Rabbit Proof Fence Sociology

August Wilson did not name his play, Fences, simply due to the melodramatic actions that take place in the Maxson household, but rather the relationships that bond and break because of the “fence”. The “fence” serves as a structural device because the character's lives are constantly changing during the construction of the fence. The dramatic actions in the play strongly depend on the building of the fence in the Maxson’s backyard. Fences represents the metaphorical walls or fences that the main characters are creating around themselves in order to keep people in or vice versa. The title may seem straightforward, but in actuality it is a powerful symbol which can either have positive or

Since the European settlement of Australia, the Indigenous people have been represented in a myriad of ways. The Rabbits (1998), an allegorical picture book by John Marsden (writer) and Shaun Tan (illustrator) and Rabbit Proof Fence (2002), a film directed by Phillip Noyce, are just two examples of this. Techniques such as music, changing camera angles and symbolism are utilised in Rabbit Proof Fence to represent the Aboriginal people as strong-willed and spiritual and in The Rabbits, exaggeration, different colour themes and perspective are used to portray the Aborigines as technologically inferior and overwhelmed against the Europeans. In both texts, the Indigenous people are represented as

The response to child abuse and domestic violence has changed a lot over the time. There are things that before were normal to people but now they are consider child abuse such as slaps and spanking. Which are ways that parents use as a form of punishment to correct misbehavior. However, things started to change after movements emerging. The House of Refuge Movement was one of them. It arose in the early 1800s to intervene on behalf on beaten and neglected children. It main priority was to prevented youth from growing up to be delinquents. This movement removed youngsters from their dysfunctional homes, but it was worst because these children were often thrown into places where they mingled with young vagrants and lawbreakers. After cases,

You may remember that in training we emphasize how many abused and neglected children remain so attached to their families that they want to live with them at any cost. This was not Dave Pelzer's experience. He grew to hate his mother for singling him out for systematic torture. His anger helped him survive: "I wanted to show The Bitch that she could beat me only if I died, and I was determined not to give in, even to death." (91)

outcome in life; due to their influences. One of their influences could be their parents and how

These two text convey the connections of the Indigenous people (numbats) and their connection to land and the settlers (rabbits). Bad Blood by Casey lever is a dual-narrative meaning that it is told from two characters perspectives from 2 points in time. The Rabbits written by John Marsden and illustrated by Shaun Tan is an allegory picture book which displays a variety of visual and narrative techniques, hidden messages which illustrate the connection of these two groups of very different people. The themes how the past impacts on the present and racism can be connected to Australia’s complex history through a variety of texts that explore the minority’s view from the past.

Lives are lead with anxiety over certain issues and with apprehension towards certain events. This play, Fences written by the playwright August Wilson deals with the progression of a family through the struggles of oppression and the inability to obtain the American Dream. The characters in the play develop throughout the story and can be viewed or interpreted in many different ways, but one man remains constant during the play and that is Troy. Due to certain events that transpired as he was growing up, Troy is shaped into a very stubborn yet proud man. To be a man who was black and proud ran the risk of getting destroyed, both physically and mentally. The world of the 1950s and 60s was rapidly changing and

A comparison of the text, ‘Us Mob, Walawurru’ written by David Spillman and Lisa Wilyuka and the film “Rabbit Proof Fence” directed by Phillip Noyce reveals that social attitudes in Australia between the 1930’s and the 1990’s have changed enormously. In the film ‘Rabbit Proof Fence’ set in 1931, Aboriginal children, more specifically half-castes –who are children with an Indigenous and Caucasian descent- are taken away from their families and to ‘Moore Rive Settlement’, where they are trained to fit into mainstream Australian society and be domestic servants. Later, the novel “Us Mob Walawurru” which takes place over the time period between the 1960’s to the 1990’s, demonstrates the changes that have taken place over the last fifty years. European Australians are more accepting and respectful of indigenous culture and the government has changed the laws regarding Terra Nullius to give the Aboriginal

‘Rabbit Proof Fence’ was the story of a 3 young Aboriginal girls who were taken from their homes because they were ‘half castes’ and then their long walk home following the rabbit proof fence. The idea of the government taking children from their homes and placing them into the care of white people in the hope of them losing their cultural beliefs was stronger. This idea of them being changed was evident with quotes such as “This is your new home. We don't use that jabber here. You speak English” providing the idea of whites being dominant through their values.

Freedom: The reason why they have to go on the fare is because they want their freedom back.

The concept of tracking is an essential skill to the Aboriginal trackers in Australia. Before the colonization of the white settlers, tracking was a traditional trade skill in the lives of the Aboriginal people needed to survive in the environment of Australia. Soon after, tracking became a significant role in Aboriginal history because it molded the relationship between the Aboriginals and the white settlers. In the movie adaptation of the novel Follow the Rabbit Proof Fence, the tracker illustrates how perceptions of trackers can transform by witnessing the struggle of the tracker living in both white society and aboriginal culture. Therefore, in both the movie and the novel, tracking demonstrates how it has impacted the history of

The recent Australian film, Rabbit Proof Fence, similarly condemns the social, political and cultural mores of colonial and post-colonial Australia in relation to its past treatment of indigenous Australians. Like To Kill a Mockingbird, it too, is set in the 1930’s and reflects similar attitudes and values whites have to black people. The film is a true story based on the book by Doris Pilkington Garimara, the daughter of one of the half-caste children in the film who, together with two other Aboriginal girls, was forcibly removed from her family in Jigalong, Western Australia. These children form part of what is now known as the “Stolen Generation”. They, like many others who lived in the first part of the 20th century, were the victims of the official government assimilationist policy which decreed that half-caste children should be taken from their families and their land in order to be made “white”. The policy was definitely aimed at “breeding out” Aboriginality, because only half and quarter caste children were taken.

Prior to white settlement, Australia's representations were that of a primitive place whose inhabitants were a nomadic barbarous doomed race. Consequently, such imagery was the birthplace of an unconscious bias foundational to the historical contrast that divides Australian society. The volume of this irrational prejudice through the perpetuation of dominant western ideologies depicted Aborigines as treacherous and unscrupulous. In contrast, the riveting Rabbit Proof Fence film released in 2002 and directed by Philip Noyce, eschews bigotry by illuminating a dense history of racist and distorted Aboriginal representations. Furthermore, it chronicles the ordeal of the Stolen Generation which included abducting "half-cast" Aboriginal

They used informal interviews with victims of domestic abuse and also the people who worked with and helped victims to show how families can often be a violent group and to show the male domination within households as well as demonstrating to the public the “hidden” problem.

I grew up in one of the least diverse countries in the world- Russia. Some things have changed since I lived there but back in 1997 pretty much only white Russians lived in my city. It was very unusual for us to see anyone of another race and when we did, it was very obvious that the person did not fit in. Russians were almost afraid of people who did not look like them and made sure to avoid them on the streets. Nowadays, in 2016, you see more diversity on the streets on my home town Yaroslavl, but to this day not many colored people live there and people are still skeptical about their presence. It's not that Russians are racist (well maybe they are), they just did not grow up in a diverse country, so it is a very new and unknown territory