Raphael: Raffaello Sanzio Da Urbino Or Raphael

Raphael was a painter during the Italian Renaissance. He is known for his paintings of the Madonna, each one a little different. He was born on April 6, 1483, in Urbino, Italy (Bio.com). His most famous painting was finished in 1507 called La belle jardinière (Bio.com). La belle jardinière is also known as Madonna and Child with Saint John the Baptist (Bio.com). It is different compared to the painting I will be examining but the concept and figures are still the same. Raphael died on April 6, 1520, his 37th birthday, of “unexpectedly of mysterious causes” (Bio.com).

Michelangelo was less interested in school than watching the painters at nearby churches. Michelangelo's dad found out that Michelangelo didn't have interests in the family financial business. So he agreed to apprentice him at the age of 13, to the fashionable Florentine painter's workshop. Michelangelo was there at the workshop for only a year when an extraordinary opened up to him. At the recommendation of Ghirlandio, he moved into the palace of Flourintine ruler Lorenzo the Magnificent, of the powerful Medici family, to study classical sculpture in the Medici Gardens.

The author of The School of Athens, is Raffaello Sanzio. He was born in the mountain town of Urbino. Raphael was born on April 6, 1483 and also died on the same day in Rome in 1520. He settled in Florence in 1505 at only fifteen-year’s old. Raphael first produced art in Urbino at a young age. Raphael produced his first piece of art at fifteen year’s old. He is a naturalistic artist. He used paint for his paintings. He started with Marriage of the Virgin (1504), the Dispute over the Sacrament (1510-1511), then the misnamed School of Athens (1510-1511), and lastly the Cardinal Virtues (1511). Raphael was part of the great trio of High Renaissance masters. He became the most prolific and most widely celebrated painter of his time. At age twenty-six-year-old Raphael was called to Rome by Pope Julius II to embark on the major phase of his career. Raphael did not approach painting as a series of solutions to technical problems of representation. Instead, he made preliminary sketches many of them preserved

Leonardo, the distracted, uncommitted artist, easily lost interest in his work, leaving the majority of his pieces unfinished. Michelangelo was also an avid give-up-er, though not to the unprofessional extent of Leonardo, which is one of the reasons Michelangelo tended to get more attention from people who paid for art, as Michelangelo was more reliable. In contrast, Raphael created and finished much more art than the others. The reasons for the differences in these artists’ amount of unfinished art can be revealed in how much assistance they used. First, Leonardo did his work almost completely on his own, limiting his assistants to mostly mixing the paints. Michelangelo shared this controlling personality, letting only his best helpers paint small and insignificant parts of the sistine chapel. Lastly, Raphael was more open to assistance, letting his aids do much of the painting of his large pieces, giving him more time in the creativity and drawing out of his

Raphael Sanzio or Raffaello was an Italian master painter and architect of the Florentine school in High Renaissance, celebrated for the perfection and grace of his paintings. He was also called Raffaello Sanzio, Raffaello Santi, Raffaello da Urbino or Rafael Sanzio da Urbino. He moved to Florence at the age of 20, where he was exposed to Leonardo da Vinci, "whom he never ceased to admire as a mentor and father figure", and to Michelangelo. Raphael learned from both men, but while he made use of their exploration of human anatomy, he added sentiment to his paintings.He was commissioned by Julius II to paint some of the rooms at his palace at the Vatican. This marked a turning point, and he was only twenty-five years old. He remained almost exclusively in the service of Julius and his successor Leo X. He painted "a series of frescoes in the papal apartments" as well as those of the "Stanza della Segnatura, which include his vast School of Athens."

Through swift glimpse, it is apparent that they had many in common as artists of the High Renaissance period. One of both their greatest moments as artists and painters were commissions insisted by the Pope which rendered high significance from one another. Michelangelo’s triumphed in the Sistine Chapel (1508-1512) and Raphael’s gem, Stanze di Raffaello (Raphael Rooms). A story was said to believe that Raphael, at the time, were painting frescos and was deeply inspired by Michelangelo’s paintings. He had accessed the Sistine Chapel still in its making without the consent on Michelangelo and later scraped his frescos of the wall to paint and repainted it, imitating the more dynamic style of

Pablo Picasso, although usually known as just Picasso. His full name though is actually: Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso. His signature is worth more than some of his paintings. In fact in some restaurants he just drew a quick face and then signed it (when he was famous). He was one of the most well known people in the 20th century. He was born in 25th of October 1881 in Malaga, Spain, and then died on the 8th of April 1973 Mougins, France. He was a: painter, drawing, sculpture, print making, and ceramics.

Raphael was one of the most important artists of the Italian Renaissance. Raphael painted and designed many brilliant pieces of work and the stanzas inside the Vatican. He was a master at such necessities of modern art such as depth and perspective and the use of light and shadow, and was the turning point styles of paintings like the use of Madonnas in paintings. Through his short life, Raphael would make some of the most awe-inspiring, beautiful, and influential works of art during the Italian Renaissance.

In the years to come, Raphael painted an additional fresco cycle for the Vatican, located in the stanza d’Eliodoro (“Room of Heliodorus, The miracle of bolsena, The Repulse pf Attila from Rome and the liberation of saint peter. During the same time, the ambitious painter produced a successful series of “Madonna” paintings in his own art studio. The famed Madonna of the chair and Sistine Madonna were among them. By 1514, Raphael had achieved fame for his work at the Vatican and was able to hire a crew of assistants to help him finish painting frescoes in the Stanza dell’Incendio, freeing him up to focus on other projects. While Raphael continued to accept commissions – including portraits of Popes Julius II and Leo X – and his largest painting on canvas, The Transfiguration (commissioned in 1517), he had by this time begun to work on architecture. After architect Donato Bramante died in 1514, the pope hired Raphael as his chief architect. Under this appointment, Raphael created the design for a chapel and an area within Saint Peters new basilica. Raphael’s architectural work was not limited to religious buildings. It also extended to designing

When he was in his teens he was "commissioned to paint for the Church of San Nicola in the neighboring town of Castello" so his work even impressed the church, which was a big deal back then. Raphael was invited by a master painter, whose name was Pietro Vannuci otherwise known as Perugino, to be his apprentice in Perguia, "in the Umbria region of central Italy". In Perguia, "Pergino was working on frescoes at the Collegio del Cambia" where Raphael would go and learn how to paint frescoes. He was his apprentice for 4 years. In those 4 years he took advantage of the opportunity and gained a lot of knowledge and hands on experience

Raphael followed Perugino’s method of painting all of his life. Having been commissioned the Umbrian cities and courts provided a source of wealthy and potential clients for Raphael. Raphael produced high quality work at a very young age. Urbino, where Raphael was born was considered a place where many artists flourished. Raphael worked with Perugino for about four years. Raphael began learning more by studying the works of great masters such as Leonardo da Vinci and Michelangelo. He took along with him a lot of their techniques and style but also kept his own unique style while doing so. Many people liked and enjoyed Raphael’s company and considered him a friendly and social artist. Raphael received an important commission which was to paint the Coronation of the Virgin for the Oddi Chapel in the church of San Francesco, Perugia. This painting is now held in the Vatican Museum in Rome. In Raphael’s painting “The Marriage of the Virgin” you can see the relationships between the figures and the architecture. You can also see that the disposition of each figure in relation to the others is more informal and animated. The three small paintings that Raphael did after this one were “Vision of a Knight”, “Three Graces”, and “St Michael”. These paintings were examples of narrative paintings, showing youthful freshness and a maturing ability to control the elements of his own style. After a while Raphael’s desire for more knowledge on painting led him to look for more models to work from aside from Perugino. Raphael’s uncle Bartolomeo was subsequently engaged in litigation with his stepmother who his father remarried after Raphael’s mother died. Many say that after both his parents died he kept on living with his uncle and his stepmother. He lived with her when he wasn’t working as an apprentice with a master of the arts. Many of Raphael’s father’s friends say that Raphael was of great help to his father and he showed

Therefore one of his grammar school friends Domenico Ghirlandaio realized this and introduced him to the painter Domenico Ghirlandaio, his father soon realized he had no interest in becoming a banker, therefore agreed to apprentice him to the fashionable Florentine painter's workshop. Only after a year Michelangelo was offered an extraordinary opportunity to study classical sculpture in the Medici gardens.Michelangelo fled to Bologna after the death of Lorenzo the Magnificent’s death, where he continued his study.In 1495 he moved back to Florence in 1495 to begin work as a sculptor, modeling his style after masterpieces of classical antiquity. In 1498 he moved to rome where he got commissioned by Jean Bilhères de La Graulas, a representative of the French King Charles VIII to the pope, where he did the statue pieta. Upon completion he moved back to Florence where he was now seen as a prominent figure in the art industry, soon after he moved back he started work on the statue of david.After this he really blew up getting asked to do works such as decorating the ceiling of the Sistine Chapel and the creation of adam. After a brief illness, Michelangelo in 1564, coincidentally he is one of the only artists during this time to see the popularity of his art during his lifetime. Even though these two have different ways of achieving the point they are today, there's

Raphael was born Raffaello Santi or Raffaello Sanzio in Urbino on April 6, 1483, and received his early training in art from his father, the painter Giovanni Santi. In 1499 he went to Perugia, in Umbria, and became a student and assistant of the painter Perugino. Raphael imitated his master closely; their paintings of this period are executed in styles so similar that art historians

Leonardo da Vinci is one of the most remarkable painters, sculptors, architects and brilliant philosophers of all time. He was born on April 15, 1452 near Vinci but the biggest part of his life he spent in Florence where he began drawing and after a certain period-painting. When Leonardo was fourteen he began working with Andrea del Verrocchio, who was one of the most recognized painters of his day. Da Vinci’s work soon

Leonardo’s beginning and how he start his artist career. “His beginning was in commonplace surroundings, a background that gave promise for either art or profound thought. When Leonardo grew older, began to feel that he was different from the people who surrounded him, not even because he was a stepchild but because he feeling curiosity to know everything. His stepdad Piero, look carefully over Leonardo’s work, began to wonder whether Leonardo might not make a profession of art. When da Vinci was between fourteen and