Examples Of Sexism In The Bluest Eye

Claudia, another character who goes through a similar situation compared to Pecola. She is a young girl who came out from a loving family and is intrusive, yet sensitive.

Pecola evaluated herself ugly, and wanted to have a pair of blue eyes so that every problem could be solved. Pecola was an African-American and lived in a family with problems. Her father ran away because of crime, her brother left because of their fighting parents, and was discriminated simply because she has dark-skin. Pecola is a passive person. She is almost destroyed because of her violent father, Cholly Breedlove, who raped her own daughter after drinking. Because of this, Pecola kept thinking about her goal- to reach the standard of beauty. However, she was never satisfied with it. Pecola believed once she become beautiful, fighting between her parents would no longer happen, her brother would come back, and her father would no long be a rapist. No problem would exist anymore.

Despite knowing that they are "nicer, brighter," they cannot ignore "the honey voices of parents and aunts and the obedience in the eyes of [their] peers, the slippery light in the eyes of [their] teachers" when Maureen is around or the topic of conversation (74). The way Maureen dresses and behaves in front of adults is not the only way she affects Claudia and Frieda. With racist comments such as, "What do I care about her old black daddy...[and] you ugly! Black and ugly black e mos. I am cute," she infuriates the girls, for in their eyes Maureen is black too. Racist attitudes like Maureen's affect the poorer, darker blacks and can eventually lead them to think racist thoughts of their own.

Throughout Toni Morrison's novel The Bluest Eye, she captures, with vivid insight, the plight of a young African American girl and what she would be subjected to in a media contrived society that places its ideal of beauty on the e quintessential blue-eyed, blonde woman. The idea of what is beautiful has been stereotyped in the mass media since the beginning and creates a mental and emotional damage to self and soul. This oppression to the soul creates a socio-economic displacement causing a cycle of dysfunction and abuses. Morrison takes us through the agonizing story of just such a young girl, Pecola Breedlove, and her aching desire to have what is considered beautiful - blue eyes. Racial stereotypes of beauty contrived and nourished by

Pecola then starts to disintegrate into her fantasy world in an attempt to make herself feel better. In asking "please God... please make me disappear," she wants to leave this ugly place that is her home and her family (45). Morrison then leads the reader through the process of Pecola's different body parts disappearing, from her "fingers... one by one; then her arms disappeared all the way to the elbow... the legs all at once... her stomach... then her chest, her neck" (45). This succession of "slowly, now with a rush... [and] slowly again" fading body parts illustrates how much effort Pecola is putting into disappearing and how much this effort puts a toll on her body (45). In making herself feel better she is also tiring herself out, for the exertion she puts out does not make her happy and does not fulfill what she wants in the end: to fully disappear.

The affiliation between beauty and whiteness limits the concept of beauty only to the person’s exterior. The characters are constantly subjected to images and symbols of whiteness through movies, books, candy, magazines, baby dolls and advertisements. Another example of the images and symbols in the novel is when the black protagonist, Pecola, feasts on a ‘Mary Jane’ candy.

The desire to feel beautiful has never been more in demand, yet so impossible to achieve. In the book “The Bluest Eye”, the author, Toni Morrison, tells the story of two black families that live during the mid-1900’s. Even though slavery is a thing of the past, discrimination and racism are still a big issue at this time. Through the whole book, characters struggle to feel beautiful and battle the curse of being ugly because of their skin color. Throughout the book Pecola feels ugly and does not like who she is because of her back skin. She believes the only thing that can ever make her beautiful is if she got blue eyes. Frieda, Pecola, Claudia, and other black characters have been taught that the key to being beautiful is by having white skin. So by being black, this makes them automatically ugly. In the final chapter of the book, the need to feel beautiful drives Pecola so crazy that she imagines that she has blue eyes. She thinks that people don’t want to look at her because they are jealous of her beauty, but the truth is they don’t look at her because she is pregnant. From the time these black girls are little, the belief that beauty comes from the color of their skin has been hammered into their mind. Mrs. Breedlove and Geraldine are also affected by the standards of beauty and the impossible goal to look and be accepted by white people. Throughout “The Bluest Eye” Toni Morrison uses the motif of beauty to portray its negative effect on characters.

There are many themes that seem to run throughout this story. Each theme and conflict seems to always involve the character of Pecola Breedlove. There is the theme of finding an identity. There is also the theme of Pecola as a victim. Of all the characters in the story we can definitely sympathize with Pecola because of the many harsh circumstances she has had to go through in her lifetime. Perhaps her rape was the most tragic and dramatic experience Pecola had experiences, but nonetheless she continued her life. She eliminates her sense of ugliness, which lingers in the beginning of the story, and when she sees that she has blue eyes now she changes her perspective on life. She believes that these eyes have been given

Pecola then thinks her mother has no love for her because she isn't white with blue eyes. When Pecola's dad raped her and got her pregnant her mother did not believe her. Her mother ever beat her for saying he raped her. After finding out that she is pregnant, everyone wants the baby dead, everyone except Claudia and Frieda.

Racism takes hold of the characters in many indirect ways. Claudia experiences the destructiveness of this idea that white is more beautiful and takes her aggression out towards her white doll, which only brings her shame and punishment. The Novel provides a certain standard for the idea of beauty. This standard being the “whiteness” someone possesses, giving a depiction of the ways that internal ideas towards white beauty and the idea that either you “have it or you don’t" destroys the lives of black girls and woman. The novel also depicts ideas and actions of oppression that involve the forced sex Pecola’s father has with her. Even when discussing such a controversial topic, Morrison finds a way to avoid using vulgar and gross vocabulary. An example of this, was in the second prologue, “It never occurred to either of us that the earth itself might have been unyielding. We had dropped our seeds in our own little plot of black dirt just as Pecola’s father had dropped his seeds in his own plot of black dirt. Our innocence and faith were no more productive than his lust or despair.” This quote brings to light the failure that Claudia and Frieda had when attempting to grow marigolds and

While Pecola chooses conformity into her society’s standards for beauty, Claudia chooses to maintain her own natural beauty despite the disadvantages it will cause. Although Morrison depicts both of these opposite characters in a critical light, she never offers a solution to escape these two extreme cases of handling racism. Moreover, in the “Afterword” of the book, Morrison states, “The novel tried to hit the raw nerve of racial self-contempt, expose it, and then soothe it [emphasis added]…” (Morrison 211) But Morrison does not “soothe” the issue at all; she leaves the reader to decide the better option to resist racial self-hatred. The opposition between Pecola and Claudia’s reactions to racism demonstrates that Morrison did not have a solution or a middle ground within the text; rather, she hoped for readers to make their own conclusions based on the events of the

Like most characters in the novel, Geraldine displays her desire to conform to society’s standards of beauty by trying to be as respectable and white as possible. Geraldine is a “sugar-brown girl” who is a respected, well mannered, educated woman. Morrison describes these sugar-brown girls as, “thin brown girls…[who] live in quiet black

In another episode in the novel, when Pecola is on her way to buy her Mary Janes, the reader is able to realize the extent of the impact this idealization had (and still has) on African-American as well as many other cultures. Morrison makes a point to emphasize the fact that this affected everyone in the novel, whether the character admired or despised this ideal. Mrs. Breedlove "passed on" to Pecola the insecurity she had "acquired" throughout her life. Her insecurity and self-hate had been in her since her childhood but it was made worse by her emulating the movie actresses.

Characters Claudia and Frieda MacTeer show envious disapproval towards Maureen Peal, a wealthy and stylish lighter-skinned African American girl who the girls refer to as a “disrupter of seasons” (62). Maureen’s character introduces the disruptive and wealthy society within the novel making the division between classes in black culture more apparent. The girls—clearly representing separate societal classes—do not relate to one another despite their shared race. Verifying that Maureen defines perfection in a black society, Claudia and Frieda had to “[look] hard to find [Maureen’s] flaws to restore [their] equilibrium” (63). The self-conscious girls literally search for any apparent faults middle-class Maureen may have in order to make themselves feel better about their “less beautiful” appearance and lower rank in society.

The story begins with the description of Pecola's family:"they live in a storefront because they were poor and black and they stayed there because they believed they were ugly" (Morrison 38). Unfortunately, Pecola's feelings of ugliness are reinforced by her own parents; her father Cholly’s ugliness came from his " despair, dissipation, and violence directed toward pretty things and weak people" (Morrison 38). Pecola's Mother Pauline states that "But I knowed she was ugly. Head full of pretty hair, but Lord she was ugly" (Morrison 126). Pecola was doomed to a life of self-doubt and shame of who she is. Pauline and Cholly love each other