Ragtime Research Paper

Music during the progressed quite a bit over time. It all started out with a less complex type of music known as ragtime. Ragtime was popular from around the 1890’s through 1915. Ragtime originated from the

     The music called Jazz was born sometime around 1895 in New Orleans. It combined elements of Ragtime, marching band music and Blues. What made Jazz such a different perspective of traditional music was its act of improvising. There was a widespread use of improvisation often by more than one player at a time. Songwriters would write the music down on a piece of paper, and then the Jazz musicians would try their best to play the music. Usually in a Jazz piece, musicians would use the song as a starting point to improvise around. Jazz musicians would play a familiar song to the audience, and by the time they were done with the piece they would stir up a totally different feeling away from the

Ragtime and Blues are two different styles of music that came together to make what is known as jazz music. Ragtime was more about freedom, fun, and giving the listener an elated feeling while Blue’s intent was to appeal to the listeners emotions and make them feel better about the troubles in their life. The way Jazz came about was the collaboration of these 2 very different styles of music. Due to very influential people in the music world like Jelly Role Morton, Joe Oliver, Louis armstrong, just to name a few, Jazz has flourished into the music known all over the world. Although Jazz and Ragtime have many differences, they also had many similarities and each style is significant to the amercement of jazz.

s toured throughout the country. It reached its peak in the 1850's and 1860's as it became the popular music of the people. It ran on New York's Broadway for over forty years, and it was the music of the Mexican War, the California Gold Rush, and the Civil War. This form of popular music gave birth to our Ragtime, Blues, Dixieland, Country, and Bluegrass music of today. When a plantation owner had a man with musical talent, he might send him to New Orleans or up north to be trained in violin so he could play Celtic music for the cotillions and parties. But, when that man was alone in his quarters, he would pour his African soul into his Irish fiddle. This was the music the blackface minstrels tried to copy.

In the 1800s, minstrel shows took America by storm. These shows demonstrated characteristics of African-Americans that confirmed stereotypes that many whites believed at the time. Several characteristics were over exaggerated through characters. One character in particular, Zip Coon, was an extremely dehumanizing stereotype. At first, Zip Coon was an arrogant individual who would try to be high class but was too ignorant. Ultimately, Zip Coon combined with Jim Crow to create the “coon” stereotype.

Jazz has always been a part of the American tradition. Some may say they like Jazz for its rhythmic twist and turns. Others may love the soothing melodies from an improved Trumpet solo. All in all, Jazz has been an American staple and has molded today’s popular music, into what it is today. It’s very different from classical music, which is written out and strict. Jazz is much more. It’s made up of spontaneity and improvisation, which makes up an idea on the spot. There are many wide varieties in Jazz. There is Bebop Jazz, Avante Garde Jazz, Acid Jazz, Free Funk Jazz, Soul Jazz, Swing Jazz, and many, many more! These forms of Jazz can be seen and heard in some of your favorite music of Today. It’s been widely used by the world. There is an important reason as to why this genre contributes to the growing of music. We first take a look into the root of all Jazz. In the late 1800’s and early 1900’s, the country of Africa was the first known country to use rhythm primarily for the element of musical expression, and ensembles composed entirely of percussion instruments created extended polyrhythmic works. These polyrhythms, which means the “layering of multiple rhythms.”, were record in Western music. African music did not use paper, or sheet music. Instead, they relied on Aural rituals, learned by ear and also used” spontaneity, which is later said to be known as improvisation”. In Africa, most of the music that was expressed was for religious

Jazz music was a huge change in America. The music brought together many different people and opened up clubs mainly in the city. Jazz music allowed many new artists to emerge and become well known all throughout the country.

African Americans had a major role in the development of popular entertainment in America. Following the Civil War, black Americans, developed a new style of music called ragtime which eventually evolved into what we now know as Jazz. In developing Jazz, African Americans contributed knowledge of the dance and folk music of people across Africa. Together, these musical forms had a major influence on the development of music within the United States and around the world during the 20th century. Early jazz and blues recordings were made in the 1920’s and the early part of the 20th century saw a constant rise in their popularity.

Blackface performances were popular in American theaters for roughly 100 years, beginning around the 1830’s. In 1950’s blackface minstrel shows, white and black performers were not able to share the stage therefore they opted to paint their faces black with polish. These “black” characters were always portrayed as either villains or comedic. Blackface had been used to make arguments for slavery and why African Americans should not be given full human rights. These are narratives created by white men that were made to oppress and dehumanize an entire race of people. The minstrel show clip titled “Cotton and Chick Watts Blackface Minstrel Show Comedy” we are shown a very degrading performance put on by two white

During this time period, music began to evolve. Woog says, “These immigrants, naturally, brought their music. During the next decades, black popular music flourished, developing into several key genres and moving steadily into mainstream American culture” (20). As they did, music began to grow into three obvious styles: ragtime, blues, and jazz. Starting this new era was ragtime. As pianos became common in saloons, clubs, brothels and middle-class homes (Woog 22), ragtime became very popular. Pianos were one of the main instruments, although a piano could have also been accompanied by bongo drums or an acoustic guitar. The ambiance of this genre is generally expressed in a fluent and joyful way.

Ragtime and jazz, had an impact on the people of the Harlem Renaissance, but also many decades after. However, prior to the Renaissance, many composers created ragtime. Composer Scott Joplin was known as the “King of Ragtime” and influenced many to go into the path of music. His work had influenced people of the Renaissance and therefore transforming culture (ushistory.org). This music had brought joy and happiness to society during that time period (race book and maybe other places?).

During the early 1900’s, a new style of music began to take shape in the colorful city of New Orleans. People from all over the world came to exchange stories, conversation, and music. Although it is a very hard genre of music to define, it is said that Jazz is the combination of European and African music that was brought in via the ports. With mostly an African American population, the musicians shared their music in Storyville - a cultural melting pot, and began to spread the “New Orleans Sound”. They contributed to what would soon be known as Jazz in 1917. The spontaneous nature of Jazz’s syncopation and sound makes it a very humanistic style of music and makes every performance original. Every day we improvise, whether it is in conversation or spur of the moment decisions. These truly unique elements caused Jazz to become a symbol of America, and changed music forever.

Different archetypes have been used to represent black people through television, live performances, and film. These stereotypes consisted of “Coon”, “Mulatto”, “Mammy”, and “Tom” (site—Johnson). Prior to films and television, African American’s were depicted by white actors wearing “blackface” in which white people entertained audiences through plots that portrayed African Americans in stereotypical ways that had prevailed since the time of slavery. “Coon” for instance, was created as a from of comedy and amusement for white individuals, as this image allowed for comic relief through idiocy. “Coons” had, in essence, a low level of intelligence with minimal common sense. Their dull-wittedness advocated the view that African American people were unintelligent beings who were incompetent and unable to formulate intelligible thoughts. This further reinforced the idea that African American people were in need of instruction and guidance from white individuals—just as they did during slavery—in order for African Americans to sustain and remain alive, or else they would be damaged by their own incapabilities. Similar to the “Coon”, Mammy was also a common character who was portrayed as an obese and grumpy woman who also provided comic relief to white folks. Mammy’s creation was

    African Americans also had a crucial role in the development of popular music in the twentieth century. The rise of band music, ragtime, and blues occurred. Band music originated in New Orleans in which all the types of bands (marching bands, dance bands, concert bands, and society orchestra bands) played at many different functions or just for the

Other developments led to the ``trumpet-piano'' style of Earl Hines and Teddy Weatherford and to the swing style of Duke Ellington. Some Historians consider ragtime to be the very first jazz style. Although it cannot actually be classified as jazz, ragtime is definitely a very influential part of jazz. In Louisiana at this time there was music everywhere. Ragtime bands and marching bands were joining together. Mexican bands were also and influence especially in the way the trumpets and horns were played. All this merging of different band sounds was important in the creation of jazz. Eventually the instruments used in marching bands crossed over into jazz instruments. The drums and clarinet filled in for the marching band instruments. New Orleans was such a melting pot for music and culture but it was also a party town. This party scene was also a part of how jazz was molded. The demand for fresh new music was high, which caused musicians to alter and elongate their styles. All the new creations and variations on the music in the end fused into jazz.