Rap Lyrics Analysis Essay

Hip Hop: Beyond Beats & Rhymes is a documentary created and produced by Bryon Hurt. The documentary challenges the dominant discourses of hyper masculinity and the misogynist treatment of women in commercialized rap. Of the many mainstream phenomenons that are discussed by Bryon in the documentary, the issue of hyper masculinity in Hip Hop is questioned greatly. Throughout the film, the producer was able to show the wide acceptance of hyper masculinity not only in Hip Hop but also American culture as well. He defined America as a hyper masculine and hyper violent nation for the reason that using a gun to defend one’s family became a metaphor for masculinity and a tool for widespread violence. The issue of issue of hyper masculinity can be

The song concludes by referencing George Orwell’s classic dystopian novel “1984” with the lines “Who controls the past now controls the future / Who controls the present now controls the past” (lines 49-51),

Millions of people in the world listen to music for all different reasons. Most people all over the world listen to different genres of music in order to relax, but not too many people pay attention to the actual lyrics of a song. If you listen to the lyrics of a song you will realize that many songs have important messages or themes to them. An example of this is the lyrics of the song “Changes” by Tupac Shakur. If you listen to this song, you will realize that Tupac raps about not only the problems that African Americans face from society, but also the struggles that poor people in society have to endure and overcome. Many

The theme of 123rd Street rap is one that can't be compared to any other poem. The reason for this is that it has such a deep reality to it and it is only a poem. One good reason to love this poem is it show someone to appreciate the life that one has and to not take what you have for granted. The line “Automatic bullets bounce off stoop steps”(Perdomo 2) should make anyone who doesn't live this everyday reality appreciate the life that they live. The poet saw the life that people have to live and put it into words and makes you understand in just a few lines.

On April 14th, 2017, proclaimed artist, Kendrick Lamar, released his fourth studio album, titled Damn. This fourteen track album was possibly Lamar’s most personal and most in-depth project yet. However, no song on this album, perhaps, reaches the personal level of the fifth track titled “FEEL.” In this song Lamar gives a super in-depth look at what he believes his biggest issues are and allows the listener to realize your own by confessing his. The purpose of this essay is to conduct a rhetorical analysis of Kendrick Lamar’s “FEEL.” and his effective use of the rhetorical devices ethos, pathos, and logos.

“Rap is poetry” (xii). To any avid fan of the genre, it is a statement that seems obvious. The words could easily be the musings of a listener first introduced to the art form, not the focal point of an entire work of contemporary criticism. Yet in Book of Rhymes: The Poetics of Hip Hop, Adam Bradley’s primary focus is this very point, the recognition of traditional poetic elements within rap music. With the global cultural and economic phenomenon that hip hop has become, it is easy to forget that the style of music is barely thirty years old, that scholarly criticism of it has existed for only half of that time. When viewed within this relatively new arena of scholarship, the importance of Bradley’s text is

stuff, so I don't listen to that genre all that much, but there are many

So you want to know how to rap? Are you a beginner trying to put your first rhymes together or are you more advanced? Tired of reading about rap theory and actually want some practical exercises? A lot of people think that rap is a natural talent; a mystery that cannot be taught.

In my opinion, Kendrick Lamar, an award-winning rapper and songwriter, has one of the best abilities to describe his distressed and abused lifestyle in Compton, California. He is not your original cliché artist who does not speak about anything meaningful. Kendrick, also known as K. Dot, is one of the most well known and most respected rappers in this era. Not only does he speak about his gloomy past, but he also speaks about his fortunate future. His ability to give detailed representations of his struggles and his story telling allows me to, metaphorically, enter the mind of Kendrick Lamar.

The most popular and influential form of African-American pop music of the 1980's and 1990's, rap is also one of the most controversial styles of the rock era. And not just among the guardians of cultural taste and purity that have always been counted among rock 'n' roll's chief enemies--Black, White, rock and soul audiences continue to fiercely debate the musical and social merits of rap, whose most radical innovations subverted many of the musical and cultural tenets upon which rock was built. Antecedents of rap are easy to find in rock with other kinds of music. Music is often used to tell a story, often with spoken rhymes over instruments and rhythms. Talking blues, spoken passages of sanctified prose in gospel,

The average rapper wouldn’t be able to grace the pages of Rap Pages, VIBE, Spin, The Source, URB and Stress and go on a national tour months before their major label debut album is released. Then again Eminem isn’t the average rapper.

Boom, boom! Boom, boom! The kind of bass that drains batteries and the kind of lyrics that unload clips, these are the sounds that rap music produces. I chose this topic because I am extremely interested in rap music and I want to explore the violent aspect of the industry. I have never had a chance to look at the violent side of it and I plan to find answers to questions I have in my search. Tupac Shakur is one of my favorite artists and when he was shot and killed I really started to take notice of the violence. People were getting killed because of an image that was being set. What I really want to know, however, is why rappers feel compelled to graphically describe the violence.

"Obviously rap music is too violent. It serves as a musical accompaniment to the entire underclass culture of violence," says the author of "See No Evil", David Klinghoffer, in an article in the National Review. This extremely narrow minded philosophy has neglected to discover what rap music really is and what it means to its millions of buyers, who are mostly of upper-class status. Rap is not only music, it is also a black cultural expression that prioritizes black voices from urban America, and it is a form of rhymed storytelling accompanied by highly rhythmic, electronically based music. Rap music is a form of art or expression like any other type of music. Rap music in itself is not violent. Rap music of today is merely a reflection of

to music critics Jackson’s album Thriller seemed to be inspired by “a mixture of several genres

An ode can be defined as a "ceremonious lyric poem on an occasion of dignity in which personal emotion and universal themes are united" (Ode, 2012). While hip-hop is known for its violent, masculine, and often, misogynistic lyrics, "Dear Mama" (1995), the first single from Tupac Shakur's album, Me Against the World (1995), can be considered to be a modern ode. Tupac Shakur, also known as 2Pac, one of hip-hop's most influential rappers, intended to pay homage to his mother through this song and frequently referenced it in many of his later songs. "Dear Mama" (1995) contains many elements that allow its lyrics to be analyzed from a literary perspective including tone, theme, and lyrical style.