Racial Discrimination In Wallace Thurman's The Blacker The Berry

Black people still call America their home, even though they are consistently discriminated against. Consistently hated on because of how they look like. Black people have been viewed as trouble, suspicious, no good, and will never be anything respectable (Goldberg 2). When young black children cannot be protected from this everyday, so they adapted to this way of life and was to never believe otherwise. Racism and discrimination limit not only black people, but everyone of color. People of color believe they will never be like a white man because of all the advantages a white man has. However, people like Benjamin Banneker, Kenneth Clark, and Toni Morrison are showing their skin color does not relate to their success or intelligence (Goldberg 3). These people are showing how even with all the injustice in America, they were still able to be successful. It is not about what the color of one’s skin is, it is about the mindset and perspective of each

Among the critical responses to Home to Harlem, W.E.B. Du Bois’s criticism of Claude McKay’s text seemingly speaks from an essentialist perspective. Du Bois simply found that McKay’s representation of black culture within his novel reproduced stereotypical and crude images which white audiences desired in the midst of the Harlem Renaissance. In response to Du Bois, McKay argued that the novel was created for a black audience, but, to delve even deeper outside of Claude McKay’s views, it could be argued that Home to Harlem does not produce a single identity at all. Rather, Home to Harlem’s perpetual mobility and movement invests in the idea of black “identity as ‘production’” rather than as the exhibition of a “collective ‘one true self’”

The Harlem Renaissance was a time of revival and awakening in which the African American community produced a new form of cultural identity. After years of oppression and slavery, African Americans struggled to discover their own distinctive culture. It was through the literature and artistry of the Harlem Renaissance that the African American community began to express the suffering and resentment they truly experienced. In addition, the movement allowed them to find a way to escape their hardships. James Baldwin’s “Sonny’s Blues” and Langston Hughes’ “The Weary Blues” address the addiction, poverty, and violence that surrounded African Americans and the triumph of life that was captured in their attempt to escape the suffering.

Lastly, the spirit and “soul” of the individual was threatened. In the Gilded Age, many workers lost a sense of their true identity, and turned to drinking or long fits of depression. In DuBois’ writings, we also here stories of the desperate slave who has had his identity stripped of him by wealthy plantation owners. However, through all the inhumane and degrading atrocities they faced, the spirit of African-American’s as a people did not die. In DuBois’ book, we read songs and stories that kept hope alive. We

Howard Thurman removes the window dressing in the African American experience of segregation in America. Thurman in his book, “The Luminous Darkness” paints an obscure portrait that delved deep into the consciousness of Black men, women and children freshly freed from chattel slavery. Two hundred years of slavery and one hundred years of darkness seeping into each soul perpetuated by an evil explained only through the Word of God. Although this book was published in the 60’s, the stigma segregation continues resonate in the souls of those who remember and perhaps even in the souls of those who do not.

African American individuals still faced inhumane discrimination and were often not looked at as people, let alone cared for or acknowledged. To anyone else, their opinions did not matter and their lives were not valued. The 1930?s was also a time in which America was being rebuilt after the detrimental effects of the Great Depression. Furthermore, there was a greater presence of African Americans in northern states, which brought about racial tension from powerful white figures who did not want African Americans in what they believed to be ?their cities?. The struggle to find jobs was present all over, and African Americans found it even more difficult to support themselves. The narrator faced all these obstacles throughout the course of this novel.

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

The Kansas City Call summed up the general mentality of African Americans during the 1920s with the statement “The New Negro does not fear the face of day.” (pg 118) Unlike the old days of slavery, African Americans had become more radical towards their oppressor and were beginning to organize as a people. Harlem Renaissance poet Claude Mckay embraced the “New Negro” archetype in his work by stating “If we must die, let it not be like hogs/ Hunted and penned in an inglorious spot….. Like men we’ll face the murderous, cowardly pack/ Pressed

By the end of Wallace Thurman’s novel, “The Blacker the Berry,” the main character Emma Lou has a revelation about herself. Her whole life she thought her dark skin color prevented her from good opportunities. She was hyper-sensitive towards her color and tried to make up for it by fitting in with the right type of people. She has economic freedom and have fit in with the right type of people. Emma was desperate to fit in with type of people that treated her inferiorly, but once she came to terms with the strength of her African American background, she is able to identify with who she is, a black woman.

The Harlem Renaissance was a time where creativity flourished throughout the African American community. At the time many African Americans were treated as second class citizens. The Harlem Renaissance acted as artistic and cultural outlet for the African-American community. The Harlem Renaissance, otherwise known as “The New Negro Movement” was an unexpected outburst of creative activity among African Americans In the poems Harlem by Langston Hughes, America by Claude McKay, and Incident by Countee Cullen all use frustration and hope as reoccurring themes to help empower the African-American population and realize the injustices they face day to day. The Harlem Renaissance was a period marked by great change and forever altered the

In 1925, philosopher and leading black intellectual Alain Locke published the short essay The New Negro. In this essay, Locke describes the contemporary conditions of black Americans, and discusses the trajectory and potential of black culture to affect global change in its historical moment (Locke 47). Locke wrote this essay in the midst of the Harlem Renaissance, a period in which black artists and intellectuals sought to reconceptualize black lives apart from the stereotypes and racist portrayals of prior decades (Hutchinson). The New Negro and the discourse around Locke’s work attempted to push forth a bold project: that of reshaping the cultural identity of black America with respect to the existent structures of American culture, as

From the 1920’s to the mid 1930’s a literary, intellectual, and artistic movement occurred that kindled the African Americans a new cultural identity. This movement became known as the Harlem Renaissance, which is also known as the “New Negro Movement”. With this movement, African Americans sought out to challenge the “Negro” stereotype that they had received from others while developing innovation and great cultural activity. The Harlem Renaissance became an artistic explosion in the creative arts. Thus, many African Americans turned to writing, art, music, and theatrics to express their selves.

“These places therefore are no longer mine but theirs. Not that I’m barred, any more than they were seven or eight years ago. But the complexion of the place is theirs, not mine. I? Why, I am actually stared at, I frequently feel uncomfortable and out of place, and when I go out on the floor to dance I am lost in a sea of white faces…Time was when white people went to Negro cabarets to see how Negroes acted; now Negroes go to these same cabarets to see how white people act.” African-American physician, radiologist, musician and novelist Rudolph Fisher was coupled with the Harlem Renaissance, whose fiction credibly illustrated black urban life, particularly in Harlem. In his first novel, Walls of Jericho, Fisher humorously and satirically presented a hopeful vision that African American men could get ahead in the urban north if they united to overcome distrust bred by spans of oppression. World War I shaped a transformation for African Americans from the “old” to the “new”, also known during that time period as The New Negro Movement. Thousands relocated from the rural South to the industrial North, following a vision of social and economic opportunity. This movement of the 1920s promoted a rehabilitated sense of “racial pride, cultural self-expression, economic independence, and progressive politics.” Described within Rudolph Fisher’s article The Caucasian Storms Harlem, The New Negro Movement appeared during a time heavily saturated by jazz, which was significant to not

“‘I don’t know, but they did it. They’ve done it before and they did it tonight and they’ll do it again and when they do it-seems that only children weep” (Lee 285). In this quote, Atticus Finch is talking to Jem about the racism in the trial. Saying that ‘Only children weep’, implies that the children have not yet been exposed to the harsh reality of the world and its racial discrimination. In To Kill a Mockingbird by Harper Lee, Society influences Jem to be angry and question the racial discrimination in Maycomb. Tom Robinson’s trial is one of the main events that takes place to change Jem’s views on racism.

After the abolition of slavery, the resurgence of African American literature rose and a brief period of black enlightenment called the Harlem Renaissance began. Black writers saw an increase in popularity, as many people (individuals of color and whites alike) sought out literature that highlighted how it really felt to be black in America. These books often framed post slavery through an extremely thin lens, and in almost every instance these novelists subconsciously omitted an important part of history. A group that suffered and ran alongside of these writers were often left out of mainstream literature and disregarded as the weakest form of being. From what I have found, most scholars agree that Alice Walker’s The Color Purple was the first highly honored book to give a voice to not just african american women, but spoke on the complexity of female sexuality in the african american community as well.