Quotes From The Pianist

In today’s society, people tend to view the Holocaust as a horrible thing that happened and it won’t happened again. But nobody really understands fully what it meant to go through it, except for Holocaust survivors. Unfortunately, they were hesitant to share those moments that forever changed them. Elie Wiesel is not one of those people. As the author of the memoir Night, he uses repetition and imagery to try to fully express the amount of terror and suffering that they had to go through during the Holocaust.

When dealing with Non-Fiction and Memoir it is imperative to realize that no two authors will approach telling their story in the same manner. Elie Weisel and Charlotte Delbo, two survivors of Auschwitz, both chose to write their Memoir as testimonials of their experiences. Despite sharing a method of testimonial and similar experiences in their stories, the two finished pieces are nearly entirely different. This paper will focus on Elie Weisel’s method of reporting his experiences to the reader, as opposed to a brief discussion on Delbo who tends to reflect. The scene of focus in the comparison and contrast will be the arrival scene as the authors enter into Auschwitz. This is a universal scene that would have been similar for everyone that entered into the camp, so it is what I call a unique shared experience, as everyone’s experiences will of course vary. But, aside from being a common experience it is also a common primary reflective moment that both authors spend quite a bit of time discussing.

The Holocaust, yet another unpleasant time in history tainted with the blood and suffering of man. Human beings tortured, executed and starved for hatred and radical ideas. Yet with many tragedies there are survivors, those who refused to die on another man’s command. These victims showed enormous willpower, they overcame human degradation and tragedies that not only pushed their beliefs in god, but their trust in fellow people. It was people like Elie Wiesel author of “Night”, Eva Galler,Sima Gleichgevicht-Wasser, and Solomon Radasky that survived, whose’ mental and physical capabilities were pushed to limits that are difficult to conceive. Each individual experiences were different, but their survival tales not so far-reaching to where the fundamental themes of fear, family, religion and self-preservation played a part in surviving. Although some of these themes weren’t always so useful for survival.

The terrors of the Holocaust are unimaginably destructive as described in the book Night by Elie Wiesel. The story of his experience about the Holocaust is one nightmare of a story to hear, about a trek from one’s hometown to an unknown camp of suffering is a journey of pain that none shall forget. Hope and optimism vanished while denial and disbelief changed focus during Wiesel’s journey through Europe. A passionate relationship gradually formed between the father and the son as the story continued. The book Night genuinely demonstrates how the Holocaust can alter one's spirits and relations.

As the famous journalist Iris Chang once said, “As the Nobel Laureate warned years ago, to forget a holocaust is to kill twice.” After experiencing the tragedies that occurred during the Holocaust, Eliezer Wiesel narrated “Night”. Eliezer wrote “Night” in an attempt to prevent something similar to the Holocaust from happening again, by showing the audience what the consequences are that come from becoming a bystander. Elie illustrated numerous themes by narrating the state of turmoil he was in during the Holocaust. In Night, Eliezer provided insight into what he experienced in order to teach the unaware audience about three themes; identity, silence, and faith.

The aim of this book review is to analyze Night, the autobiographical account of Elie Wiesel’s horrifying experiences in the German concentration camps. Wiesel recounted a traumatic time in his life with the goal of never allowing people to forget the tragedy others had to suffer through. A key theme introduced in Night is that these devastating experiences shifted the victim 's view of life. By providing a summary, critique, and the credentials of the author Elie Wiesel, this overview of Night will reveal that the heartbreaking events of the Holocaust transformed the victims outlook, causing them to have a lack of empathy and faith.

The resistance of the Holocaust has claimed worldwide fame at a certain point in history, but the evidence that the evil-doers themselves left crush everything that verifies the fantasy of the Holocaust. For an example, in Poland, the total Jewish population of over thirty-three hundred thousand suddenly plummeted to three hundred thousand. Ten percent of the population survived the Holocaust in Poland. Almost every country that the Nazis have conquered has the same percent of survival as Poland. In Elie Wiesel Wiesel’s memoir Night, the activities in the concentration camps, the suffering of Jews, and the disbelief of the inhumane actions of the Nazis result in making people resist the truth.

The word Holocaust refers to the mass murder of 6 million European Jews by the German Nazi regime during World War II. It began in 1933 and ended in 1945. The ruler of Germany during this time was Adolf Hitler. He and the Nazis put the Jew in concentration camps, where thousands were killed everyday. This was one of the worst if not the worst genocides in history. Many books have been written to document survivors’ testimony of this horrific event. Elie Wiesel shares his story and Art Spiegelman shares his father’s story in the books Night and Maus. Comparisons can be drawn between Maus and Night through the author's purpose for writing , the survivor’s experiences, and the author's perspective.

The holocaust was a tragic time which involved the killing of Jews to create a ‘pure race’ in Germany. Jacob Boas analyzes the stories of five young Jewish children through the book “We Are Witnesses,” who were forced through the hardships of war. Through the perspectives of David Rubinowicz, Yitzhak Rudashevski, Moshe Flinker, Éva Heyman, and Anne Frank, the struggles of the five children are clear as they try to hold on to their ideals while still fighting for their lives. “We Are Witnesses,” by Jacob Boas adopts repetition and diction through the eyes of David Rubinowicz, imagery using Yitzhak Rudashevski, repetition and imagery via Moshe Flinker, repetition with Éva Heyman, and repetition and syntax by Anne Frank to brandish how Jewish

“I only know that without this testimony, my life as a writer--or my life, period-- would not become what it is: that of a witness who believes he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human memory” (Wiesel, Night viii). As a result of the horrors that Elie Wiesel experienced during the Holocaust, he devoted his life to become meaningful. Wiesel’s decent disposition changes through atrociously inhumane conduct toward Jews during the Holocaust as he becomes a brute to solidify identity, levy fears, and boost morale.

During the duration of World War II, the Jewish people of Europe were subjected to such inhumane actions at the hands of the Nazi party. Ellie Wiesel, in his memoir Night, describe this demoralizing treatment in great detail. As the reader delves deeper into Wiesel’s experiences, the dehumanization of the Jewish people becomes greater and greater. First, they were stripped of their possessions, then their names, and finally their dignity, and though the Nazi tried to finally stripped them of their humanity, they were unsuccessful.

Each of these histories reveal a story of suffering that is endured by both Gentile and Jew, but also a story of humanity and salvation. In Five Chimneys: A woman Survivor’s True Story of Auschwitz, Olga Lengyel tells of her family assisting other Jews fleeing the Nazi military. Later, after her own ordeals in Auschwitz, she was saved by citizens in a small Polish village. An essay written by Vera Laska is included in Women and the Holocaust: Different Voices, which is an anthology of essays about women in the Holocaust. In addition to the many stories of survivors and rescuers, I am using several scholarly articles

In 1983 Aharon Appelfeld published a work of fiction titled Tzili that closely resembled his own personal Holocaust experiences. This work of fiction revolves around a maturing teen who is alone and on the run during the Holocaust. In Tzili, Appelfeld brings to life his characters, which include Tzili, Katrina, Mark, and Linda. Throughout this literary analysis Appelfelds’ memoir Story of a Life will be used to access the parallels that exist between Appelfeld’s own personal experience and his fictional work Tzili.

One technique that is used by Polanski is camera angles. The use of camera angles has enabled the audience to see how unimportant the Polish Jews to the Nazis and therefore why they are dehumanised. For instance, they use a panning shot to show the line of the Jewish while waiting next to each other just before the Nazis shoot them down. This panning shot clearly shows the number of polish people who were standing on the line and how unimportant when they are just shot down with no interest in their individualities which are individual human beings. So this very clearly shows how the Nazis dehumanised the polish Jews. Another example of the camera angles used is seen in the scene that closes up the Jewish people’s face who is waiting for the death with bullet loading sound. This close up shot clearly shows the fear, miseries, and dread that the Jewish people can feel just before the Nazis shoot and how they are deprived the happiness that they can feel as a human. Hence, this also effectively shows how the polish Jews are dehumanised emotionally by the nazis. The theme of dehumanization of Polish Jews is clearly conveyed, as the camera angles successfully show how unimportant the Jews were regarded and how they feel.

‘The Pianist’ is a cinematic masterpiece by the Polish director Roman Polanski. One of the key ideas that appear throughout much of the film is that of ‘hope being instrumental in our survival’. This idea is portrayed through Wladyslaw Szpilman, a Polish pianist, as he struggles for survival in Warsaw as everybody that he once knew and everything that he once had is lost. The idea of ‘hope being instrumental in our survival’ is worth learning about as it allows the audience to realise the importance of hope in todays society – and to understand how Polanski uses music to symbolise ‘hope’ for Szpilman in the film. Polanski effectively utilises an array of visual and oral text features such as music, dialogue, and lighting to build further