Reader Response Analysis of Pablo Neruda’s “Tonight I Can Write the Saddest Lines”

The aim of this essay is to present the different ways E.E. Cummings and Pablo Neruda in their poems “It May Not Always Be So” and “Always” respectively deal with the issue of love affairs. It will also seek to examine the similarities and differences in the poetic devices they use, and in the way the idea of prospective change, namely the possibility of unfaithfulness in the first, and the past of the speaker’s lover in the second poem is encountered by each speaker. The two poets have their speakers to express their feelings addressing the women they love in order to emphasize the theme of the poems, which they perceive in two utterly different ways: cummings’s speaker views the end of his

Poetry is often used as a form of writing to express emotions or tell a story. The poems “LA Nocturne: The Angels”, by Xavier Villaurrutia and “Meditations on the South Valley: Poem IX” by Jimmy Santiago Baca, are two distinctive poems. In Baca’s poem he expresses the disbelief and the sorrow of the death of a boy named Eddie. While, in Villaurrutia’s poem reveals an expression of secret desire men have. Baca and Villaurrutia’s poems, both use repetition, imagery and metaphors in their poems to convey their message.

In the profile article “Jimmy Santiago Baca: Poetry as Lifesaver” author Rob Baker, who also is a creative writing and English teacher proves to not only the readers but also the National Council of Teachers of English the significance of poetry. The authors main point is that poetry saved Jimmy Santiago Baca’s life, he shows us how by explaining the emotions when Baca began to read poetry; he then went on to write poetry and even publish his own works while still in prison, after Baca’s release, he became a dedicated teacher who also works with gang members and teaches workshops.

When someone goes through a time of grief, it is only natural to find a way to deal with the hardships and until it eventually goes away, but people may come to realize that the loss can never be forgotten. This process of grieving and fighting through hard times to finally come to peace and accept reality is also reflected in literature such as “Hold Tight”. The short story ¨Hold Tight¨ by Amy Bloom shows that when people deal with grief, people may try to find ways to cope with the pain by letting out their anger on others or becoming self-destructive, even though it may not be possible to completely forget the woe.

Romantic relationships,contains emotions that both partner share for each other,when conflict begins to arise animosity causes  the separation within  the relationship from those two people.This may or may not leave mutual feeling for each other.However,within the poem “IF You Forget Me”by Pablo Neruda emanates the message,regardless of what may had happened between you and someone else in a intimate relationship the bond between them will either last forever or disappear between each other.But, no matter what the feeling of “If You Forget Me” is mutual by the author uses of  metaphor,express to attempt to tell his lover that he will forget her if she forgets him,in the same instant that it might happen.As Equally important

Before Night Falls tells the story of Reinaldo Arenas, a Cuban writer who suffered for many years and dealt with tragic circumstances all throughout his life. Living during Fidel Castro’s harsh regime as a homosexual male led to several years of torture, for he was imprisoned, but ultimately set free. Additionally, his writing was bold and went against everything that Castro represented, and he took extreme risks to get his work published in other countries. The world heard the prolific voice of Arenas, while the Cuban government, his fellow writers, and even his lovers tried to silence him. Arenas was an extremely important figure in Latin culture. This is not simply because his work was profound; his life gives us a deeper look at the difficulties of struggling with homosexuality, masculinity, and finding freedom. He embodies resilience, charisma, determination, and at the same time fragility, weakness and pain.

When a loved when is gone it feels like a hole in the world. With much grief he says, “Never again will anyone inhabit the world the way he did. Questions I have can never now get answers. The world is emptier. My son is gone. Only a hole remains, Avoid, a gap, never to be filled”(33). This phrase describes his emotions and how he views the world without his son. The author gives advice on what to say to someone who is mourning. He says to never say its Ok because its never okay and death is awful. “ What I need to hear from you is that you recognize how painful it is. I need to hear from you that you are with me in my desperation” (34). When some passes away no one really knows what his or her loved ones are feeling because each death is unique and each person is different. The wisest of words don’t even make the pain go away, and all that can be done is lending an ear to listen, a shoulder to lean on.

Unfortunately, many situations we must face in life are like this. People are not always around to help us through hard times, and most tragedies, such as death, are obstacles that we must overcome individually. As described in the poem though, death is an inevitability that we cannot change, and therefore should not deter us from our path. We must learn to deal with tragedies such as death, as they are unavoidable. These events do have an everlasting effect on us, but they should

When you read a long poem, sometimes as a young ready, you lose interest. The longer the poem, the faster a reader gets over it. I believe Neruda does not want his readers to lose interest. He wants his readers to understand the meaning behind his art. The reason I say this, is because of his word choice in his poems. The

Due to his relationship with ego, the Egoist at first ignores actuality. Only upon harmonizing with nature, and subsequently renouncing the personal ego, can he enjoy life. Neruda introduces The Egoist’s narrator with the passionate lamentation, “O heart lost / inside me, in this man’s essence, / what bountiful change inhabits you!” (22-24). Neruda introducing a persona and first-person perspective establishes a shift for the poem; it now contemplates the self’s effects on a personal rather than universal level. Although one might expect losing their separateness to traumatize, Neruda once again subverts expectations by expressing the loss’ beauty as bountiful change. Moreover, Neruda’s enjambment separates this passage into three distinct sections: the cause, the ego’s death, and its liberating effects. Before losing his self, the Egoist embodied “the culprit / who has fled or turned himself in” (25-26). The Egoist’s past highlights the illusory self’s ultimate folly; the inevitable self-absorption accompanying it. Some, like the Egoist, spend their entire lives trying to inflate their egos via fruitless activities like crime, believing they will

Lorca described ‘Romance de la pena negra’ as one of the most representative poems from the ‘Romancero gitano’. The poem was written in 1924, when Lorca had been sent away from Granada, due to his homosexuality and was living in Madrid, the centre of the cultural ferment of the 1920’s. Here, he attended the ‘Institución Libre de Enseñanza’ (ILE), where he was inspired to search for the national Spanish spirit, through literature.

One of the first complexities that "The Dead Woman," a poem written in the first person by Pablo Neruda, exhibits can be clearly seen in the first three lines: "If suddenly you do not exists, / if suddenly you no longer live, / I shall go on living" (Neruda, "The Dead Woman," YEAR, 1-3). Neruda talks about someone or something that is in existence right now in the moment but he speculates on the death of this thing. Because he writes, "I shall go on living," the reader immediately wonders about the kind of relationship that Neruda has with this thing that might die. Is this an ordinary love? The lines would seem to imply that it is not, that there is something, in fact, unordinary about it something beyond special. Why would this thing die suddenly as well? Wouldn't that be a bigger shock to someone to have something taken away from him suddenly? This poses a paradox from the beginning. The theme of the poem seems to be about giving up old things, people and ways. It also seems to have an element about dealing with the unconscious mind. Neruda is speculating on death and what life will be like for him after the fact of this thing's death. There is a spiritual element to this poem and an overall theme of getting on with life after a major loss. The poem carries this element throughout the entire poem, which adds unity and fluidity at the same time.

The problems that one encounters in coping with the death of a dear one are portrayed in the novel and how it make them realise is death most be understood so life is understood. R.K Narayan Narayan English teacher says that everyone in life is separated by one and another and death is the start of the new road and a new journey.

When I was a little girl at early of my age, I spent a wonderful time with my grandma near a sea in my hometown during the last two months of her life. That was the first time we saw the smile back to her face since we got the news that she got intestine cancer. Back to that time I was deeply impressed by how being around the sea was capable to change people’s emotion in such a positive way. The poet, Pablo Neruda, in his poem “The Sea” illustrates how the sea teaches a trapped man a lesson on how to be released from struggling to find freedom and happiness. The three crucial poem-writing elements, sound, structure, and figurative language make the power of sea more vivid just like a picture we could see and have physical feelings about. And when we try to get a deeper understanding of the poem, it is the sound that we hear first.

While writing the poem the speaker stresses some the good figurative language and images to express his vision and how he want the isolation of his people to come to an end. When he stated “Tomorrow”