Rat Kiley's Obstacles

Though the men reacted in violent ways in different situations, O’Brian’s violent act was something that stayed with him for the rest of his life and completely changed who he was as a person. “The Man I Killed” describes in detail the man and his life Tim O’Brien killed on a path in the jungle, even though he obviously did not know the man’s personal background, but mimicked it after his own. This description shows O’Brien’s life came to an end at his first act of violence, mirrored in the loss of the man’s life. After O’Brien’s incident on the pathway, he became cold and exemplified this new disposition after Jorgenson almost allowed O’Brien to die from a bullet wound, and in turn O’Brien needed pay back by scaring him in the middle of the night. The war may have physically killed many, but in this sense it damaged every soldier mentally.

The new soldiers’ resistance was usually followed by an attempt to flee which brought shame and embarrassment to both the new soldiers and their families. Subsequent to the attempt to flee came a final adoption to the war in which O’Brien and many others tried so hard to get out of. O’Brien uses elements such as conflict, imagery, and tone to help convey his

“His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole...,” writes O’Brien as he studies the deceased enemy (118). Throughout the novel, the author shows consistency with repeating stories and lines in a way to present a greater image. He reminds the reader of details the elaborate his larger view. When he writes of the man he killed, he wants the reader to imagine themselves in his shoes, as he imagined himself in the enemies’. As he carefully studies the dead man, he imagines how the boy found himself in the war. By relating American society to the boy’s village of My Khe, he bridges similarities connecting the two by a culture that promotes defending one’s land and ways of life. By saying, “he would have been taught that to defend the land was a man’s highest duty and highest privilege,” he shows there is minimal difference between how most Americans view the military and the duty of the villagers in My Khe (119). Although he had not known the exact history of the boy, he attempted to illustrate in his own mind what his life may have been like prior to the invasion. The inability for O’Brien to walk away from the body as Kiowa continued to pry him away says he was troubled by the similarities. Despite Kiowa saying it could have been him lying lifeless on

The chapter “Ghost Soldiers” the theme morality was evident. In the chapter, the medic Rat Kiley had left the war and Bobby Jorgenson filled in. While he was the medic Tim O’Brien was shot and Jorgenson did nothing to help him. When O’Brien was in the hospital he plotted revenge against Jorgenson. When he attempted to get revenge the plan failed but Jorgenson and O’Brien formed a truce. “What is real he said. Eight months in fantasyland, it

At the same time, O’Brien struggles with destructiveness of the conflicting images of violence and peace in death through the juxtaposition of the imagery of the dead man. While “his one eye was shut, the other eye was a star-shaped hole.” The dead man has one shut eye that resembles a peaceful sleep, while the other side is obliterated by the grenade into a star-shaped hole. The image of the star-shaped hole in the dead soldier’s eye represents the hopes that he once had when he was alive: “He hoped the Americans would go away. Soon, he hoped. He kept hoping and hoping, always” (119). Furthermore, “his right cheek was smooth and hairless,” an image of untouched innocence that contrasts with his left cheek, which was “peeled back in three ragged strips,” destroyed by the violence O’Brien inflicts upon it. The juxtaposition of the butterfly that settles on his chin and the fatal wound on his neck, “open to the spinal cord…blood…thick and shiny” illustrate the complexity and ambiguity of the unnaturalness of war, depicted by the image of the dead man’s wrung neck, contrasted with the ironic peace and naturalism of death in the image of the fragile butterfly. These select images are also those that O’Brien chooses to fixate upon and develop throughout the chapter as he struggles to comprehend the moral implications of his actions. The innocence of the “slim, dead, almost dainty young man” is further reinforced when O’Brien describes his wrists as “wrists of a

After the death of Ted, Jimmy understands that he needs to be more focused on the war and his duty as the platoon leader. O’Brien describes the war as, “a place where men died because of

Most authors who write about war stories write vividly; this is the same with Tim O’Brien as he describes the lives of the soldiers by using his own experiences as knowledge. In his short story “The Things They Carried” he skillfully reveals realistic scenes that portray psychological, physical and mental burdens carried by every soldier. He illustrates these burdens by discussing the weights that the soldiers carry, their psychological stress and the mental stress they have to undergo as each of them endure the harshness and ambiguity of the Vietnam War. One question we have to ask ourselves is if the three kinds of burdens carried by the soldier’s are equal in size? “As if in slow motion, frame by frame, the world would take on the old

Tim O'Brien provides his audience with a very descriptive image of both the physical and mental "things" the characters in the story carried. He gives the reader insight as to how the characters are physically and mentally dealing with the turmoil of the war. However, in the end of the story - Jimmy Cross - a round character, reacts to the death of Ted

The men who were in Tim O’Brien’s platoon caught on quickly, if they talked about everything that was going on as if it was only a story, their lives became a little easier. It became easier even for the men who didn’t practically like the guy who died. In the war it wasn’t about liking one another, that didn’t matter, what mattered to them was expressing their grief without showing it. “In any case, it’s easy to get sentimental about the dead, and to guard against it” (82). Being able to guard against their grief was something that was hard for many. No matter how many stories they told, there was still a sadness that some of them never could get over. The death of Kiowa was one of those impossible to get over. His death impacted everyone in the platoon. Even though Kiowa was just their guide, they treated him like he was a part of their family of misfits. Every man in the platoon had a story for Kiowa. There was some who told people stories that had Kiowa never dying, there were two however where his death left such a huge impact on them. All they

In this book, Tim O’brien reveals all his experiences in detail about the war; as well as stories about his fellow soldiers, and makes a true, but over the top about them. He explains how he feels through stories that are difficult to clearly identify as “true.” This book has a lot of themes, death and violence is one of the major themes.

“The long June twilight faded into night. Dublin lay enveloped in darkness but for the dim light of the moon that shone through fleecy clouds, casting a pale light as of approaching dawn over the streets and the dark waters of the Liffey… Here and there through the city, machine guns and rifles broke the silence of the night, spasmodically, like dogs barking on lone farms.” Liam O’Flaherty starts the story off with a strong sense of detail, and it immediately emerges the reader into the story and makes them envision being in Dublin at the time of the war. Halfway throughout the story, the sniper gets shot. The author uses sensory details to create an image that makes the reader envision the actual pain the character is battling against. “Then taking out his field dressing, he ripped open the packet with his knife. He broke the neck of the iodine bottle and let the bitter fluid drip into the wound. A paroxysm of pain swept through him. He placed the cotton wadding over the wound and wrapped the dressing over it. He tied the ends with his teeth.” When the author emerges the reader into the story, it makes them able to relate to the agony the sniper is in, which contributes back to the mood.

O’Brien’s use of imagery allows him to paint a vivid depiction of the horrors experienced by the foot soldiers in Vietnam. These horrors perpetuate the physical and emotional

Tim O’Brien depicts some of the effects it has on them, as well as some coping mechanisms they use, in The Things they Carried. Some of the things the soldiers lose include their innocence and a few of their fellow soldiers. Everyone was affected by this differently, some felt guilt, others just pretended things were fine, or dreamt them back to life. The reactions of those experiencing loss also help define it and how powerful it can be. When Kiowa died, one of the boys felt the effects of immediate loss, leading him to believe he was to blame for his death. He felt that “he was alone. He’d lost everything. He’d lost Kiowa and his weapon and his flashlight and his girlfriend’s picture. He remembered this. He remembered wondering if he could lose himself” (O’Brien 171). Like him, many people feel very lost during hard times and question how much longer they can stay sane and handle the situation. In some unfortunate cases, when loss becomes too much, some commit suicide, or react violently. However, an alternate way of coping with loss (of lives and of sanity) that is seen in the novel is to completely ignore it. O’Brien recalls how “in Vietnam, too, [they] always had ways of making the dead seem not so dead. Shaking hands, that was one way. By slighting death, by acting, [they] pretended it was not the terrible thing it was…” (O’Brien 238). The thoughts of one of the characters portrays how much everyone

The horrors of war were depicted by the constant threats to the characters lives, the brutal conditions of the bad weather, hunger and combat. Soldiers had to battle the enemy along with nature. Soldiers would become stressed, paranoid and start losing their personalities. As Captain Miller says, “I just know that every man I kill, the farther away from home I feel.” This quote shows the mental toll on these soldiers.

In this passage O’brien demonstrates his own character traits. As a writer, he has a strong ability to understand what others are feeling and sympathize. When he kills the young soldier, he creates a story around him, imaging the soldier as having similar struggles to his own. He deeply regrets the soldier's death because he feels that neither of them really wanted to be fighting in this war and relates his own life story to the fictional one he creates for the soldier.