Ragtime Music Research Paper

Southern music known today as country music became popular in the 1920’s. This was music that was based on folk music of cowboys in the southeast (Collins English Dictionary, 2003). In most of the early music the artist played stringed instruments like fiddles, guitars, banjos and some were even playing harmonicas. When this type of music started some people called it

One of the two most important musical influences was Ragtime, a style of music of insistent syncopated “ragged” rhythm created by black piano players. Photos and video clips of people playing and dancing to ragtime are examples of Burns amazing use of art photography and photojournalism to make the story more vivid for the viewers. Ragtime was a style of music the youth enjoyed to listen and dance to while the older generation of white men considered it a product of anarchism. A quote by a Massachusetts attorney and politician of the nineteenth century, Edward Baxter Perry explains that “ victims in [his] opinion can be treated successfully only like the dog with rabies, with a dose of led,” when talking about people who listened, and danced to ragtime. As segregation took over New Orleans, formerly freed creoles, whites who were of black descendants began to play together with the African Americans, combining their musical styles and creating an entirely new one that incorporated which came to be known as jazz. Creoles were affluent in classical music and piano, which they incorporated into the making of jazz music.

Black folk traditions like spirituals and “ragged music” evolve into the blues, ragtime, and jazz.

s toured throughout the country. It reached its peak in the 1850's and 1860's as it became the popular music of the people. It ran on New York's Broadway for over forty years, and it was the music of the Mexican War, the California Gold Rush, and the Civil War. This form of popular music gave birth to our Ragtime, Blues, Dixieland, Country, and Bluegrass music of today. When a plantation owner had a man with musical talent, he might send him to New Orleans or up north to be trained in violin so he could play Celtic music for the cotillions and parties. But, when that man was alone in his quarters, he would pour his African soul into his Irish fiddle. This was the music the blackface minstrels tried to copy.

In the 1920’s, Ragtime music was the most popular style of music. The distinctive “ragged” beat, for which it is named after, came about after the conclusion of the Civil War. At this time in history, African Americans had gained more freedom to express their emotions and share their stories through music. Johnson was very passionate about music, and used it as a way to convey emotions that he didn’t feel he could handle in any other way; he says in the book, “but I always tried to interpret a piece of music; I always played with feeling” (Johnson Ch. 2).

Ragtime and jazz, had an impact on the people of the Harlem Renaissance, but also many decades after. However, prior to the Renaissance, many composers created ragtime. Composer Scott Joplin was known as the “King of Ragtime” and influenced many to go into the path of music. His work had influenced people of the Renaissance and therefore transforming culture (ushistory.org). This music had brought joy and happiness to society during that time period (race book and maybe other places?).

Music during the progressed quite a bit over time. It all started out with a less complex type of music known as ragtime. Ragtime was popular from around the 1890’s through 1915. Ragtime originated from the

Thus the similarity between ragtime and blues is significant but there are numerous differences between the two music styles. First, their origin was different. Even though they both had African influence as mentioned, ragtime was more strongly influenced by European music style, and blues was heavily African music style. According to Durk Sutro in his book Jazz for Dummies, “Ragtime was European-influenced, in the sense that it was composed, not improvised, and featured carefully crafted melodies and harmonies…ragtime could sound concisely European” (ch.5). Although European-influenced, there is some African influence such as rhythm and African banjo music as mentioned during the lecture. Ragtime rhythm was “the rhythms of the black dancers who used their heels to make drum sounds, or to that of the black church singers who could vary the rhythms of a Christian hymn so much that a white Christian could not even recognize it”(Tirro, pp.37).

This became to be known as the famous R&B. It is said that R&B “mixed the rural sound of the blues with the electrified edge and raucous rhythms of the city streets” (Yudkin 262). Key singers and musicians of this type of music were Muddy Waters, Chuck Berry, and Little Richard. Their singing and playing were characterized by speedy songs with an insatiable beat, and screaming lyrics. The other early influence on rock and roll was country music, in which R&B was mixed with western/country vibes. Famous country music singers/musicians of that time were Jerry Lee Lewis, Johnny Cash, Buddy Holly, and the early sound of Elvis

In the 1890’s, a number of music publishers set up shop in a district of Manhattan, referred to at the time as Tin Pan Alley (Brackett, 1). These New York City music publishers and songwriters dominated the popular music of the United States in the late 19th century and early 20th century. Before the decade was over, musicians from the African American culture created a new genre of music called “ragtime” which heavily influenced jazz artists. During the 1920’s jazz was one of the most popular

The term rhythm and blues has had several different meanings. In the early 1950's it applied to blues records, in the late 1950's it applied to electric blues along with gospel and soul, in the 1960's it was called soul music, and in the 1970's it was a blanket term for soul, funk, and disco. Much of the popular electric guitar-led blues bands like Muddy Waters, Howlin' Wolf, and BB King that came from Memphis and Chicago were considered rhythm and blues since they appealed to the older demographic.

“When first entering in America, British folk music was distinguished by three-chord tunes, sparse instrumentation (with some fiddlers), mostly male performers, improvisation, the singers’ sporadic shouts (Scottish “yips”), Christian themes served up in hundreds of hymns, and a secular collection of songs that told stories, generally about love and lost love, using metaphor and symbol to tell those stories” (Allen 101). By the late nineteenth and early twentieth centuries, British music changed and became Americanized. Vocal harmonizing slowly evolved, and fiddlers were accompanied by those who played banjo, an African American opening. “Tambourines and “bones” (tapping out rhythms using pork rib bones) were a minstrel show contribution” (Allen 102). When African Americans were forced into slavery and brought to North America in the 1600s, they brought their own musical traditions and sounds. Slaves who were on the Mississippi River Valley delta soil developed what will later be introduced as blues music. On the plantations, slaves greatly changed British American hymn singing. They took non-religious British American songs and turned it into their own forms of music that followed their culture and taste of music. Blues emerged in the early twentieth century at the same time country music became settled from its folk roots. Blues music talked about the indifferences African American slaves were going through at that time. “The blues voiced human

Ragtime and Blues are two different styles of music that came together to make what is known as jazz music. Ragtime was more about freedom, fun, and giving the listener an elated feeling while Blue’s intent was to appeal to the listeners emotions and make them feel better about the troubles in their life. The way Jazz came about was the collaboration of these 2 very different styles of music. Due to very influential people in the music world like Jelly Role Morton, Joe Oliver, Louis armstrong, just to name a few, Jazz has flourished into the music known all over the world. Although Jazz and Ragtime have many differences, they also had many similarities and each style is significant to the amercement of jazz.

Throughout the history of this country, the music of African-Americans has remained a strong influence upon our society and culture. Beginning with the music carried over from Africa with the slaves, up until now, with the new styles created by urban youth today, African-Americans have retained certain elements within their music which makes it unique from any other musical form. Some of the musical forms which were created from, and/or were strongly influenced by afro-centric musical characteristics are: Hymnals, Gospel, Spirituals, Ragtime, the blues, and R&B. While many of these musical forms are still popular today amongst Blacks and Non-Blacks, jazz and hip-hop are arguably the two most widespread and

Ragtime was a very influential part of the development of jazz. Ragtime became very popular in the late 1800’s. Ragtime’s distinct style set it apart from the other genres. Syncopation is what defines this art form. This is when the loud accents fall in between the beats. Anything that is syncopated is basically ragtime. One of the most important ragtime composers was Scott Joplin. Like all great artists, Joplin did not restrict himself to this favored art form. Both before the advent of ragtime and after, Joplin composed marches and waltzes, including the syncopated waltzes. There's more to ragtime than syncopation, while some very good ragtime is not of the classic form. But the lines are often blurred. Ragtime's influence on other