Reaction Paper On The Lion King

When I went to go see The Lion King on Broadway a few words came to mind after the play; amazing, stunning, and unbelievable! I was a little unsure at first, because I thought I was too young to see something from a Disney World production. I was also wondering how Disney was going to manage putting a film starring non-human characters, into a three-dimensional stage. However, using all their “Disney magic” with a little help from a great stage producer The Lion King Musical kept my attention all the way through with their; voice and diction, staging, and many other elements.

To exemplify Erickson’s psychosocial theory which emphasizes the emergence of the self, the search for identity, the individual’s relationships with others, and the role of culture throughout life (page), I will begin with the opening of the movie which shows Simba at the infancy stage where he is developing a trusting behavior from his parents (Mufasa and Sarabi) and the Hornbill bird, Zazu, who is always reminding everyone to be cautious and careful. His parents accomplished this by providing him a safe and comfortable living environment and Sarabi made sure there was someone wiser (Zazu) to go with him when he wanted to start exploring. Mufasa taught him how to make a living and other new activities,

"The King has returned." These are the powerful words Rafiki uses when telling Nala, Timon, and Pumba that Simba has gone back to the pride lands to overthrow Scar. Before making his entrance to Pride Rock, Simba's "palace," he gains three helpers to assist him in gaining his kingdom back; Nala, Timon, and Pumba all offer their services to him. There are a few scenes in the story that can be easily compared to the Odyssey. First, Simba wants everyone to continue to think he's dead, as Odysseus did prior to his own entrance. Second, Simba uses Timon and Pumba as a form of "Trojan Horse" to distract the hyenas while he and Nala sneak in. Third, Simba tells Nala to "rally the lionesses" as a form of weapon against the hyenas which are like suitors in his palace.

Simba and Hamlet, the main protagonists of The Lion King and Hamlet, can represent both the exiled child and tragic hero archetypes. In The Lion King Simba was compelled to leave his homeland because he was led to believe he had killed his own father. In Hamlet, Hamlet was forced to leave by his uncle’s order. Likewise in The Lion King Simba’s leave was also influenced by his uncle’s action. Unlike Simba’s unawareness of his uncle’s role in his father’s death, Hamlet is fully aware of his father’s killer being his uncle. As of the beginning of Hamlet, he meets his father’s ghost who asks Hamlet for vengeance, as the ghost leaves he says “Adieu adieu Hamlet remember me”. This scene can be compared to when Simba also meets his father’s ghost, who says to Simba as he leaves “Remember who you are”. Simba’s father appears more concerned about Simba’s state of mind and convinces him to return to The Pride Lands, whereas Hamlet’s father shows little concern for Hamlet and wants to be remembered and avenged. Hamlet is older and spends less time than Simba in exile whereas Simba spends a few years exiled without a care, which is shown in the song Hakuna Matata. After his father’s influence, Simba returns. Upon both of their returns, a fight occurs. Hamlet kills his uncle and is also killed himself whereas in The Lion King Simba doesn’t actually kill scar but says to him “Run away Scar...Run. Run away and never return.” however Scar pounces on Simba and their duel begins, in the end, Simba throws Scar off a cliff leaving him to the hyenas. Hamlet and Simba both represent the exiled child and tragic by being forced to leave their homeland and to kill, fight their own uncles to save their homeland. The Lion King’s ending was altered to have almost no death to make the film

A couple minutes after Nala leaves, Simba is graced with the presence of a crazy baboon named Rafiki who tells him that his father is still alive, inside of him, and that he should follow him if he wants to see for himself. Simba follows the baboon to a pond and looks to where the monkey is pointing. Unfortunately he only sees his own reflection but Rafiki tells Simba to look harder. He then sees his father in the water, realizing what the baboon meant. Mufassa is now in the dark clouds telling Simba that he’s forgotten who he was, therefore he’s forgotten him, and this triggers Simba’s emotions making feel disappointed in himself for not going home like he should have. His father then tells him that he needs to find his place back in the circle of life and says “remember who you are. You are my son and the one true king. Remember who you are.” His voice is very deep and almost sounds like he is hurting. Then in an instant he is gone with the storm and Simba is chasing after him begging him not to go.

Simba’s heroic qualities don’t just stand out when he is found by Nala begging him to return to Pride Rock to save everyone and the community, but also when he meets Pumbaa and Timon. He is learning how to survive on his own and how to be a true friend. Simba shows all characteristics of a hero throughout his journey, it begins with his separation from his family, and his choice to runaway. Simba has to deal with guilt and is tested emotionally, he has been told that he killed his father and needs

The original Disney cartoon of a lion cub blamed for his father's death has been remade into a Broadway musical acclaimed all over the world. Seen by over twenty five million people in over 15 thousand performances this intricately designed wonder has taken over 37 thousand hours just to build the puppets and masks. Julie Taymor the director and costume designer was faced with a problem of whether to create humans or animals playing the part and she decided to make masks that show the animal face, as well as, show the human face giving the character his or her personality. As for expressing other animals that are not part of the main cast or to express a certain theme, 2 different kinds of puppetry were used

What role does religion play in the film? Describe the use of different religious symbols, elements or terms.

The 2016 film Lion, which was first a book called “A Long Way Home”, is a film where a boy named Saroo was separated from his brother in the train station, which leads to Saroo getting on a train taking him thousands of miles away from his family and his home. Saroo, who was only five-years-old when he got lost, had to learn to survive alone in Kolkata, West Bengal. Days after arriving to Kolkata, the city the train left him at, he got admitted into an orphanage, which later turned out to him getting adopted by an Australian couple. But twenty-five years later, he starts to wonder where his first home and family are at the moment. With only his memories, determination, and Google Earth he starts looking and searching where his small

Disney 's The Lion King is one of the most iconic children 's films of all time. However, behind the Hakunah Matata lies a movie laced with symbolism and mythical references. An online article from Thinkquest.org informs that the movie 's popular Elephant Graveyard represents the mythical Realm of Hades. The article continues to delve deeper into the symbolism, stating that the three hyenas, Shenzi, Banzai, and Ed, represent the three-headed beast, Cerebus, that guards Hades '

lion cub that is now to be king is forced to leave his Pride Land by

Out of spite, both protagonists plan to take revenge on their evil uncles. Hamlet ponders on the idea of revenging his father’s death, but it wasn’t until Claudius’ guilty conscience was exposed during the play and also when the Ghost orders Hamlet to “Revenge his soul!” that Hamlets purpose was clear. In the end, Hamlet confronts Claudius but it is pointless ending in a blood battle. Simba on the other hand was told, “Run away and never return!” after believing it was himself who killed his father. Wanting to do what was right, Simba followed his uncle’s orders and it wasn’t until a chance encounter with Nala, that he realised the damage he had caused. Trying to take back what was rightfully his, Simba defeats Scar but instead of death as his revenge, he banishes Scar from The Pride Lands, telling his “to never return”. Both antagonists in the texts experience the heartbreak and misfortune of revenge but deal with it in ways their intended audiences will understand and learn from.

Nala explains the wretched condition of the Pride Lands since Scar became King and urges Simba to return. Simba comes in contact with the wise baboon. He hesitates out of fear, and out of his rebellion he has a vision of his father that prompts him to return home. When he returns he challenges Scar and wins. He becomes King of the Pride Lands as his father had taught him he would. Nala gives birth to a cub of their own completing the circle of life.

Nowadays, religion is tied into pop culture from our childhood have this connection that we don’t recognize until later on in life. The Lion King is one film that is associated with religious themes due to it having a story that is similar to some texts. It is a Walt Disney animated film that incorporates a community of animals in a kingdom that is ruled by a lion king named Mufasa. Mufasa has a son named Simba and the story revolves around his adolescent growth and how he is supposed to be next in line to become the future king. The idea of the “Circle of Life” ties into several religions but most specifically it goes hand in hand with Christianity. A ritual is performed on him by Rafiki as a newborn and he is presented to the kingdom with a new life. This aspect is similar to how Christians perform baptism and the significance of having new life brought onto earth. Also the kingdom crowding around this ceremony highlights the similarities even bigger due to how many people gather for the religious ceremonies.

Mufasa in an earlier scene when showing Simba their kingdom deliberately tells him that the place where the light doesn’t touch, is a place he must never go. Then when Simba and Nala run off and go they are attacked by hyenas Mufasa is there to save them but is furious that Simba disobeyed him. Simba apologizes, but that doesn’t help, in regret for what he has done he walks with his head down on their path home. This guilt Simba feels helps to fix his bad behavior so he will not do it again, after seeing how disappointed his dad was with him. A shameful moment during the movie was what Simba feels because he felt like he was the blame for his father's death. Running away from his kingdom after Scar convinces him he was responsible for it all. Simba’s shame would be globalized for the kingdom to know that he was a murder, and as a young cub he just couldn’t face it, it devastated