Throughout history people can see many of the developments and differences among cultures, through the artworks that were produced. This essay will carefully analyze, evaluate, and compare four distinct works, from different time periods and cultures. The works to be compared are: The Woman from Willendorf, The Bust of Nefertiti, Figure of A Woman, and Young Flavian Woman. Throughout this paper the style and function of each individual work will be explored, along with the cultural ideas presented in each piece.
This essay aims to investigate two different time periods in the history of art. It will scrutinize the influence that the respective societal contexts had on the different artists, which in turn, caused them to arrange the formal elements in a specific way. I will be examining an Egyptian sculpture of the god Isis nursing Horus, her son, as well as the Vladimir Virgin icon, which dates from the Byzantine era. Experts vary on the precise ‘lifetime’ of the Ancient Egyptian civilization, but according to Mason (2007:10) it existed from 3100 BCE up to 30 BCE. The Byzantine era, which
Nanette Salomon, a very well known feminist writer, wrote the article, “Judging Artemisia: A Baroque Woman in Modern Art History.” The article opens up with a discussion about the 2001-2 exhibition of Orazio and Artemisia Gentileschi: Father and Daughter Painters in Baroque Italy. The author explains that three things are unusual here: the fact that two famous artists were presented at the same time, that they were related as father and daughter, and the fact that the woman was better known than the man. Her intent in this article is to look at the effects of this trope (figure of speech) in the past and in the present.
Daily life in Athens is full of activities as the people of Athens are known for their curiosity about many things and their love for knowledge: in arts, literature, architecture, medicine and trade (Hansen, 1991). On a daily basis, young adults are very keen to learn the most recent philosophy from their tutors and older ones, they gather to learn
Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works
Two main differences immediately apparent between Raphael’s School of Athens and Leonardo’s Adoration of the Magi are the compositions of the large figure groups within each painting and the state of completion. In the forty foot wide fresco of School of Athens, the figures are organized in a mathematically constructed arrangement. The heads of the figure group in the background create a central horizontal line across the fresco. The two smaller figure groups in the foreground on the left and right are arranged with slightly less linear organization however when compared to the figure group of Leonardo’s Adoration of the Magi
At first glance, Giovanni Paolo Pannini’s Picture Gallery with Views of Modern Rome (1757) reveals very little past the outsider-looking-in perspective we are given from Pannini’s perspective. In the center is the Duc de Choiseul surrounded by detailed views of Roman architecture including buildings, fountains, and monuments and several infamous sculptures from the 17th and 18th centuries. While looking at the painting, it is hard to pinpoint one focal point within the composition when the walls of the gallery are filled with paintings from the floor to the ceiling. The focus becomes about the space Pannini has created and it does not focus on one specific object or figure. Each view of Rome seen in the imagined gallery adds to the illusion of Rome as an ideal city and to the idea of its beauty. By showing a space that reflects this beauty through the numerous paintings, sculptures, and architecture Pannini’s painting transforms into an allegory. Even though this painting was commissioned to commemorate Rome, he is able to portray the city and its architecture through a well respected and scholarly environment uncharacteristic of any known space or time. These characteristics cause the which allows it by creating a fictitious These allegorical characteristics do not become known unless you take a closer look at Picture Gallery with Views of Modern Rome (1757).
Gender Roles Set in Stone Prehistoric and ancient artists represent men and women in various ways and the works of art tell an altered story, which reinforces old-fashioned gender roles. Additionally, representations of prehistoric and ancient genders illustrate the social standards of their specific periods. The views of gender presented by the works of art are still recognizable, despite all individual’s current sensibilities and views today. An individual’s contemporary view is of gender and gender rules illustrates the significant social progress that the human culture has made. Although the Woman of Willendorf and Kouros/Statue of standing Youth artworks were created at different times, the genders can still easily be depicted within the artwork.
Northern versus Italian Renaissance styles: A comparison of two unidentified images The most notable feature of the far left, Italian Renaissance image is its emphasis on classicism in its design. The dome-shaped building in the background of the painting recalls that of the Pantheon of ancient Rome. The anatomy of
Comparing and Contrasting Two Work of Art Introduction: It is always interesting to know how a singular topic can be treated so differently by two different artists. There is not only the more obvious difference of the techniques that have been employed, but there is also the difference in the way they perceive the topic. There is also the era and the region and influence of their background which has a direct impact on the work of Art that they produce. In this paper, we will try to develop an understanding regarding the difference that exist between a work that was developed in the Renaissance Period and one that came out in the Italian Baroque. The paper will try to find the ground on which they coincide and those on which they differ from each other.
In society today, women’s hair doesn’t normally make a daily social or political statement, it played a much more important role in Ancient Rome. Roman women put a lot of thought and effort into their hair, as the aesthetics of it played a strong roll in whether society deemed them attractive, but that wasn’t all. While men of both Ancient Rome and now view this focus on physical appearance as purely a form of vanity it also went beyond the pleasing aesthetics of it, the hairstyles of Roman women were an extension of not just their own social and political standing, but that of their family. The physical appearance of these women were translated into sculpture and offered both the public and private a view of these important women. These sculptures, and sometimes even coins, weren’t just a pretty picture, they revealed intricacies into the political affiliations of the women, and would even espouse the traits and even the goddess that they wished to be associated with.
Raphael’s “School of Athens” fresco is one of the four frescoes in the Stanza della Segnatura , in the Vatican. The walls are covered with four different scenes, each depicting a different theme. The School of Athens represents Philosophy. The techniques and figures used in the fresco not only pay homage to Raphael’s influences, but are also a presentation of the skills acquired from each. Almost as though he was submitting it for approval. As Raphael traveled throughout Italy, he formed relationships with, and learned a great deal from the masters of the age. In the School of Athens, Raphael depicts his teachers and influences in disguise and presents the skills learned from each. It is because of these influences and the creativity of
Keywords: Renaissance, Baroque, Rococo, Art, History, Science, Knowledge The Renaissance Beginning with the Renaissance (1400-1600) we see a change in the subject matter being portrayed by artists of the time. We can attribute this change not only to the change in patrons, from the Christian church to wealthy bankers and politicians, but also to the growing body of scientific knowledge. “The Renaissance was
The names of the Teenage Mutant Ninja Turtles are familiar to everyone’s inner child: Michelangelo, Raphael, Donatello, and Leonardo. However, the actual people after whom the ninjas are named were resplendent artists of the fifteenth and sixteenth centuries, and each of these men had a profound effect on the trajectory of art. During the Renaissance (late 1400s-1600s), an era of society emerging towards a new way of considering the world through artistic study, the marvelous coalition of citizens that is the public was propelled out of the philosophical oppression of the Middle Ages. Moreover, this served as a pivotal time not only for traditional art, but for free and open thought in general. Because of the Renaissance 's lasting influences and the grandeur of change it commenced, it will remain embedded in history for so long as the human race continues to exist. In this period of transcendence, Greco-Roman culture and philosophy saw its return, the Catholic Church suffered a decline, art revolutionized itself, and academia returned to antiquity.
Rebecca Nottke Dr. Lawson HUM-1010-42 Nov. 15th, 2017 Gender: Women, the Lesser Sex Throughout the Ages When one thinks of art and religion, one may think of gender role defiance and non-conformism. While this may be generally true in present times, it was not always this way. Women and men have had distinctly different places in society, these places often being unequal. Generally most well-known works throughout the ages have adhered to and represented what society regarded as the proper gender roles for men and women. This is represented in three works of art which will be discussed: Hamlet by William Shakespeare, The Courtier: Book 3 by Baldassare Castiglione, and Luncheon on the Grass by Eduoard Manet. While these three forms of art come from different times and are of different mediums, they are connected in that they follow and represent the gender roles of their time.