Race Representation In American Cinema

The 1987 film documentary Ethnic Notions directed by Marlon Riggs, identifies the evolution of African American cultural depictions through ethnic stereotypes and caricatures in American culture. I feel Ethnic Notions exposes the roots of false generalization from the beginning and presents a series of classifications for racial depictions that still are noticeable in today's society. These racial depictions identified with in this film begin in the mid 1800's and continue thought to the 1960's. I now after viewing Ethnic notions agree that there are generalizations and depictions that are exaggerated in American popular culture and entertainment.

Asian American actors and actresses are portrayed in Hollywood movies as always being the silent and yielding foreign victims to social injustice and prejudice. Whether or not these depictions are true, they are nonetheless stereotypes that Hollywood producers have come up with. According to the US Census in the year 2000, Asian Americans make up 4.2% of the entire American population, and knowing that most Asian Americans live on the west and east coast of the United States, many Americans living in central parts of this country have not really been exposed to any Asian Americans. Because of this fact, it is highly probable that most Americans get their exposure to the Asian American lifestyle only through television and movies. Even if

While the 1970’s and 80’s marked a decline in movies featuring black actors and a lack of black directors, the mid 1980’s through the 1990’s invited a new generation of filmmakers and rappers, engaging with the “New Jack” image, transforming the Ghettos of yesteryears into the hood of today. A major director that emerged during this time was Spike Lee. According to Paula Massood’s book titled, Black City Cinema, African American Urban Experiences in Film, “…Lee not only transformed African American city spaces and black filmmaking practices, he also changed American filmmaking as a whole.” Lee is perhaps one of the most influential film makers of the time, likely of all time. He thrusted black Brooklyn into light, shifting away from the popularity of Harlem. By putting complex characters into an urban space that is not only defined by poverty, drugs, and crime, it suggests the community is more than the black city it once was, it is instead a complex cityscape. Despite them being addressed to an African American audience, Lee’s film attract a mixed audience. Spike lee’s Do the Right Thing painted a different image of the African American community, “The construction of the African American city as community differs from more mainstream examples of the represents black city spaces from the rime period, such as Colors…, which presented its African American and Mexican American communities through the eyes of white LAPD officers.”

Through the use of images, films, and other media outlets harmful stereotypes are often times created. One of the many challenges that American cinema endures is the inability to correctly portray characters of color. Film directors have formed a habit of creating and defining characters in a way that the audiences can easily identify with, thus leading to the reproduction of racial stereotyping. Black characters have generally been stigmatized throughout the course of history as aggressive, inferior, and irrational beings. These common stereotypes are perpetuated through the use of redundant film clichés that have a significant impact on society’s popular image of blacks. Within the article In Living Color, Michael Omi claims that despite progressive changes in America pertaining to race, popular culture is still responsible for damaging racial stereotypes and racism. Whereas, within Matt Zoller Seitz article, The Offensive Movie Cliché That Won’t Die, he discusses film clichés such as “Magical Negro” that uses an African American character for the sole purpose of acting as a mentor for their oblivious white counterpart. However, Get Out, a horror satire on the micro-aggressive black experience, directed by Jordan Peele, debunks these racial stereotypes centered around black men. The film subverts the use of racial stereotypes, as it rejects America’s depiction of common black men behavior pertaining to their criminalized lifestyle, masculinity, and aggression in

The United States has long been a country that has accepted that change is a necessity for prosperity and growth. However, each change within the nation's history was hard fought against those who resisted such change either through racism, bigotry, and blatant discrimination. African American cinema is enshrouded in history that depicts these themes of racism, struggle, and deprivation. Yet, this same cinema also shows scenes of hope, artistic spirit, intellectual greatness, and joy. Black actresses, actors, directors, producers, and writers have been fighting for recognition and respect since the great Paul Robeson. The civil rights movement of the 1950's and 60's was fueled by black cinema through films like A Raisin in the Sun.

Tommy L. Lott, Redefining Black Film (1995), asserts that the growing number of Hollywood movies by black independent filmmakers demand a more black film commentary, which was fostered by the Blaxploitation era

Film is one of the most influential means of communication and a powerful medium of

The history of African Americans in early Hollywood films originated with blacks representing preconceived stereotypes. D.W. Griffith’s 1915 film, Birth of a Nation, stirred many controversial issues within the black community. The fact that Griffith used white actors in blackface to portray black people showed how little he knew about African Americans. Bosley Crowther’s article “The Birth of Birth of a Nation” emphasizes that the film was a “highly pro-South drama of the American Civil War and the Period of Reconstruction, and it glorified the role of the Ku Klux Klan” (76). While viewing this film, one would assert that the Ku Klux Klan members are heroic forces that rescue white women from sexually abusive black men. Griffith

We are all people with different interests, but something that connects us is films, series, and television in general. If one pays attention, one can see that there is an unequal race diversity within the Hollywood industry. This is not as shocking because, since the beginning, the United States was being built upon race inequality. To illustrate, Africans were being brought to this country to be taken away their rights as a human being, Native Americans were being robbed of their own land, and other people of color were being treated as lesser than a white man. As time went on, progress was being made, but people of color were still being seen as minorities.

In many ways technology makes access to academic work, research and employment easier and faster. However, I am concerned that technology is too often chosen over humanity. Historically,representations of African Americans in technological media tend to value "white" bodies at the expense of Black bodies (Stam and Spence, 1983). Further, recent studies show (Zickmund 2000), in fact, the ways in which some World Wide Web sites make it easier for hate groups to spread their misinformation, contributing to the devaluation of black bodies in technological media. Together, these media representations can be understood in terms of a digital devide between technological "haves" and

G. Willow Wilson once said that “there's a burden of representation that comes into play when there aren't enough representatives of a certain group in popular culture.” The articles “Opinion: “Black Panther" gives me a personal reason to cheer for a new superhero” by Brandon T. Harden, “Opinion: "Black Panther" and the beauty and strength of black women” by Mary-Jean Nleya of Al Jazeera, and “'Black Panther' inspires more than African Americans” by Dean Obeidallah illustrate why movies such as “Black Panther” have impacted Hollywood and its viewers. Despite the fact that there are some people who do not attend the movie theater and may not care about renown movies such as “Black Panther” or “A Wrinkle In Time”, it is clear that these movies with diverse casts will impact and support accurate and inclusive representation in Hollywood.

In cotemporary America, cultural text such as films form many conceptions of race, gender and social for the people who watch them. This paper argues four Key and Peele skits “Substitute Teacher”, “I Said B*tch”, “Phone Call” and “Proud Thug” to challenge and complicate gender norms by highlighting the ways in which gender, race and class are performed in public and private settings. When you critically examine these texts there are stereotypes that underlay the film that are obvious, but are portrayed as comical. The intersectionality between gender, race and class are often addressed in many of these short skits. Often the films or skits engage in patriarchy and the main characters are men. In order to further examine the topic first

The representation of minorities in Hollywood has always been sparse and controlled in a way to fit the stereotype of the minority group.Many a time minorities are added to movies (depending on the subject matter of the film) to add color so that the film itself will not be criticized hugely for that aspect.When it comes to black Hollywood actresses it is more likely for the light skinned blacks to be casted rather than their darker counterparts. An example of this is the 2016 film Nina the film is a biopic of Nina Simone's life who was a dark skinned singer and activist in the civil rights movement. For the film they casted Zoe Sladana as Nina which itself can be seen as an issue because of Sladana noticeable lighter skin tone however

During the beginning stages of film and media, Blacks struggled to represent their own stories, beliefs, opinions and identities because whites controlled the entertainment industry and chose what images of Blacks to portray. The people targeted in the mass media were White, many of them European immigrants looking to the media to learn about the people and their new nation. Men and women of color were treated by the media as fringe audiences, not large enough in number to influence the content directed to the mass media” (Wilson Gutierrez, & Chao, 2013, p.37). The next shift within Black representation in the media happened during the Civil Rights Movement. Footages of protests and speeches by Black people started being shown more on television

“Man, I counted at least 15 black people on that monitor. I’m here at the academy awards, otherwise known as the White Peoples Choice Awards.” said Chris Rock to kick off the 2016 Oscars Academy Awards. The Awards were surrounded with controversy through and through. It was the second time in a row that absolutely no African Americans had been nominated. Considering that a lot of great movies came out in which African Americans either wrote, directed, or acted in, a few in the the Black community exclaimed that the racism in Hollywood needed to end. On the other hand, others felt that the reason that no black actors were nominated was because they were not good enough this year, or the one before that…, to earn a nomination. They feel as though