Racial Identity In Désirée's Baby

When I think about starting over, I am often reminded of Armand in the story of “Desiree Baby”. Armand, the protagonist in the story built a bonfire in the efforts of trying to erase away the memory of his wife Desiree, and his son. Armand’s bonfire symbolizes Armand wanting to start over and forget his past. Throughout the short story many elements of symbolism was used to convey a central message those include discussing symbols of racism, social class distinction, and the symbolic elements involving the difference between the gender roles.

In the time period that this story was written, a person’s background meant something as a name was a sense of wealth and worth. Since Desiree was adopted, her background was unknown and when Armand decided to marry Desiree he didn’t care because he would give her his name as all he cared about was his affection for her. For a little while all was well in the household. Desiree and Armand were happier than ever, and Armand treated his slaves better. This soon took a drastic turn as everyone noticed that their son had begun to show qualities of a Negro. Once these features were noticed, Armand’s attitude towards his wife and his slaves changed for the worst. In Armand’s eyes Desiree was at fault for giving the child those features since her history was unknown. Even after Desiree gives her husband evidence that she may not be a carrier, she and her child are still banished from the home and sent on their way.

In the short story, “Desiree’s Baby,” Kate Chopin exposes the harsh realities of racial divide, male dominance, and slavery in Antebellum Louisiana. Although written in 1894, Chopin revisits the deep-south during a period of white privilege and slavery. Told through third-person narration, the reader is introduced to characters whose individual morals and values become the key elements leading to the ironic downfall of this antebellum romance. As Chopin takes the reader through the unfortunate circumstances and unexpected twists of Desiree’s life, a Southern Gothic tale emerges. While Armonde is Chopin’s obvious villain, one should not assume that the other characters are not antagonists themselves, as

One of the first notable feature in “Desiree’s Baby is the naturalistic feeling weaved throughout the entire story. Desiree a young woman is damned by her own society just because of her possible African heritage. At this time in America having one-eighth African heritage was enough to put you on the bottom of the social caste system, especially if you were a female.

What sets Desirée apart in terms of her subjugation by Armand? It is not race, but the lack thereof. Desirée is unable to hide anything about herself because her origins are unknown (Chopin 401). She is a willing captive to Armand as a result of her love and her marriage, but she is not an unwilling captive to race; she is an unwilling captive to her otherness. She does not have doubts about her race, but must live with the reality that “Armand has told me I am not white” (Chopin 404). Because her origins are unknown and she does not have a name, she must acquiesce to the whims of Armand, who had at first decided to be unconcerned about “the girl’s obscure origins” (Chopin 401). Armand is the power here. He makes all of the decisions regarding the lives of those within his circle of power, and he does so because he is allowed to do so. Madam

Desiree’s decision to take the life of her child and her own is motivated by a desire to protect her son from the situation he has been born into and her own somewhat selfish inability to envision a new life. Desiree had an outlet from the hellish atmosphere on the plantation in the form of her loving mother, Madame Valmonde, who offered asylum and support in a letter that instructs Desiree to return home with her son (Chopin 418). She chose to ignore this olive branch because it simply did not compute with her that a life existed outside of her marriage with Armand and thus she chose death for both herself and her child (Korb). Desiree’s demise is rooted in the fact that her unknown familial ties made her completely helpless and unable to provide proof that she was indeed not a part of the African American race further illustrating the power of familial status that existed at the time and its ruthlessness towards those who were considered lowly people.

Yet it is not until Armand believes that Desiree is black that he fully dominates her simply by thinking that he is superior.  At this point, “when he spoke to her, it was with averted eyes, from which the old love-light seemed to have gone out” (317).  Armand feels that he is too superior to Desiree to devote his full attention to her.  Since he no longer expresses his love for Desiree, she feels further pushed into a slave-like position in the relationship, and, “was miserable enough to die” (318).

Desiree?s words show that her life depends on the race, notions, and social class of her husband and consequently, she feels obligated to obey his every desire. Desiree is presented as vulnerable to whatever Armand wants and tells her to do when she says, ?Do you want me to go?? (177). Desiree displays through her actions that in many ways, her happiness only comes from pleasing her husband. Therefore, Desiree must decide whether to live completely separate from Armand, or to live with him in constant fear and unpleasantness. Desiree achieves personal freedom and independence from Armand when ?she disappeared among the reeds and willows that grew thing along the banks of the deep, sluggish bayou; she did not come back again? (177). It is not even an option and is unheard of that Armand, being a male holding a respectable background, could possibly be black. Consequently, Desiree feels compelled to leave because she wants to please him. When Desiree decides to kill herself and her child, she shows that she is sensitive and vulnerable to her husband?s thoughts and actions.

Everyone wants to have some sort of identity, they want people to know them and like them. One quote that kind of explained what identity is “...identity is not necessarily a fixed trait, but is derived as much from how others perceive a person as from qualities intrinsic to that person,” (Themes 6). You are not born with one identity that you have to live up to, you make your own identity through the kind of person you are. This want to have identity makes it even scarier that one’s identity can change so quickly and so drastically. In “Desiree’s Baby,” Kate Chopin uses the character of Desiree and the character of Armand to express the theme that one’s identity can change very quickly, very drastically, but can also have negative effects from the changes.

The story Desiree’s Baby is about a young woman who is adopted by a two wealthy french creoles that live in Louisiana. Monsieur and Madame Valmonde adopted Desiree when she was found as a young infant by a pillar near the gate of their estate. The story then follows Desiree as she matures into a young woman and is married to a man named Armand whom which she loves very much. Armand and desiree soon have a child and both are extremely happy about the child but Armand soon pulls away both his compassion and happiness when he see’s something wrong with the child. Armand realises that the child is has some black in it, which happens to be the skin color of slavery. Shamed Armand blames Desiree for his child being part black seeing that Desiree’s

In Desiree’s Baby, many historical allusions can be found by examining the historical moment in which it was written in. The story consists of three characters: Desiree, her baby and Armand. The main conflict discussed in the story is that when Armand ,the baby's father, finds out that his child is of mixed blood, he can’t stand the thought of it. For since he was a young child, he was brought up to believe that skin color correlated with the value and purity of another individual. Therefore to with this new shocking reality, presses him to question what he truly believes. Yet in the process, Desiree loses sight of what she values and becomes overcome with guilt to the point of killing herself along with the baby. Nonetheless the story is

“Désirée’s Baby” is a story of love, prejudice and rejection, a story with noble beginnings that

"Desiree's Baby" is not a mere tragic short story by which a reader may be entertained by its ironic and catastrophic ending. It is a story of a crime and brutality against women of all generations to come, depicting vividly how a woman may suffer and conceal her anguish for the sake of others. It is a story of innocence slain mercilessly by the unscrupulous power of harshness that directly governs human societies.

“Desiree’s Baby” is a story about miscegeny in Creole Louisiana during the antebellum period. Desiree is adopted by a wealthy family and eventually marries the man of her dreams. Armand is a wealthy slave owner who falls in love with what he believes to be the woman of his dreams. Desiree and Armand are happy and have a perfect life until the birth of their son. The uncertainty regarding the ethnicity of Desiree and her son causes a great deal of pain for Desiree. The pain she endures leads to a devastating end. The character I identify with most is Desiree. I can identify with Desiree because of her vivid portrayal of love, betrayal, and racism.

Kate Chopin’s Desiree’s Baby is a short story about a girl named Desiree who is abandoned, then adopted into a wealthy family. Young Desiree soon grows up and falls in love with a slave owner, Armand,with whom she conceives a son with only to discover that her child's appearance consists of African descent characteristics. Chopin narrates the issues of oppression and loss of identity during a historical period of time through Desiree’s character. Derek Foster and Kris LeJeune's critique, focusing on the feminist standpoint of Desiree’s Baby, attempts to demonstrates how Desiree’s act to flee into the bayou is her first accomplishment of independence.