Rama- from Ramayana

There was a time when gods and demons roamed the earth. A time when humanity lived at the mercy of divine beings, who executed their wills against the humans, following their own selfish desires and placing humans in a position of piety to these dominant beings. This time on earth is one of great men who fought against these demigods, giving them great fame passed on as stories in the oral tradition. Though it is unrealistic to believe that these men truly fought against divine beings, their stories played a role in the ancient world, which was the beginning of the formation of society and civilization. The epics of “Gilgamesh” and “The Ramayana of Valmiki” both served their societies as an outline of a moral code,

Ramayana, translated by William Buck, is an ancient Indian epic telling the story of a prince named Rama who fights against his adversary, Ravana. Although there are many important female characters throughout the book, they are often seen as subordinate to their male counterparts where intelligence and strength are concerned. One character who proves this stereotype wrong is Sita, Rama’s wife, who often shows that she has the capacity of being just as powerful as the men of the story. By being more mindful than most people around her, Sita defies the expectations that many characters have placed on her. Sita lets the reader see another side of women’s power and shows us the strength that women could have. The reason that Sita proves to be powerful is that she seems to have an understanding of the deeper meaning of her life; precisely the quality that men don’t expect her to have.

The original The Ramayana is a great epic that has stood the test of time, and has been influential yet controversial throughout history. R.K Narayan’s version has been the same; his composition of stories adds another layer to the already plentiful themes, leaving the reader satisfied with his brilliant description and insight. Through Narayan’s constant comparison that parallels Rama to a perfect specimen, he is demonstrating a “Straw Man” argument. Its effect illuminates Rama’s flaws rather than his seemingly perfect composure. Narayan consciously chooses moments at Rama’s darkest hours to transform him into the relatable human figure he was meant to become.

modern culture we are used to the stereotypical, sympathetic hero; the Batmans and Supermans who lose their parents in tragic circumstances and devote their lives to vanquishing evil. That however, is not the way heroes have always been portrayed. When we look at The Epic of Gilgamesh we see the archetype of every hero since, however, we are not overcome with a desire to see Gilgamesh succeed. On the hand, if we fast forward two thousand years and look at a hero from Africa named Sundiata who is very similar to Gilgamesh in many aspects, we do have desire for Sundiata’s success. Why do we root for one hero while casting away the other? It has to do with the way perceive that hero and their values as well as how we perceive the conditions each hero is faced with. If we can picture Sundiata as the evolution of Gilgamesh we see the differences and similarities between the two as culture moves toward embracing the sympathetic hero.

There have been many heroes throughout history, but only the ones with the best qualities are able to stand out and deserving of their memory to live on through stories and monuments. They display qualities that are morally accepted and generally a man with a mission. Gilgamesh, Rama, and Aeneas come from Mesopotamian, Hindu, and Roman culture, respectively, and they all display heroic traits that make them deserving of a monument in their memory. Gilgamesh, especially, who at first to the people was not a deserving figure to have his accomplishments recalled to later generations.

shows characteristics of great piety to his parents and the lack of desire to be

The term hero is can mean many different things in just as many different cultures. For example, modern day Americans would refer to a hero as someone who sacrifices oneself in order to protect and save others. While this current definition of hero is similar to that of the past, the first generation of heroes certainly had their differences. Two unique examples of these heroes are Gilgamesh and Rama. Gilgamesh was the king of Uruk in the Middle East who ruled as a tyrant, while Rama was the king Ayodhya who ruled with compassion. While these two individuals are clearly heroes, they couldn’t be more dissimilar.

Vishnu, to his worshipers, is all-powerful and supreme. He is believed to be to god from whose navel a lotus sprang giving birth to Brahma, the creator. Vishnu created the universe by separating the heavens and the earth and has rescued it on a number of occasions. As Hopfe and Woodward state “Vishnu is known as a god of love, benevolence, and forgiveness (Hinduism 94).” “ In some incarnations, he has come as a man.” (94). The third popular god is Brahma, the creator of the world.

The Book of Genesis and The Ramayana represent women differently and at the same time in the same way. In the Book of Genesis, the construction and representation of genders in general is presented in a unique way but thoroughly follows ideology, one of them is: the man will lead the woman.

The epic story of Rama and Sita, as portrayed by Valmiki’s Ramayana and the modern day film Sita sings the Blues are two different versions of the same story which contain several contrasts as well as similarities. The Ramayana is the ancient version which was written by a sage named Valmiki in 550 B.C.E, featuring a love story between an ideal prince and an ideal woman. It outlines the adventures of Rama in his journey to find his abducted wife Sita. Rama is portrayed as an avatar, being the eighth incarnation of one of the Hindu gods Vishnu, while Sita is representing Lakshmi, the Hindu goddess of light. The modern day version of the Ramayana is seen in Sita Sings the Blues, where the animator Nina Paley is relating her love story to that of Sita’s predicament. This paper will compare and contrast the epic story of Valmiki’s Ramayana and Sita Sings the Blues in the quest for power, honor, faithfulness and the conflict between good and evil.

Hindus are extremely respectful and prideful people with many strong core beliefs. These beliefs have been passed down through the ages in The Ramayana. Throughout this epic poem, Rama, his family, and many others exemplify what it means to be Hindu. Rama is considered to be a perfect Hindu and follows all aspects of Hinduism flawlessly. This includes following duty, honor, responsibilities based on a person’s place in society, and most important to Rama, family. In the epic The Ramayana, family is portrayed as the most important aspect to the Hindu belief.

In an imperfect world torn apart by religious wars, cultural differences, and a more recent social disconnect, perpetuated by the rise of technology which has helped to isolated individuals rather than globally unite them, it becomes apparent that evil is prevailing. It appears as though the modern individual has reason to fear the “other”, rejecting those different from their selves. Such demonization and aggression towards one another has allowed the evils of the world or “Ravana” to arise. Never before have people needed a reason to believe in a figure who could help rid the world of corruption, greed, desire, and ego created by Ravana, more than they do now. In William Buck’s version of the Ramayana, he retells the ancient epic of

Brahma is the god of creation. In today’s world, he is the least worshipped god in India. There are only two temples in all of India dedicated to him (Brahma). Brahma has a unique look, with four heads and four arms. The second god, Vishnu, is the god of preservation. Thus far in creation, he has been said to be incarnated nine times. Worshippers believe that he will incarnate one last time near the end of the world. Similarly, to what Paul thought of Jesus, “Like any major god, Vishnu is involved in a number of colorful stories which illustrate his virtues as the protector of cosmic order” (Vishnu). Vishnu is uniquely depicted by having blue skin, and four arms. In his four hands, he holds objects representing what he is dependable for. Shiva, the last god, is the god of destruction. In Hinduism, destruction is considered necessary for new life forms to appear. Shiva is portrayed by his blue face and white body, three eyes, and four arms.

“Dharma is knowledge prominently directed to the achievement of desired happiness here (i.e. in this life) and hereafter by means of appropriate actions”. (Khan, Benjamin. The Concept of Dharma in Valmiki) Rama and Krishna have been set as perfect exemplars of Dharma in the texts of Ramayana and Mahabharata respectively. They are considered to be the reincarnations of God Visnu, a Supreme Being, and supposedly lived their lives according to the Dharmic (or right) way of life. However, the stories of Rama and Krishna in the texts include some of their actions, which are questionable to the act of Dharma. This may lead one to question Ram and Krishna as true exemplars of Dharma.

Rama then builds a giant bridge to Lanka. Everyone helped in the construction of this bridge. And Rama finally reaches Lanka. He then fights Ravan himself and badly humiliates him and defeats him with the help of the gods who are tired of Ravana's evilness. The final battle between them is crazy. The air is filled with arrows but Rama manages to fend them all off. Then a lot of different asthras are employed by both guys. When Rama chops off Ravana's heads and arms they regrow as quickly as they are severed. In the end Rama uses the "Brahmasthra"