Raskolnikov Theme Essay

At that time he asked her to read to him the Bible story of Lazarus. According to scripture, Lazarus was a man who had been raised from the dead by Jesus Christ. After Sonya reads him the story he tells her he will come back the next day to tell her who killed Lizaveta. The story symbolizes the beginning of Raskolnikov’s redemption and consequently the renewal of his own life.

Raskolnikov’s brusque affectation eventually yields to his predilection for salvation and redemption. He ultimately comes to the realization that he is not worthy of being “extraordinary” because of the crippling guilt that followed his murder of the pawnbroker. Raskolnikov reflects upon the implications of his crime on his psyche, “I murdered myself, not her! I crushed myself once for all,

By not following the rules established by Christianity, Raskolnikov is essentially making himself God, which is an internal struggle throughout the novel because Raskolnikov feels guilty about it. Although he commits murder, which is impermissible in a religious and societal context, Raskolnikov actually saw some value in religion. It is for

Raskolnikov confesses his crime to her, and through a very slow process is on the way to confessing his crime once and for all. Yet, even upon his occurring it is clear that Raskolnikov partially did it as a matter of practicality based on the influence of the case’s investigator, Porphyry. It is only through Sonia’s unflinching love for Raskolnikov that he is eventually transformed to love God and realize that this is the only true

First, let me introduce you to the main character himself otherwise known as the murderer in this story. Raskolnikov is the main protagonist of the novel, making the story in his point of view. He is very alienated from society due to his

Although the cross was initially supposed to show Raskolnikov's self-sacrifice, it began to show that he started down the path of recognizing the wrongs that he committed. Before he confessed his crime to Sonia he felt isolated from her as well. Since he fell in love with her, it was his biggest pain being cut off from her. When he finally trusted Sonia with the knowledge of his crime, she accepts him because he finally starts his reconciliation. He gathers strength from Sonia's acceptance of him, and that is what pushes him into confessing to society. His compassionate nature is what also pushes his actions once again. Since he felt disconnected from Sonia, his compassion is what pushed him into confining in her his secret to become closer to her. With Raskolnikov gaining spiritual reassessment at the end shows the special significance of Sonia as well through the novel. She gave herself (her love) to bring him back to society, like Jesus, and by doing so he would ultimatly save himself and recognize his sins, as he did. The strength from which Raskolnikov gained from Sonia influenced his reconciliation, reassessment, and stability to which then lead to the major importance of the

He immediately convinced himself that it was a sign that he must commit the murder the next night. The use of coincidence and environment as self-justification shows that he feels guilty and needs validation for his crimes. He cannot turn to God like Sonia because he is a selfish man and repenting means that he must admit to himself that he had done wrong. Instead of feeling disappointment in himself he will blame his actions on the world around him. Raskolnikov askes Sonia to read him a passage out of the Bible and she reads him the story of Lazarus.

A shy and timid seventeen year old girl, Sonia is wary of Raskolnikov when she first meets him. Her tenacious religious faith is a vital part of her character; she is shy and timid, but also truly compassionate and altruistic (especially towards Raskolnikov). In this sense, Raskolnikov is quite different from Sonia; where he is uncaring and ignorant, she is warm-hearted and thoughtful. Sonia helps to bring back the humane aspects of Raskolnikov’s personality. “There, not far from the entrance, stood Sonia, pale and horror-stricken. She looked wildly at him… There was a look of poignant agony, of despair in her face...His lips worked in an ugly, meaningless smile. He stood still a minute, grinned, and went back into the police office” (Dostoevsky 447). At this moment in time, Raskolnikov had gone into the police station to confess his crime, but in a lack of better judgement, he returns back to Sonia without telling about his crime. Had Raskolnikov not been motivated by the repugnant look on Sonia’s face, it is unlikely that he would have gone back into the police station. This is perhaps the prime example of how Sonia brings out the best in Raskolnikov. Sonia’s sympathetic and doting personality is polar to Raskolnikov’s selfish beliefs and his “extraordinary man theory”. However, when all is said and done, Sonia guides Raskolnikov to face the punishment of his wrong doing. Had Raskolnikov not had a tenacious relationship with Sonia, it likely would have taken him a much

By doing this, the author, once again, is able to persuade his audience into the belief that Raskolnikov has a fractured mind and that he is mentally

In Dostoyevsky’s Crime and Punishment, the character of Raskolnikov is one who may be considered evil or immoral for his actions, however his portrayal by the author is one that instills sympathy in the reader for the character due to his motives and personal, internal consequences he suffers for his crime of murder. There is considerable evidence supporting the view that Raskolnikov wants his theory surrounding the murder to be proven wrong, to get caught, and to be punished. This tells the reader that deep

After the gruesome murder in Part 1 of Fyodor Dostoevsky’s Crime and Punishment, Raskolnikov becomes indecisive in his guilt, ethics, and even daily actions, and through the uncertainty he loses all the control he had in his life. He goes around debating whether he should turn himself in, the people he should tell, and his future actions. In his indecisiveness he begins to feel helpless, and through his friend’s death and his total exhaustion, it seems like he loses only more control. His day culminates, as he arrives home, only to realize he forgot his family’s expected arrival, and becomes inadequately prepared to deal with his family’s caring concern. After having so much power through the murder

The guilt he feels after killing Alyona Ivanovna is the most brutal punishment in the novel. Even the police investigator, Porfiry Petrovich, admires Raskolnikov for his finely-tuned sensibilities. His conscience causes him to worry not just about his own sins, but also about the sins of nineteenth-century Russia. He refuses to marry, seeing the institution as deeply flawed and imbalanced, and he forbids his sister to marry Luzhin because such a marriage would reduce her to a servant. The status of Russian women enrages him and his heart aches for Sonya, who prostitutes herself to feed her family.

The confession of Raskolnikov’s homicide in the end of the novel reveals a point of redemption for him to reintegrate into society. Raskolnikov’s submission to governmental law when he professes to the police “it was I who killed the old pawnbroker widow and her sister Lizaveta,” (Dostoyevsky 505-506) is indicative of how he is overcome with guilt. This testimony comes without force, further stressing how this action is for settling Raskolnikov’s own guilty conscience not anyone else’s.

Raskolnikov views he’s landlady completely different he’s in debt to her and is actually one of the good guys. So when a parallel murder scene is sent up in a fashion were he can relate it to how the pawnbroker died he a seed of guilt is planted. The beating was loud and violent and if the sisters were able to make noise at any time this is what it would sound like. Raskolnikov can’t understand why Petrinova would do such a thing. Why would Raskolnikov do such a thing?

Raskolnikov lives an ordinary life as an ordinary man. He is a good man and has a good heart, but he soon commits a crime that will forever change his life. Raskolnikov is a good man; I believe he is kind, generous, and selfless. Now, how are all of these positive traits found in a murderer? I think was caught in a psychotic moment, his mental state was not all there, and he had a dream, he made a plan, and he committed this terrible crime. A good example of Raskolnikov being a kind hearted person, and selfless is when he sees a young girl at the end of the street, he sees by her a rough looking man staring at her. He starts to get very worried what this man might do to this young girl. He goes down the street to get this young girl, and he pays for a taxi to get her home. This was so generous, and small yet so impactful. Raskolnikov cared about what might happen to this young girl, and did something about it. This showed how selfless Raskolnikov is, and what a kind heart he has. I think this shows Raskolnikov’s true character. From here, he makes some terrible decisions, and is engulfed by guilt, but I believe he is a generous, kindhearted person. In this book, Crime And Punishment, Raskolnikov goes from being an ordinary man with an ordinary life to a murderer, tortured by guilt, haunted by the memory of his crime, and him finding himself again in society after the murders.