preview

Racism And Mccarthyism In Orson Welles's Touch Of Evil

Decent Essays
Open Document

Orson Welles’ 1958 film, Touch of Evil, focuses in on some societal issues that were present during the time period of the mid to late 1950s, and uses its narrative and distinct visual style to get the point across. Some of these themes featured in the film include racism, McCarthyism, drug usage in border towns, and legal hierarchies. This is done particularly with its use of “borders” as a metaphor for all the activity going on in the film. The film begins with a long, tracking shot after a bomb is placed inside a car. We follow the car and see a couple walking down the street together. Because of this choice of shot, we are offered two vital introductions in one: We are introduced to both the inciting incident, as well as two of the main characters. As soon as the two main characters, Susie and Mike Vargas, make their way to the Mexican border, we are introduced to one of the many themes that will be prevalent in the film, and that is racism. Although the border patrolmen do not seem at all phased by the sight of an interracial couple, the cue that guides the audience to notice the undertones of racial prejudice, come in the mise-en-scene. Immediately after Mike kisses his wife, the bomb goes off just several feet away from them, using the inciting incident also as a tool to say that the general public will not agree with a white woman being married to a Latino man. Now it is possible that I may be getting ahead of myself when talking about racism in the film. While it

Get Access