Quotes On Hamlet

Goethe says, “He feels that now he is not more, that he is less, than a private nobleman; he offers himself as the servant of every one: he is not courteous and condescending, he is needy and degraded” (42). Hamlet, still mourning the death of his father, does not take this shift in stride, but rather lurches forward at a snail’s pace . Hamlet explains to his mother, “’Tis not alone my inky cloak, good mother, nor customary suits of solemn black nor windy suspiration of forced breath, no, nor the fruitful river in the eye, nor the dejected havior of the visage, together with all forms, moods, shapes of grief, that can denote me truly” (I. 2. 80-86). As Hamlet’s family falls apart, the growing shade of his paranoia comes fuller into form.

“How stand I then,/That have a father killed, a mother stained,/Excitements of my reason and my blood” (4.4.56-58)

One of the best known pieces of literature throughout the world, Hamlet is also granted a position of excellence as a work of art. One of the elements which makes this play one of such prestige is the manner in which the story unfolds. Throughout time, Shakespeare has been renowned for writing excellent superlative opening scenes for his plays. By reviewing Act 1, Scene 1 of Hamlet, the reader is able to establish a clear understanding of events to come. This scene effectively sets a strong mood for the events to come, gives important background information, and introduces the main characters. With the use of this information, it is simple to see how Shakespeare manages to create stories with such everlasting appeal.

In this paper I will be analyzing and discussing how these four soliloquies reflect changes in Hamlet’s mental state; his

O, vengeance! Why, what an ass am I! This is most brave, That I, the son of a dear father murder'd, Prompted to my revenge by heaven and hell, Must, like a whore, unpack my heart with words, And fall a-cursing, like a very drab, A stallion! Fie upon't! foh! (2.2.581-587).

Dearest friends, family and the people of Denmark. We gather here today to mourn the loss of the noble prince, loyal son and true friend, Prince Hamlet. But we are not here only to mourn, but to reminisce the times we have spent with him, both the good and the bad and to remember him as the person he was. Prince Hamlet did not live a very fortunate, on the contrary his final weeks were filled with a tragedy none of us should have to bear, but he lived his life to the full and I am sure that he has, in some way touched the lives of all of us here today.

Hamlet begins play by breaking bonds with his family. The death of his father, the former king of Denmark, leaves Hamlet in a state of depression. During Gertrude’s, Hamlet’s mother, and Claudius's, the new king and Hamlet’s paternal uncle, wedding ceremony, Hamlet is the only one wearing “nighted colour” (1.2.68), which are clothes for mourning. He isolates himself from the joys of everyone and instead chooses to wallow in his own dark world, with his initial grief for his father being the catalyst for his descent into isolation. Hamlet begin to have hopes to commit “self-slaughter” (1.2.132) as he is frustrated with his life in its current state. Hamlet is rejecting his family as it is, instead lamenting on his father, to the point where he contemplates suicide. By isolating himself from the land of the living, Hamlet believes he does not have a purpose anymore. When his mother comments on Hamlet seeming sad during the ceremony, Hamlet replies that he “know not ‘seems’” (1.2.76), commenting on his mother’s use of the seem and saying that his depression is not an act, but genuine. His mother notices that “His father’s death and our o’er-hasty marriage” (2.2.57) could be the cause of his emerging familial isolation and regrets to not have been able to do anything to help her son. Having seemingly lost his purpose in life, Hamlet begins his isolation by removing himself from his family.

“To be, or not to be: That is the question” (III.i.56). In William Shakespeare’s Hamlet, Hamlet is a young man who has become crazy from his trials and tribulations in life. He loses his father due to his uncle murdering him and then had to watch his mother marry the killer. Hamlets insanity can be demonstrated by his crude language and disregard for the wellbeing of his mother. It can also be shown by his depression, which causes him to second guess everything, including his life. Finally, his love, Ophelia helps to justify his absurdness by acting as a mirror. His foolish behavior worries many in the kingdom and creates a hostile and paranoid environment for those around. While some in the castle may believe that Hamlet is putting on an act, he proves that he is mad through his violent actions, his mental health and Ophelia.

Since the mental state of the characters in Hamlet is constantly changing, each character's view on themselves and others also change. Sometimes, when a person’s mental state changes, such as in Hamlet’s case, “Whether ‘tis nobler in the mind to suffer… And, by opposing, end them”

In Hamlet's second soliloquy, Act 2, Scene 2, his speech moves through anger, self-condemnation and agonised self-accusation, impassioned fury and mocking self criticism, deep reflection and determination. He continuously points out his faults on how he cannot raise himself to adequate passion to avenge for his father's murder, he comments on how the actor showed grief for his lines, and how he cannot, even though he has great reason to. Hamlet's mood is far beyond normal and has gone into philosophical realms, continuously using metaphors to show his disgust and anguish for himself and his attitudes to the current affairs in the state of his own home.

Based on the play of Hamlet by William Shakespeare, suicide is the most prevalent and important themes in Hamlet. Hamlet always asks himself for the reason to stay alive. Even though he always thinks that there is no reason for him to stay alive, however he always chooses to stay. The first reason Hamlet seems to contemplate suicide is because his life is contaminated by sins and revenge. The other reason he is thinking about suicide is because he is young and immature. Young adults usually look for escapes when they become angry with things. There are many instances where Hamlet contemplating suicide and he treats the idea of suicide morally, religiously, and aesthetically, with particular attention to Hamlet’s two important statements about suicide: the “O, that this too too solid flesh would melt” soliloquy (I.ii.129–158) and the “To be, or not to be” soliloquy (III.i.56–88).

Claudius is not the only fraudulent character in the first two scenes where the theme of appearance verses reality is prevalent. When Hamlet’s mother tries to get Hamlet to accept the fact that all things in nature die she asks him, “If it be, Why seems it so particular to thee?” (I, II, 79) Hamlet responds with, “ “Seems,” madam? Nay, it is I know not “seems.” ” (I, II, 79) Hamlet accepts the fact that all things in nature eventually die, yet he refuses to believe the appearance of how his father dies. The queen is again applied to this theme when she addresses Rosencrantz and Guildenstern to spy on Hamlet:

Hamlet begins to react upon his feelings and does away with his reason as he says to the ghost that he will do away with all knowledge and memory and keep within his mind the want to revenge his fathers’ murder. “Yea, from the table of my memory I’ll wipe away all trivial fond records, All saws of books, all forms, all pressures past That youth and observation copied there, And thy commandment all alone shall live”, (1.5.96-103). Hamlet begins to exhibit the argued theme that revenge causes people to act recklessly

“To be, or not to be, that is the question,” (3.1.64). This famous line in William Shakespeare's Hamlet perfectly encapsulates Hamlet’s internal struggle throughout the play. Hamlet tells the story of the young prince of Denmark and his desire for revenge on the uncle, Claudius, who murdered his father. As is the case in many works of literature, Hamlet changes greatly throughout the play. However, because of his attempts to act insane, it can be difficult to precisely map the changes in Hamlet’s character. By carefully investigating his seven soliloquies, where he is alone and has no need to “put on an antic disposition,” one can understand and interpret how Hamlet’s character develops throughout the play.

In Act I, scene II, Hamlet delivers his first soliloquy after his mother and new step-dad/uncle Claudius try to convince him to get over the death of his father, and to accept their rather hasty marriage. In his first soliloquy, Hamlet questions whether or not he should kill himself, and curses God for making suicide a sin. Hamlet is also fixated on his mother’s rushed marriage to his uncle, not even a month after his father’s death. Hamlet says, “A little month, or ere those shoes were old/with which she followed my poor father’s body” (Lines 146-147). He is very hooked on the fact that his mother wore the same shoes to her wedding as she did to her husband’s funeral, not even having time in-between to break the shoes in. Hamlet wishes he could say whatever he wants and express his disgust about his mother’s marriage and his hatred for his uncle, but since his uncle is the reigning King of Denmark, he has to hold his tongue and show respect for the king. This first soliloquy introduces the reader to Hamlet’s indecisiveness and over analytical mindset.