Racism In The Color Purple By Alice Walke

Doetsch-Kidder’s (2016) monograph defines the important role of intersectionality as a defining sea-change in the way that women of color began to unify across racial and cultural barriers. Interviews with minority activists define the perception of the diversification of feminist ideology through the lens of intersectionality. One interview with a African-American activist named Donna illustrates the unity between women of color that evolved in the 1970s: “But overall, we are all fighting for civil rights, so there has to be some type of overlap with each one” (Doetsch-Kidder, 2016, p.103). This development defines the “overlapping’ ideology of different feminist groups, which soon began to devolve the racial and cultural barriers not only between women of color, but also with white feminist groups. In Doetsch-Kidder’s (2016) point of view, the civil rights movement laid the foundation for intersectional feminist principles to be practiced for women seeking greater representation in the workplace.

“I am a black feminist… I recognize that my power as well as my primary obsessions come as a result of my blackness as well as my womaness, and therefore my struggles on both of these fronts are inseparable” … As a woman of color, I find that some feminists don’t seem terribly concerned with the issues unique to women of color—the ongoing effects of racism and post-colonialism, the status of women in the Third World, working against the trenchant archetypes black women are forced into (angry black woman, mammy, hottentot, and the like). (Gay 173).

Patricia Hill Collins’s work, Black Feminist Thought seeks to center Black Women into intersectionalist thought, addressing the power struggles that face them not only due to their race but also to the gender. Masculine rhetoric and powerful male leaders such as Huey P. Newton and Eldridge Cleaver have overshadowed Black Women’s stories, both in and out of the Civil Right Rights/Black Power

The Color Purple by Alice Walker is the story of a poor black woman living in the south between World War 1 and World War 2. This was at a time when, although slavery had ended,many women were still virtually in bondage, and had to put up with many conditions that was reminiscent of the days of slavery. The problem was that they had to endure being treated like an inferior being by their own families sometimes, as well as from the white people that lived there. It was a life that was filled with misery for many black women, and they felt helpless to do anything about their situations.

Combahee River Collective in their article “Combahee River Collective Statement” examines the relationship between racism, heterosexism, economics, and racism. The group of black feminists, Combahee River Collective, strived to firmly and clearly establish their position when it came to politics of feminism, and therefore separated from the male counterparts and white women (Thomas). In the statement, the activists dwell on four major topics, including the dawn of modern Black feminism, the domain of politics, short history and the issues and practices of the group. This paper gives a summary of “Combahee River Collective Statement” and reviews some of its key points.

Alice Walker's The Color Purple is an excellent account of the life of poor black women who must suffer not only social ostracism due to gender and skin color but also women who suffer greatly at the hands of black men.  This is true in terms of infidelity, physical and verbal abuse, and sexual abuse.

Phillis Wheatley is a black, African slave, female poet, and then Christian American (Acton/ American Literature). The life of Phillis is attractive, some painful and some pleasant (poetry foundation). At that time, black skin people cannot be educated while she was American Christian and educated. Wheatley was a model of all black skin people or those were persecuted (Acton/ American Literature). She is the owner of the first published poems book in the colonies at 1773 after brought her from Africa to America; by that Wheatley was the first slave and third American woman do that (Biography). Indeed, Phillis is not her real name, but it is the ship's name which carried her to Boston; she used it until she died. Wheatley did not only change

The advancement of women in society is a remarkable achievement, and the first step to true equality in the world. Despite the tremendous progress, oppression faced in the past should not be forgotten, largely because it is present modern society as well. In Margaret Atwood’s The Handmaid’s Tale and Alice Walker’s The Color Purple, both female relationships and identities are explored to determine the purpose of women. Society's historic tendency to undervalue women is seen more in The Handmaid's Tale than in The Color Purple.

The reason that women of color and working class women were less represented in the feminist movement was not that they did not care, but rather that they did not have the time, money, and education afforded to middle and upper class white women by their privilege. For example, Moraga & Anzaldua posit that not many projects like A Bridge Called My Back were even attempted because the women of color who most needed them had “no money to fall back on” (xxv). The Combahee River Collective continues this sentiment by arguing that women of color (especially those who are queer) have no privilege to fall back on, and therefore little to no means to fight their own oppression (214). Women who did not have the privilege to participate in the feminist movement were ostracized by mainstream feminists despite their often shared struggles. By not actively working to include working class women and those of lower socioeconomic status, the mainstream feminist movement limits its own perspective and

"Our politics initially sprang from the shared belief that Black women are inherently valuable, that our liberation is a necessity not as an adjunct to somebody else 's may because of our need as human persons for autonomy". The opening of the second part of The Combahee River Collective Statement, What We Believe, expresses one of the major will of the Third World Feminist studies: making Women a topic of research in its own rights. It 's in 1977 that the Combahee River Collective, a US radical feminist lesbian group, wrote this very famous manifesto that became essential for the Black Feminism Mouvement. They made as central the total recognition of the different forms of oppressions, sexual, racial, social, that black women endure and the necessity to fight against them. Therefore, the integration of notions of gender, sexuality, race, class in any feminist analysis that deals with power and domination become unavoidable. They express clearly the logical result of their struggle, the destruction of the political, social and economical system as they are the representative basis of an unfair and racist society. To bring a fresh way of looking at the position of some women in the American society turn to be a way to consider differently the organisation and the functioning of the actors of a society on a national and also international level.

During the late 60s and early 70’s the civil rights movement was in full swing, with many famous Civil Rights activists fighting for equal rights and what they believe. It was one thing being a black male during this time period, but it was another being a black female during this movement as women were

In an attempt to define Black Feminism, Collins clarifies that it must “avoid the idealist position that ideas can be evaluated in isolation from the groups that create them (Collins 385).” This clarification forms her basis for why Black Feminism is necessary, and who it serves. Thinking about feminism historically, the concerns of black women were pushed aside in favor of fighting sexism; a notable example occurs within the Suffrage movement, where votes for white women were prioritized over women of color in order to push such legislation through. And even when feminism began looking at other social injustices, such as racism and class issues, often only prominent feminists were invited to the discussion. What resulted was, and often continues to be, a problem of white women speaking for oppressed people. It’s impossible, Collins argues, to have Black Feminist thought without examining the experiences and positions of African American women. Therefore, Black Feminism must be a movement that “encompasses theoretical interpretations of Black women’s reality by those who live in it (Collins 386).” However, such a definition brings about many questions:

In an attempt to define Black Feminism, Collins clarifies that it must “avoid the idealist position that ideas can be evaluated in isolation from the groups that create them (Collins 385).” In reality, this forms her basis for why Black Feminism is necessary, and who it serves. Thinking about feminism historically, the concerns of black women were pushed aside in favor of fighting sexism, most notably during the Suffrage movement. And even when feminism began looking at other social injustices, such as racism and class issues, only prominent feminists were invited to the discussion. What resulted was, and often continues to be, a problem of white women speaking for oppressed people. It’s impossible, Collins argues, to have Black Feminist thought without examining the experiences and positions of African American women. Therefore, Black Feminism must be a movement that “encompasses theoretical interpretations of Black women’s reality by those who live in it (Collins 386).” However, such a definition brings about many questions: who’s experiences are valued, how do black women take their voice back, and how can they center feminist thinking on their own unique standpoint?

As African-American women address social issues that are important to their life experiences, such as class and race, instead to acknowledge “common oppression” of gender inequality, they are often criticized by “white bourgeois feminists” (hooks, 2000). Their ability to gain any form of equality within society is tarnished by such groups as they develop a “fear of encountering racism” from simply joining this movement (hooks, 2000). As white men, black men, and white women oppress them, their issues are often ignored due to reoccurring stereotypes and myths that claim black women are strong, independent, and “superhuman” (hooks, 2000). It becomes extremely difficult to seek liberation and equity within a “racist, sexist, and classist” society, as their gender and race causes them to be at the “bottom of the occupational ladder” and “social status” (hooks, 2000, pg. 16). As black women are perceived to demonstrate strength and dynamic qualities as white women perpetrate the image of being

After intuitively analyzing the text, one can conclude that Walker was very profound in asserting her desired theme and meAs widely acknowledged as The Colour Purple is, there are copious amounts of critical commentary on the text, commending the work, Walker’s prose, and the prevailing topics in society that it tackles. A scholarly article was conducted by author Wendy Wall that extensively examined the epistolary form of The Colour Purple by Alice Walker, and asserts that the protagonist Celie uses writing as an outlet for her emotional, physical, psychological, and mental worries, and becomes internally stronger as a result of it. Wall also contends that although writing for Celie helps to define her identity and sense of self, it impedes her emotional growth as it engages private communication but limits the verbalization of her needs and fears. In her article, Wall laments that, “through the depiction of rape, genital mutilation, and wife-beating, The Colour Purple abounds with instances in which the human body is made to submit to and register to the forces of authority.” In other words, patriarchal oppression is exercised by the submission of the female body into powerlessness. The author also affirms that through writing, “Celie learns to reshape those forces of oppression and to define herself through her letters.” Comprehensively, Wall asserts that Celie’s character development and search for an identity and a means of escaping her oppressive environment, is