Raymond Chandler's Writing Style in The Big Sleep Essay example

It is often considered that outward appearance will be the first thing notice when establishing a first impression of you, but some may beg to differ. When evaluating the impression someone has left on someone else, it is important to note the personality of said person and how they present themselves; what tone of voice they’ve used towards another individual. Sarah in the Heretic’s Daughter begins by presenting herself in a way which many people dislike and find to be rather annoying, but as the novel evolves, so does she. In the Heretic’s Daughter, Kathleen Kent establishes a sensitive, yet dramatic and opinionated character through characterization and tone in her vivid word choice to create the character of Sarah and allow you to see her evolve as the novel plays out.

Ray Bradbury and Edgar Poe both have somewhat similar writing styles. They both write in mysterious ways, and give a lot of foreshadowing. They also seem to enjoy writing about tragedies that happen both in the background and upfront. They both elaborate very specifically about how the scene is played out. They both have a similar conflict between possessions and desires. This is seen in both their writing and their backgrounds. Poe and Bradbury both seem to enjoy their writing and love to express what is happening in their lives into their writing. This can be seen when Bradbury writes the short story There will Come Soft Rains, where he is battling his emotions about technology. With Poe, this can be seen in A Tell Tale Heart, where he

Austen describes Willoughby through three different perspectives. The first perspective is the narrater’s perspective, next Marianne’s perspective and lastly Elinor’s perspective. These different perspectives reflect the different tones Austen uses. Austen seems to support Elinor’s view of Willoughby, which suggests that caution in relationships is the overall message of the book.

Myrtle Wilson is a low-class and shallow woman who judges people and things by appearance. While Myrtle sits on the train to go to New York, she rests her eyes on Tom Buchannan’s “dress suit” and “patent leather shoes.” Myrtle does not stare at the man but stares at his dress suit and shoes. While knowing these items are worth a lot, this suggests to her that Tom is rich. Myrtle “couldn’t keep [her] eyes off…” of his clothing attire because Myrtle’s action suggests that she also wants expensive clothing; she wants to live the rich life that everyone has outside the Valley of Ashes where she is from. Every time Tom looked at Myrtle, she had to pretend to be “looking at an advertisement” above his head. This is ironic because Tom is the advertisement

One of the most noticeable elements of this novel is within the structure and plot in which Janie goes on a quest to find herself as a person. Through Janie's struggles and happy moments throughout this story with numerous relationships, Janie grows as a woman and learns something new within each marriage. The third person narrator allows the reader to follow not only Janie's interpretation certain situations, but the thought process of the other characters too.

Although the primary method Jewett uses to characterize her narrator is through the content of the excerpt, the language used also serves to characterize. By using a word like “wonderful perfection”, Jewett shows that the narrator is a romantic thinker. By using extensive imagery in the opening of the selection, Jewett shows that the narrator is fixated on her physical surroundings, and is excellent at observing and describing

His arrogance causes him to taint his “committed” marriage to Daisy, and have an affair with another character dissatisfied with life, Myrtle. Myrtle explains, “Well I married [George], and that’s the difference between your case and mine. I married him because I thought he was a gentleman, I thought he knew something about breeding, but he wasn’t fit to lick my shoe” (34). Myrtle is yet another character unhappy with their marriage. She feels entitled to be treated better, that she deserves more than her “gentleman” husband, George. Tom is just the person she believes can provide her with all the comforts and luxuries that she desires, using him to weasel her way into the world of the

Myrtle Wilson is obsessed with leaving her poor life behind her by being with Tom but unlike Gatsby, her attempts are fruitless. She attempts to make herself seem an upper class person like when she changed her dress before the party in chapter two. She believes her husband is beneath her and talks of all low statuses as if she isn’t one of them. "I told that boy about the ice." Myrtle raised her eyebrows in despair at the shiftlessness of the lower orders. "These people! You have to keep after them all the time." (42)

Jane Austen presents her characters in a unique way. At the beginning of each chapter she either introduces a new character with a long paragraph containing a little bit of background information or she begins a chapter with a paragraph by giving the reader more information on a previously introduced character. Austen's characterization technique is useful, however, it can become hard to follow because she has so many characters in Pride and Prejudice. Jane Austen's characterization is effective to the way she introduces her main characters and not quite as effective while introducing a supporting character.

Marlowe is depicted as a “modern day” knight. Marlowe does not take advantage of Carmen Sternwood. He tries to find the truth, even when he is not getting paid. He is dedicated to his job and is not corrupt. The greenhouse is also a symbol in the novel.

Furthermore, Rebecca reflects the conventions of the romantic genre by showing that the heroine?s first impressions of the hero were incorrect. She had first viewed him as ?hard? and ?sardonic? due to his remarks at Mrs Van Hopper, ?He got up at once, pushing back his chair. ?Don?t let me keep you,? he said. ?Fashions change so quickly nowadays they may even have altered by the time you get upstairs.?? However, following her first breakfast with Maxim, she realises that she was wrong and says, ?I had ill-judged him, he was neither hard nor sardonic, he was already my friend of many years.? The first impression of Maxim only lasts over one coffee with Mrs Van Hopper however is fixed soon after when he sends the heroine a note which reads, ?Forgive me. I was very rude this afternoon.? It is evident that as soon as she receives this note, her opinions of the hero change. She also elaborates on her feelings the next morning when Maxim invites her

Nearly thirty seconds after their first meeting, Carmen tries once again to use this tactic by literally falling into Marlowe’s arms. Even this, however, cannot win Marlowe’s praise. Marlowe quite obviously prefers a capable girl rather than one who literally cannot stand up for herself. Carmen’s own relative weakness resurfaces itself throughout the novel. She “sucks her thumb and looks coy” whenever she gets in trouble, relying solely on her appearance and girlish charm (Chandler 5).

Born and raised in St. Paul, Minnesota Francis Scott Key Fitzgerald (more commonly known as F. Scott Fitzgerald) became widely known as one of the greatest American authors. Fitzgerald wrote both novels and short stories, mainly set in the Jazz age. Many influences to his writing came from his own personal life and the world he saw around him. His wife, Zelda, was one of the major influences seen within many of his works. Fitzgerald encompasses many of these things in his books The Great Gatsby and Tender is the night. Letting his own life experiences and insight guide his writing, Fitzgerald explores the effect of social hierarchy on society amidst the Roaring Twenties through his use of evocative, colorful imagery and eloquent use of underlying tone.

Mansfield created the story with the intention of allowing it to be open for various interpretations; though she includes specific detail concerning the characters Mansfield does not elucidate them in a manner that clearly defines their personalities. The story, like the budding rose, is one that never peaks to maturity, but rather remains in the developing stage because of its ambiguities which cause it to be discussed and interpreted in many varying ways.

The narrator is unknown to the readers but describes Catherine’s, and other characters inner thoughts, that would otherwise be reserved to them. Although it is Catherine that is made the main focus, “Catherine’s feelings, as she got into the carriage, were in a very unsettled state; divided between regret for the loss of one great pleasure, and the hope of soon enjoying another”, her narrative representation is sympathetic and pleasant but the third-person structure also allows for Catherine’s nature to be presented without confusing the