Raphael's Accomplishments

Raphael Sanzio was one of the most important artists of the Italian Renaissance. Raphael painted and designed many brilliant pieces of work and the stanzas inside the Vatican. He was a master at such necessities of modern art such as depth and perspective and the use of light and shadow, and was the turning point styles of paintings like the use of Madonnas in paintings. Through his short life, Raphael would make some of the most awe-inspiring, beautiful, and influential works of art during the Italian Renaissance.

Raphael was a painter during the Italian Renaissance. He is known for his paintings of the Madonna, each one a little different. He was born on April 6, 1483, in Urbino, Italy (Bio.com). His most famous painting was finished in 1507 called La belle jardinière (Bio.com). La belle jardinière is also known as Madonna and Child with Saint John the Baptist (Bio.com). It is different compared to the painting I will be examining but the concept and figures are still the same. Raphael died on April 6, 1520, his 37th birthday, of “unexpectedly of mysterious causes” (Bio.com).

From the book Living with Art I chose Raphael. The School of Athens on page 160. This painting took place in Stanza della Segnatura, Vatican. Rome. This is a naturalistic stylized pace of art. The two visual elements of design that I saw in the Raphael painting, is color, and space. There are both horizontal, vertical, and diagonal lines to making up the arches and all the columns. An implied line is in each group of men and women in this paining. The group of young women and men in the bottom right hand corner are looking up at the ceiling as like the man are trying to describe the structure of it. The arch emphasis allusion to make the person

    Michelangelo's plays a huge role in the way that art was created during the Renaissance and well into today's society. His painting allow historians to grasp on to many more ideas that were expressed during the Renaissance. He is still one of the most talented human beings to walk this earth. There has been very few that have accomplished what Michelangelo di Lodovico Buonarroti Simoni has accomplished in the short life of a human

Leonardo, the distracted, uncommitted artist, easily lost interest in his work, leaving the majority of his pieces unfinished. Michelangelo was also an avid give-up-er, though not to the unprofessional extent of Leonardo, which is one of the reasons Michelangelo tended to get more attention from people who paid for art, as Michelangelo was more reliable. In contrast, Raphael created and finished much more art than the others. The reasons for the differences in these artists’ amount of unfinished art can be revealed in how much assistance they used. First, Leonardo did his work almost completely on his own, limiting his assistants to mostly mixing the paints. Michelangelo shared this controlling personality, letting only his best helpers paint small and insignificant parts of the sistine chapel. Lastly, Raphael was more open to assistance, letting his aids do much of the painting of his large pieces, giving him more time in the creativity and drawing out of his

There are many great artist during the Renaissance some of them were Leonardo Da Vinci, Raphael, Donatello, and Michelangelo. The main artist were Leonardo Da Vinci, and Michelangelo, But the most significant of them all was Donatello. Donatello was the greatest artist because of a lot of variables one of them is having the best variety of skill. In the Donatello DBQ it states “A student of the classics and a master craftsman Donatello was considered one of the founders of sculpting.” This demonstrates that Donatello had more than one skill and he can use his knowledge of all his skills and make them work together.

Raphael Sanzio or Raffaello was an Italian master painter and architect of the Florentine school in High Renaissance, celebrated for the perfection and grace of his paintings. He was also called Raffaello Sanzio, Raffaello Santi, Raffaello da Urbino or Rafael Sanzio da Urbino. He moved to Florence at the age of 20, where he was exposed to Leonardo da Vinci, "whom he never ceased to admire as a mentor and father figure", and to Michelangelo. Raphael learned from both men, but while he made use of their exploration of human anatomy, he added sentiment to his paintings.He was commissioned by Julius II to paint some of the rooms at his palace at the Vatican. This marked a turning point, and he was only twenty-five years old. He remained almost exclusively in the service of Julius and his successor Leo X. He painted "a series of frescoes in the papal apartments" as well as those of the "Stanza della Segnatura, which include his vast School of Athens."

Through swift glimpse, it is apparent that they had many in common as artists of the High Renaissance period. One of both their greatest moments as artists and painters were commissions insisted by the Pope which rendered high significance from one another. Michelangelo’s triumphed in the Sistine Chapel (1508-1512) and Raphael’s gem, Stanze di Raffaello (Raphael Rooms). A story was said to believe that Raphael, at the time, were painting frescos and was deeply inspired by Michelangelo’s paintings. He had accessed the Sistine Chapel still in its making without the consent on Michelangelo and later scraped his frescos of the wall to paint and repainted it, imitating the more dynamic style of

Leonardo da Vinci was a significant artist because he brought us important inventions. In sentence 6 of the Leonardo da Vinci DBQ it says, “Besides painting masterpieces, Leonardo made scientific studies, dissections, observations, and research on engineering and anatomy.” This shows that not only was Leonardo da Vinci great at painting, but he was also great at inventing and many

Raphael was one of the most important artists of the Italian Renaissance. Raphael painted and designed many brilliant pieces of work and the stanzas inside the Vatican. He was a master at such necessities of modern art such as depth and perspective and the use of light and shadow, and was the turning point styles of paintings like the use of Madonnas in paintings. Through his short life, Raphael would make some of the most awe-inspiring, beautiful, and influential works of art during the Italian Renaissance.

In the years to come, Raphael painted an additional fresco cycle for the Vatican, located in the stanza d’Eliodoro (“Room of Heliodorus, The miracle of bolsena, The Repulse pf Attila from Rome and the liberation of saint peter. During the same time, the ambitious painter produced a successful series of “Madonna” paintings in his own art studio. The famed Madonna of the chair and Sistine Madonna were among them. By 1514, Raphael had achieved fame for his work at the Vatican and was able to hire a crew of assistants to help him finish painting frescoes in the Stanza dell’Incendio, freeing him up to focus on other projects. While Raphael continued to accept commissions – including portraits of Popes Julius II and Leo X – and his largest painting on canvas, The Transfiguration (commissioned in 1517), he had by this time begun to work on architecture. After architect Donato Bramante died in 1514, the pope hired Raphael as his chief architect. Under this appointment, Raphael created the design for a chapel and an area within Saint Peters new basilica. Raphael’s architectural work was not limited to religious buildings. It also extended to designing

With that inspiration, Raphael created a "series of 'Madonnas". He continued Leonardo da Vinci's work when he started working on his series of "Maddonas". Later in his life he was commissioned by Pope Julius II to paint his personal library and when the pope died in 1513 the new pope, Medici Pope Leo X who he befriended along with the architect Bramante, gave him more commissions and let him finish the commission the pope before him gave him. Also since he was friends with the architect Bramante he got a sneak peak of the Sistine Chapel, he was also recognized by the catholic

Michelangelo is probably the most well-known painter of all time. He did works that none have been able to accomplish. He had artistic talent in almost every area of study. He could paint the most complicated and difficult tasks, an example: painting a ceiling with great detail and story. The ceiling of the system chapel in part shows the separation between God and man as it shows Adam’s arm and finger stretching out to touch God’s. The Greek’s muscular form makes a comeback in this era also, as can be seen through both the Sistine chapel as well as the statue of David. Another popular painter of the time period was Raphael. One of Raphael’s most famous and well known paintings is the School of Athens, which depicts many popular philosophers of that day, as well as past popular philosophical

This was accepted with great pleasure by this up and coming artist who now had solidified himself as more than just an aspirant, but a successful artist. As it happened, the biggest commission of Raphael's life brought him into a direct encounter with one of his idols. Just down the corridor, Michelangelo was engaged in the greatest solo project of the Renaisssance, the painting of the Sistine chapel. (Donegan) Michelangelo didn’t think very highly of Raphael, and thought him unworthy to work on a project of such high religious significance. This began one of the greatest artistic rivalries of all time and became the stuff of

Therefore one of his grammar school friends Domenico Ghirlandaio realized this and introduced him to the painter Domenico Ghirlandaio, his father soon realized he had no interest in becoming a banker, therefore agreed to apprentice him to the fashionable Florentine painter's workshop. Only after a year Michelangelo was offered an extraordinary opportunity to study classical sculpture in the Medici gardens.Michelangelo fled to Bologna after the death of Lorenzo the Magnificent’s death, where he continued his study.In 1495 he moved back to Florence in 1495 to begin work as a sculptor, modeling his style after masterpieces of classical antiquity. In 1498 he moved to rome where he got commissioned by Jean Bilhères de La Graulas, a representative of the French King Charles VIII to the pope, where he did the statue pieta. Upon completion he moved back to Florence where he was now seen as a prominent figure in the art industry, soon after he moved back he started work on the statue of david.After this he really blew up getting asked to do works such as decorating the ceiling of the Sistine Chapel and the creation of adam. After a brief illness, Michelangelo in 1564, coincidentally he is one of the only artists during this time to see the popularity of his art during his lifetime. Even though these two have different ways of achieving the point they are today, there's