of age party in the United

The author’s different styles of writing attract different audiences. Momaday uses a historical approach to storytelling while Kingston uses a personal and social approach. Both authors engage their readers by using metaphors, similes, and an individual style of writing. Yet they use these rhetorical devices to make different points and to draw different conclusions from the past. Ultimately, these rhetorical devices convey the oral traditions in each passage that provide the history of different cultural

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

　　Natalie Diaz's debut collection, When My Brother Was An Aztec, is a book of poems that accounts Diaz's skills in imaginative and lyrical language. The collection explores her past in unexpected form and images, tackling the subjects of her family, most notably her meth addicted brother, life on the reservation, and being a Native American woman. In this collection Diaz has filled the pages with rich and interesting images that rely on Native American culture, experiences of her own as a Native American woman, and mythology. As I read this collection I was struck by how heavy her images rested on the page and yet how weightless they seemed to fly off.

Sandra Cisneros’s short story “Never Marry a Mexican” deals heavily with the concept of myth in literature, more specifically the myth La Malinche, which focuses on women, and how their lives are spun in the shadows on men (Fitts). Myths help power some of the beliefs of entire cultures or civilizations. She gives the reader the mind of a Mexican-American woman who seems traitorous to her friends, family and people she is close to. This causes destruction in her path in the form of love, power, heartbreak, hatred, and an intent to do harm to another, which are themes of myth in literature. The unreliable narrator of this story was created in this story with the purpose to show her confusion and what coming from two completely different

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

Many people have experienced a Rite of Passage at least once in their lives without recognizing it. Experiencing a Rite of Passage is necessary to becoming an adult. A Rite of Passage can be both formal and informal, they both indicate a shift from one state to another. Formal Rites of Passages are weddings, Quinceañeras, and Bar Mitzvah, whereas informal Rites of Passages are a person’s first kiss, first job, and or the loss of a person 's virginity. Julia Alvarez focuses on the process and idea of Quinceañeras in her article "Selections from Once Upon A Quinceañera." Also included in this article is Jaider Sánchez that witnessed the sexual part of the ritual and Isabella Martinez Wall who talks about the benefits of the ritual on her life.Although many people believe that experiencing a Rites of Passage is not directly related to one 's self identity, these rituals both informal and formal do in fact affect one 's personal identity.

The traditions in Chronicle of a Death Foretold are revealed to be very important in this Latin American society. From arranged marriages, to greeting the bishop, we see tradition affecting the lives of many of the people in the river village. However we can also see this through the roles of women in this society. Purisima del Carmen, Angela Vicario’s mother, has raised her four fine daughters to be good wives. The girls do not marry until later in their lives, and only seldom socialize beyond the confinements of their home. The women spend their