Reaction Paper About Imelda Marcos

In today’s world there are countless social problems. People are often treated as an inferior or as if they are less important for many different reasons. In The House on Mango Street, the author Sandra Cisneros addresses these problems. Throughout the story Cisneros does a thorough job explaining and showing how these issues affect the public. This novel is written through the eyes of a young girl, Esperanza, growing up in a poor neighborhood where the lifestyles of the lower class are revealed. Cisneros points out that, in today’s society, the expectation of women and their treatment, discrimination based on poverty, and discrimination because of a person’s ethnicity are the major

When passing through a poor neighborhood, have you ever thought, “this place is dangerous.” even though you just see what’s on the surface? The dirty buildings, run down stores, and unkempt roads persuade us to perceive that neighborhood in a negative light, but you might do this unconsciously because ever since we were young, socioeconomic status is what separates the “good”, from the “bad”. Sandra Cisneros’, House on Mango Street, shows us how harmful having a previous notion of a place or person can be. In the novel, we meet Esperanza Cordero, a girl whose parents never strived above the working class. Because of their low income, they are forced to move into neglected homes on the verge of crumbling, their final stop being Mango

The House on Mango Street characterizes a community of girls and women restricted in their movements within the barrio. The roles of these girls and women are translated through the eyes of a child. When women in the

In the collection of vignettes, The House on Mango Street, Sandra Cisneros develops the theme that people should not be devalued because of their financial circumstances through metaphors of classism, the motif of shame, and the contrast between minor characters Alicia and Esperanza’s mother. Esperanza, the protagonist, is a Mexican-American adolescent living in the rural Chicago region. She occupies a house on Mango Street with her father, mother, two brothers, Carlos and Kiki, and little sister, Nenny. Mango Street is filled with low-income families, like Esperanza’s, trying to adapt to their difficult circumstances. Esperanza realizes it is difficult, but she dreams of leaving her house and Mango Street altogether.

“She walks, she talks, she cleans, she works, she IS, but she is NOT, all at once. She is here, but part of her is elsewhere for eternity” (Anonymous). This quote by an anonymous person illustrates a woman who is rooted in who she is but dreams to be someone else. She dreams to be another person, far away from her dreary life. Sandra Cisneros establishes that many young girls within the Hispanic culture represented in The House on Mango Street are forced into roles they do not wish to take, resulting in a loss of identity and ultimately, a sense of powerlessness in the girl without anyone to show her how to be powerful.

“The House on Mango Street” was written to explain the lives of a family living in poverty in 1984. Coming from Esperanza’s point of view, this book gave her siblings and friends an idea of who the real Esperanza was and what her priorities were. In this book, Esperanza moves from city to city, house to house, with her family hoping for a real house. When she gets to the house on Mango Street, it is not what she expects. She meets new friends and has some crazy experiences. This book has many societal standards but, the most important three are responsibility, happiness, and fitting in.

The House on Mango Street is the tale about a young girl named Esperanza who is maturing throughout the text. In it Esperanza documents the events and people who make up Mango Street. It is through this community that Esperanza’s ideas and concepts of the relationships between men and women are shaped. She provides detailed accounts about the oppression of women at not only the hands of men who make up Mango Street but also how the community contributes to this oppression. As the young girls and women of Mango Street try to navigate the world they must deal with a patriarchal society that seeks to keep them confined. Sandra Cisneros’s vignettes demonstrate through Esperanza’s experience of growing up on Mango Street and witnessing the oppression

In the book The House on Mango Street by Sandra Cisneros, Magdalena’s identity is shaped throughout her childhood by poverty, her hopes/desires, and disappointment.

Characters in this book must make many difficult decisions in order to deal with their debilitating poverty. While growing up in Honduras, Lourdes glimpsed images of the U.S. on television as most young children in other countries do, and starting at a young age decided she wanted a piece of the so-called “American Dream” for herself. She was enthralled by what she saw, like

Raina Kelley covers society's issues and cultural controversies for Newsweek and The Daily Beast.’s. In her article “Beauty Is Defined, and Not By You” aims to convince her readers that women success or not is not depends on beauty. “When I’m on m deathbed, I hope to be smiling in satisfaction about all I accomplished, not that I made it to 102 without any cellulite.” One of her goals is to remain all girls do not get influence by this society, just be brave and continue to reject that beauty is the only way to get ahead. Kelley used personal experiences, facts and examples, also counter argument to create a convincing argument.

Whenever I am asked to describe where I grew up, I always find this difficult for me to answer. Simply because, I have lived in five different locations, spanning three different continents, all before the age of seventeen. As a result of growing up in a military-oriented lifestyle, the concept of constantly moving around was nothing new to me. Rather than view it as a shortcoming, I grew fond of the idea of moving to somewhere new—to a location where I have yet to explore and integrate myself into. Thus, due to my exposure to a multitude of cultures and individuals from all walks of life, this has affected how I move through the world’s space. In this paper, I will be discussing how the following concepts of my subject position: my ethnicity, culture, and identity as child of a retired U.S. Airman reflect Gloria Anzaldúa’s discussion of la mestiza.

Have you ever felt like a minority? Sandra Cisneros writes about a young girl, Esperanza, going through a hard time within our America history. In “The House on Mango Street,” Esperanza displays a young, wishful girl, in a time where she is ridiculed by society, facing many hardships throughout her life, and struggling with self-identity

Our country is rich in culture; the occupation of the Spanish, the American, and the Japanese gave the Philippines its diverse and unique culture. This exceptional culture we have in our country has produced numerous brilliant individuals, who up to this day are still well recognized. So it is safe to say that part of the reason why they became who they were is because of their culture; because of our culture. (Ong, 2011)

However, it was Marcos who envisioned a “New Society” or a “Bagong Lipunan” that urged the “poor and privileged” to work as one for the country’s economic goals through “self-realization.” (5.Y) Which, as previously stated, are work and/or study ethics of the Chinese and Jewish (a strong sense of self – of hunger for knowledge). In addition, it was also during Marcos’ regime that the GNP (Gross National Product, a development indicator of a country [definition from Turning Points IV]) in 1980 became four times greater than the country’s GNP in 1972 with an average annual growth rate of 6.6%. It was also during this time

“Rizal had a burning desire to know exactly the conditions of the Philippines when the Spaniards came ashore to the islands. His theory was the country was economically self-sufficient and prosperous.  Rizal entertained the idea that it had a lively and vigorous community enriched with the collective and sensitive art and culture of the native population. He