Quotes From The Count Of Monte Cristo

The Glass Castle, a both heart throbbing and emotional story written by Jeanette Walls shares her life through her child eyes. Walls grew with a different lifestyle than what we would normally see today. A family that isn’t much of a family but is a sense of stability and security to her. Throughout her life her family has been through hunger, unstable homes, a drunk father and very little of outer family relationships. She struggled along with her brother and sister but with free-spirited parents for her that is all she needed.

As Henry Miller once said, “Chaos is the score upon which reality is written” (“Chaos Quotes”). Miller seems to believe that no matter what actions we take, the world is destined to return to chaos. He seems to be right. Today’s world has been overrun by social issues such as hunger, segregation and depression. While government programs everywhere take action to prevent these issues, their efforts are futile. The truth is, to prevent these social issues, the world must kill the seed from which they grow. In Jeannette Walls’ book, The Glass Castle, she perfectly demonstrates how one social issue can become a source of many others. In the book, Jeannette’s father

The Count of Morcerf is publicly dishonored by the Count because of his past. By the end of the story, Edmond is finally content with his ‘human providence’, as he calls it, and goes away to live a happy life with Haydée.

When Fernand first betrays Edmond in The Count of Monte Cristo, his main motive is jealousy. This is blatantly stated when, upon being asked by Edmond why he is selling him out, he replies: “Because you’re the son of a clerk, and I’m not supposed to want to be you!” Edmond, who up until this point in the story had thought that they were best friends, is shocked by his betrayal and vows revenge on Fernand. This theme of jealousy is also present in The Cask of Amontillado with Montresor, the protagonist. Montresor’s jealousy however, is much more subtle. This is only hinted at when he tells Fortunato “You are rich, respected, admired, beloved; you are happy, as I once was.” (Poe, 6) as he implies that he envies the prestige that Fortunato possesses; Montresor was once a great man, Fortunato still is, and he is jealous. That is not to say that Edmond, the protagonist in The Count of Monte Cristo, is not also driven by jealousy as he spends a good deal of time conflicted about his feelings towards his ex-fiance, extremely upset by the discovery that Fernand ended up marrying her. This revelation adds a whole other layer to the betrayal that Edmond is feeling as well, knowing that the love of his life married the friend that basically sent him to prison for a decade. The betrayal in The Cask of Amontillado comes not from Fortunato's part, but Montresor’s. Fortunato is completely oblivious to the fact that he has done Montresor any wrong or that

Even though Lord Capulet, from the play The Tragedy of Romeo and Juliet written by William Shakespeare, is trying to do what he thinks is best for Juliet, Lord Capulet starts off as a loving and caring father but slowly graduates into an ignorant and insensitive father because when confronted by Paris, Lord Capulet tells him that Juliet is too young to marry and that in a few years, if she says yes, then it is possible. When Tybalt dies, Capulet moves up the wedding to the upcoming Thursday without Juliet's consent. Lord Capulet loves his daughter but does not know much about her true thoughts or feelings. Because of his ignorance towards her feelings, Juliet starts to resent her father and becomes a disobedient and dishonest daughter. Capulet

What is the secret of perfect parenting ? Numerous parents may have different assumptions , of what precisely are the ideal goals to raise a child are. The Walls’s family had a unique perspective on “parenting”. Several readers may agree they had various flaws, by not giving their children the basic needs . Though despite all of their flaws , they did teach their kids valuable life lessons and self love.

Dumas, Alexandre. The Count of Monte Cristo. Trans. Lowell Bair. New York: Bantam Edition, 1956. Print.

Do you know what it feels like to be powerless? A white nineteen year old woman named Mayella Ewell Falsely accuses a black man of raping her in Maycomb, Alabama, in the 1930’s, and is rendered powerless, due to being recessive in her social class, race, and gender. She does so in hopes of escaping her abusive father, and a chance to have a better life. Although Mayella is white, she has been shunned by African Americans and other white people. Mayella is a very young woman that does not own anything nice, nor clean, besides geranium flowers. During the 1930’s, men were the dominant sex, as a female, Mayella has to obey her father, Bob Ewell. As a result, Mayella was mistreated and abused.

Quote 1: “As for the senior prom, I had about as much chance of getting a date as Dad did of ending corruptions in the unions.” (213,Walls)

As Edmond Dantes loses his dignity, he takes a new role as Count of Monte Cristo and other personas that was only a secret to himself and the audience, which is a form of dramatic irony. After Dantes escaped from prison, he goes to Monsieur Marseilles and tells him that he was “the head clerk of the firm of Thomson and French,”(Dumas 111) whose role he uses to buy an investment. Here he disguises himself as the head clerk of the firm of Thompson and French to prevent others from knowing, which is dramatic irony since the audience knows something that the characters in the novel don’t. Not only were his personas a form of dramatic irony, but incidents that occured after Edmond’s imprisonment were also a type of dramatic irony. Noirtier had hidden the fact that he “killed [Frank’s father]”(Dumas 310) from Franz, which is a form of dramatic irony since the audience knew about it. Through this fact, the reader can view Noirtier as very dangerous individual but also as a protective grandparent since he hid this fact from Valentine to protect her. Later, Caderousse and Andrea plans a robbery that will take place in the Count of Monte Cristo’s house, but this robbery didn’t stay a secret for long. The Count of Monte Cristo was given a letter that warned him of an upcoming robbery, and the Count inferred that “they want to kill me,”(Dumas 330) which led him to be prepared. Dumas uses dramatic irony here because it leads the Count to be prepared without Caderousse knowing, which

Caderousse: one of the original plotters against Edmond, he unlike Danglars and Fernand doesn’t get rich off of the scheme. In fact he chooses not to take an active part in the crime of framing Edmond for something he didn’t commit. This doesn’t mean he isn’t greedy, he is but more however he is constantly dissatisfied with his state/position and is not afraid to use any means at his disposal to rise further and further above his station. Including thievery and murder, this though gets him killed by the count when trying to rob him. Thus getting Edmond one step closure to his ultimate goal of complete vengeance.

In the autobiography, “The Glass Castle” written by Jeannette Walls many different paradigms are present when it comes to Jeannette’s parents. However the uninvolved parent paradigm is most consistently exhibited by both Rex and Rose Mary Walls. The easiest way to identify an uninvolved parent according to (Cherry, “The Four Styles of Parenting”) is low or lack thereof communication. In a scene where the walls family is driving to Phoenix to move in with the children’s grandmother once again (on Rose Mary’s side), Jeanette discovers that the grandmother had been dead for months and she had not been informed by either of her parents. She asks, “Why didn’t you tell us?”; “There didn’t seem any point” responded her mother (92). This quote

These leaps of faith allow him to make life-altering decisions for everyone involved. “Social scientists interpret these leaps of faith either as escape from rationality or simply a different level of rationality” (Sherman 1). The Count had a brutal life as Edmond Dantès; he had an extensive imprisonment, lost his love to his enemy, and was framed by people he believed to be his friends. The vengeance that Dantès seeks when he escapes the Château d’ If can be viewed as an escape from reality. Rather than accept what he has lost, Dantès wants to ruin his enemies’ lives; he refuses to continue life and deal with the pain. To escape from reality he uses his newly acquired wealth to buy himself a new title and a new life: all in the name of revenge. When Dantès becomes the Count and begins to plot his revenge he takes on a God-like image. His immense wealth and manners leave the Parisians awestruck. They have faith in him because he appears to be knowledgeable and well traveled. It is easy to hold someone with such impressive qualities to the standard of a godly figure. The Count takes on a father-like relationship with many of the young men in the novel such as Maximilien and Albert. God is also viewed as a fatherly figure, bringing support and comfort to his “children.” ‘The God-creator whom believers call father, Freud writes, ‘really is the father, with all the magnificence in which he once appeared to the

In the book The Castle of Otranto the people of the castle are surrounded by unexplainable events. These events are in most cases damaging to one’s own mind. Those who are seen as great and loving are turn in to violent and unpredictable individuals. Those who were affected include the highest level of nobility, down as far as to the simple servant. While denial is shown by them there is no doubt that they have changed, and only in disastrous ways. Weather the person has good intentions or not they are changed and their intention becomes what they do. A corrupt power which cannot be stopped. People may try to help and form the person to their former self but in The Castle of Otranto this is not the case. When people react to unexplained

Fernand and Danglars talk about how to get rid of Edmond so the send a false police report about him.Edmond gets arrested and is sent to Chateau d’if for life for being accused of being a Bonapartist spy. Edmond escapes from jail with the help of Abbe Faria. He travels to Monte Cristo to claim the treasure. He returns to Marseilles in disguise as the Count of Monte Cristo and other alias. He tells people that Edmond Dantès is “dead”. Albert and Franz meet the Count. Franz gets a ransom note saying that Albert has been kidnapped and The Count saves Albert from Luis Vampa (who was his friend). The Count encounters Danglars about buy his prized horses from him. The horses escape and terrorized Madame Villefort and Edward her son. The Count saves them by having his slave lasso them. The Count invites them to his party and reveals that there was a murder at his house where Danglars used to live. Villefort’s mother and father in laws were killed. Valentine’s grandfather has a stroke and doctors said he was poisoned. He narrowed down that she poisoned him when she bought his