Raheem In Do The Right Thing By Spike Lee

Do the Right Thing is a beautifully intense film directed by the talented Spike Lee, which revolves around the very diverse community of the Bedford-Stuyvesant district of Brooklyn on a hot summer Sunday. Throughout the entire film, characters are faced with obstacles and injustices that bring up the grand question of what the “right thing” even is. One scene in particular sums up the whole premise of the film into a concise and poetic speech spoken by the one and only Radio Raheem. This scene is imperative to have in the film as well as for the viewers. Without this scene, the film itself would not have the same impact and possibly the same message it has already given all of its spectators.

Director and actor Spike Lee presents his "truth" about race relations in his movie Do the Right Thing. The film exhibits the spectacle of black discrimination and racial altercations. Through serious, angry, and loud sounds, Lee stays true to the ethnicity of his characters, all of which reflect their own individualism. Lee uses insulting diction and intense scenes to show how severe racism can lead to violence. The biases reflected through Do the Right Thing model those of today which has kept society in a constant feud for so long. In Oprah Winfrey's dynamic episode, "The Color of Fear", Mr. Mun Wah projects his strong opinion when he states, " . . . that racism is still going on today, that we've got to stop to hear the anguish

In the film, Do the Right Thing, director Spike Lee presents the audience with the theme of racism. The title represents the everyday choices that we as Americans of various ethnicities, cultures, and race. Spike Lee’s Do the Right Thing allows the viewers to decide for themselves the right thing to do about racism. Everyone has the choice to be accepting of cultures, or people different from them. The film portrays how an Italian American named Sal has a neighborhood pizzeria in Bedford-Stuyvesant, New York. The neighborhood is primarily African American, but there is a diverse amount of other cultures made up of, Hispanics, European Americans, also there is a store owned by Koreans. This film displays the discrimination between the races and how this can lead to violence.

Director and actor Spike Lee presents his "truth" about race relations in his movie Do the Right Thing. The film exhibits the spectacle of black discrimination and racial altercations. Through serious, angry, and loud sounds, Lee stays true to the ethnicity of his characters, all of which reflect their own individualism. Lee uses insulting diction and intense scenes to show how severe racism can lead to violence.

In the beginning of the film when it was announced on the radio that it was the hottest day of the summer and Mookie walks out, the lighting is tied perfectly with color as there is a red hue that confirms to us that it is the hottest day of the summer. The film not only shows racism but also police brutality. The scene in which Radio Raheem is killed is very fast paced and dark, the audience is left feeling shocked that it happened. There was no reason for him to be killed and after he was killed the cops don’t even believe it themselves that they killed him.

Spike is no stranger to controversy due to the elements he uses in his films. Most of Lee’s films consist of an African American theme and inspect the issues of race relations, political issues, urban crime and violence. His 2nd film he made Do the Right Thing (1989) explored all of these issues. He also explored the issues of family/father & relationships in his films Crooklyn (1994), Get on the Bus (1996) and He Got Game (1998). In his films School Daze (1988), Do The Right Thing (1989), Jungle Fever (1991), Get on the Bus (1996), Summer of Sam (1999) and Bamboozled (2000) he included the issues circulating around racism. Another issue he explores is black female sexuality which is in the films She’s Gotta Have It (1986), Girl 6 (1996) and She Hates Me (2004).

One of the most striking scenes begins in the first forty minutes of the film. The scene starts off with the music becoming slow and haunting, a difference from the high beat music that was playing before, while a police car slowly drives down the street in the neighborhood of mostly people of color. The camera then cuts to the three black men who sit on the corner, Sweet Dick Willie, Coconut Sid, and ML. The camera pans across the three faces, all showing critical glares at the police car. The policeman in the passenger seat is then shown, displaying a similar glare to the black men. The tension can be felt in

While the 1970’s and 80’s marked a decline in movies featuring black actors and a lack of black directors, the mid 1980’s through the 1990’s invited a new generation of filmmakers and rappers, engaging with the “New Jack” image, transforming the Ghettos of yesteryears into the hood of today. A major director that emerged during this time was Spike Lee. According to Paula Massood’s book titled, Black City Cinema, African American Urban Experiences in Film, “…Lee not only transformed African American city spaces and black filmmaking practices, he also changed American filmmaking as a whole.” Lee is perhaps one of the most influential film makers of the time, likely of all time. He thrusted black Brooklyn into light, shifting away from the popularity of Harlem. By putting complex characters into an urban space that is not only defined by poverty, drugs, and crime, it suggests the community is more than the black city it once was, it is instead a complex cityscape. Despite them being addressed to an African American audience, Lee’s film attract a mixed audience. Spike lee’s Do the Right Thing painted a different image of the African American community, “The construction of the African American city as community differs from more mainstream examples of the represents black city spaces from the rime period, such as Colors…, which presented its African American and Mexican American communities through the eyes of white LAPD officers.”

It is unfortunate that intolerance continues to exist in our nation (or anywhere else for that matter). Racism, one of the largest and most prevalent forms of intolerance, commonly destroys relationships and can eventually lead to violence. The existence of such hateful ideologies is so prevalent in our society that popular culture is constantly trying to challenge the ignorant basis of racial conflict. Spike Lee’s film, Do the Right Thing, connects with this concept of racial conflict that is so foreign to my past. Through the application of my social and political views, I will demonstrate how Spike Lee’s film is difficult for me to relate to and, in my opinion, conveys a misleading message.

In an attempt to enlighten audiences with a powerful message about the cancer that hate and violence can bring to a society; writer, director, Spike Lee brings Do the Right Thing to the screen. Fusing a powerful story with creative film making, Lee gives us an insider’s look at life on a blistering summer day in Brooklyn.

The film Do the Right Thing is a very relevant on issues of race. The film shows how there is tension between all races. The film shows racial tension between the communities in the hottest day of the year. The heat is a theme in the film. Heat in general gets people on edge and raises tension. The film relates to W.E.B. Dubois work “The Soul of Black Folk.” Dubois (1903) work includes the concepts of the veil and double consciousness. The African Americans in the film deal with the idea of a veil. Mookie the protagonist deals with the idea of double consciousness.

The film brought on several conclusions from the audience. Bell hooks believed that white viewers would be assured that they are not ‘racist’ because they do not exude the same racism as Sal and his sons and even though it may “legitimate racist folks”, it also permits nonracist modes of interpretation (103). This can be seen in the incident of the two pizzeria owners, who, when commenting on the ending, focused on the destruction of the pizzeria, and not the death of Radio Raheem. When informed of this, they both have different reactions – one with that of forgetting about the death because of all the violence occurring, the other embarrassed and realizing that they did not have to kill him, they just did it out of their own anger and racism.

In Spike Lee 's Do the Right Thing, the story takes places in 1989, another year in the long struggle for equality for African-Americans. The film portrays the racial tensions between locals of the neighborhood and an Italian-American family in the majority Black and Hispanic neighborhood of Bedford-Stuyvesant (Bed-Stuy) in Brooklyn, New York. Spike Lee shows us what a day in the life of the Brooklyn neighborhood consists of and throughout the movie he portrays several different aspects of a modern urban neighborhood, using the many unique personalities of the characters in the movie.

In the film “Do The Right Thing” by Spike Lee, cinematography and editing serve as critical components to emphasize the racial tensions between the various characters. Set in a predominantly black neighborhood in Brooklyn, New York, the action of the film consists of a series of unfolding events that take place over the

Do the Right Thing is a dramatic comedic film that was directed by Spike Lee. The movie was released in 1989. Lee served in three capacities for the film: writer, director and producer of the movie, Ernest Dickenson was the cinematographer and Barry Alexander Brown was the film’s editor. For this film, Lee garnered together some notable actors and actresses, including Ruby Dee and Ossie Davis, Rosie Perez, Samuel L. Jackson, John Tuturro and Martin Lawrence. The setting of the movie is in Bedford-Stuyvesant; which is a neighborhood in Brooklyn, New York. This particular neighborhood is made up of several ethnic groups that include African Americas, Italians, Koreans, and Puerto Ricans. The movie takes place on a particularly hot day