Racism And Inequality In Native Son, By Richard Wright

Richards Wright’s flick, Native Son takes place in Chicago. Having to grow up under the climate of harsh racial prejudice in 1930s, Bigger is burdened with a powerful conviction that he has no control over his life and that he cannot aspire to anything other than minimum, low-wage labor. His mother pesters him to take a job with a rich white man named Mr. Dalton, who is also Bigger’s landlord. Instead of taking the job, Bigger, chooses to meet up with his friends to plan the robbery of a white man’s store. When his plans for the robbery didn’t go as desired he decided to take the job as a Butler for Mr. Dalton. On his first day of work, Bigger drives Mary to meet her communist boyfriend, Jan instead of taking her to school. Mary consistently asked questions relating to Bigger’s ethnic background. Mary and Jan force Bigger to take them to a restaurant in the South Side. Despite Bigger’s frightened and embarrassed look, they order

Every young man struggles with his inner character. Choosing how he carries himself around others and even himself is a snapshot of how he will be as not only a husband but as a father. In “Notes of a Native Son” by James Baldwin, he is conflicted with the problems of racism during the 1950’s, striving not to become the man his father was, and trying to figure out who he is as an individual. These things are what empowers him to write this essay. Baldwin’s conundrum is fueled the turmoil of self and living in a racist society throughout this story.

Many times in novels, authors will use conflicts to strengthen the plot and to give more depth to the story that they are penning. There are four main plot conflicts that authors have to choose from: man versus nature, man versus society, man versus man, and finally, man versus self. Authors, many times, will use only one or two of these conflicts but in the novel, Native Son, all four conflicts are used to some extent. In this novel, Richard Wright, does a superb job of meticulously blending all four conflicts together to form a well-rounded novel about a black man in 1920 's Chicago.

Native Son by Richard Wright is about a black man, Bigger Thomas, who is becomes the chauffeur of the Daltons, a rich white family, and accidently kills the daughter, Mary. He attempts to cover his crime by putting the blame on someone else, but he is eventually caught and sentenced to death. Bigger deceives in an attempt avoid the consequences he knows the white world will deliver to him with and this deception contributes to Wright’s message of what racism does to the oppressed and additionally puts Wright’s communist party in a positive light.

In his most famous novel, Native Son, Richard Wright's female characters exist not as self-sufficient, but only in relation to the male figures of authority that surround them, such as their boyfriends, husbands, sons, fathers, and Bigger Thomas, the protagonists. Wright presents the women in Native Son as meaningless without a male counterpart, in which the women can not function as an independent character on their own. Although Wright depicts clearly the oppression of Blacks, he appears unconscious of creating female characters who regardless of race, are exploited and suppressed. Their sole purpose in the novel is to further the story by putting Bigger in new and more dangerous situations by

In Richard Wright’s Native Son, the book is split into three books. The first 2 books focus mainly on the suspense and tensions rising within Bigger’s life and finally in the last book he dies. The dramatic conflict of Native Son takes place chiefly within the mind of Bigger Thomas, who lives in a world of whites, blacks , or reds. To Bigger all of life is conflict and issues that is defined by the color of your skin with the whites being higher up. The tensions within the book can be comparable to fire and ice as each element possess traits which can be seen as metaphors within the novel Native son by Richard Wright and his essay of “How Bigger was Born”.

Native Son is set during the Chicago Renaissance during the 1930’s. Bigger Thompson lives in an impoverished neighborhood, and in a one-bedroom apartment with his mother and two younger siblings. To help supplement his mother’s income Bigger is pressured to take a chauffeur job offered by Mr. Dalton, who is a successful man who is also the landlord of Bigger’s building. On his first night of the job, Bigger is ordered to take Mr. Dalton’s daughter Mary to the local university. However, Mary directs Bigger to pick up her Communist boyfriend Jan. During the night, Mary and Jan drink excessively and beg Bigger to take them to a black neighborhood. When Bigger arrives at the Dalton’s residence Mary is intoxicated to the point where she is inebriated. Thus, causing Bigger to carry her to her bedroom without getting caught. Then, Mary’s blind mother walks in the room to check on her daughter. Frightened, and scared Bigger accidently kills Mary by asphyxiating her with a pillow to keep her quiet. Still

The sense of agency is formed through the responsibilities and interaction with others. It is essential in life, but how is one’s life different if they do not have that sense of agency? Native Son is written by Richard Wright. The protagonist named Bigger Thomas is a poor, uneducated, and 20-year-old black man. He lived in a one-room apartment with his mother, little brother, and little sister. Bigger was originally part of a gang, but then he left and got the opportunity to work for Mr. Dalton. However, on the first day of his job, he accidentally killed the daughter of Mr. Dalton named Mary Dalton. In my opinion, Bigger portrayed as a person who does not have agency over his life. The factors that formed Bigger into a person with no control

In “Notes of a Native Son”, James Baldwin intertwines his personal narrative thread and the broader, societal narrative thread. He draws from his childhood, explicating how he and his siblings did not understand or enjoy being around their father growing up, and his first time experiencing discrimination in the workplace. Baldwin then draws from societal issues by touching on a story in the Hotel Braddock where a Negro soldier and a white policeman got into a quarrel that was blown slightly out of proportion. The two threads allowed the reader to acknowledge the active role they play in fighting commonplace injustices. The author uses the closeness of hatred and hurt in regard to visiting his father in hospice care and the fabrication of alternative facts during the Harlem race riots to erect a guideline on how to combat injustice. He also stresses the importance of eradicating hate in the hearts of those involved. At length, the guideline becomes a plan of action for beginning a cross-generational project to stop the systematic oppression of his people. Baldwin is an advocate of the intersectionality of injustice and how change begins with self-reflection.

The image of Native Americans primarily consumed by all of America is more often offensive, stereotypical, or downright fictional. And this is all because a non-indigenous person is always the one teaching us about indigenous people, thus their bias is forever unconsciously tied to the “facts”, which could very well be just a “common sense racism” agreed upon by many others. For those who have no contact with a minority group, television is their best source of information on said group, and both the news and entertainment shows us what gets the best reaction; the Dakota Pipeline won’t get news coverage because it’s peaceful and not affecting 60% of America, but soon as black people snapped in during the Watts Riots of ’65 and they white life was in danger, everyone had their cameras pointed. And some went as far as to not know why the civil black man was no so up in arms all of a sudden, despite the recent court ruling of the police responsible for the assault of Rodney King. There is no looking at the cause of the anger, just like the argument to change many sports mascots from racial caricatures of Native Americans seems completely invalid for someone unwilling to see why it might offend someone. The only way to obliterate stereotypes fueling miseducation of the minority is to have everyone correctly educated on each minority group, through schools is good but through media (television mostly) is even better.

not to mention being an immoral act in itself.  Bigger Thomas is one of those

  In Native Son, Wright employs Naturalistic ideology and imagery, creating the character of Bigger Thomas, who seems to be composed of a mass of disruptive emotions rather than a rational mind joined by a soul. This concept introduces the possibility that racism is not the only message of the novel, that perhaps every person would feel as isolated and alone as Bigger does were he trapped in such a vicious cycle of violence and oppression. Bigger strives to find a place for himself, but the blindness he encounters in those around him and the bleak harshness of the Naturalistic society that Wright presents the reader with close him out as effectively as if they had shut a door in his

When analyzing Bigger Thomas, Richard Wright’s protagonist in the novel Native Son, one must take into consideration the development of his characterization. Being a poor twenty-year-old Black man in the south side of Chicago living with his family in a cramped one- bedroom apartment in the 1930’s, the odds of him prospering in life were not in his favor. Filled with oppression, violence, and tragedy, Bigger Thomas’ life was doomed from the moment he was born. Through the novel, Bigger divulges his own dreams to provide for his family and to be anything but a “nobody.” Although Bigger struggled to fight through obstacles to pursue his dreams for the future, his chase for a better life came to an abrupt

Oppression and Racism what are they? The dictionary defines oppression as “A prolonged cruel or unjust treatment or exercise of authority”, and Racism as “A belief that a particular race or group of people is superior or inferior to another”. Both of these exist in many societies and take on many forms and have no respect of your gender, your race or your financial status. In the early 1900’s in many parts of the United States these forces affected the decisions of many and controlled many of the actions of the people in that era. These people were ignorant to the fact that all men were equal in the eyes of God. Richard Wright in his novel, “Native Son” introduces Bigger Thomas and details his life as a black man living in what he calls

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).