Reading : A House Of Flesh

Literary elements and writer’s craft are essential to a well written story that gives understanding and meaning to the readers. Authors use these elements to add deeper meaning to a story that otherwise is as dull and same as the rest. The short story Lamb to the Slaughter is about a wife who kills her husband and then tries to cover it up. The Leap, another short story, is about a girl who is telling stories about her mother’s life. Both short stories portray and utilize literary elements and writer’s craft but Lamb to the Slaughter uses them more effectively and clearly.

The author’s narrative, ripe with horrifying descriptions, is nonetheless told with compassion appealing to the emotions of the audience

In the short story, the writer tells a woman’s depression which guides her to break the limits and restrictions over woman. The woman who has no name or identity symbolises all women’s suppressed position in patriarchal society. In the story, the woman describes the house and her rooms with the words; ancestral hall, old-fashioned chintz, barred windows, heavy-immovable bed. The descriptions depict the house as patriarchy’s realm. Also, the yellow wallpaper’s surrounding of her shows the woman in a trapped, confined and repressed position. Not only the yellow symbolise the weakness, but the paper also

As I continued reading, the story peaked my interest with Aron being trapped with little food and water. The book became hard to put down, but gruesome at the same time, because of Aron’s descriptive writing about him cutting off his own arm with a pocket knife; which made me curl up and wince the whole time. Even though I wasn’t excited about reading a nonfiction book, I began to enjoy reading the book. When finished with the publication, the main message I got from Aron’s book is to follow what means most to an individual. The book improved my mindset of making the best of any circumstance, and to enjoy life to the

Acts Of Vampires: Fosters; How to Read Literature Like a Professor, Nice To Eat You: Acts Of Vampires, explains the concept of vampirism not as the actual act of biting and consuming a person's life force, but as the destruction of innocence in regards only to personal desire. Foster says “the essentials of the vampire story [include]... an older figure representing corrupt, outworn values; a young.. female; a stripping away of her youth” (Foster 19). Nathan, in The Poisonwood Bible, is displayed as the older figure representing corrupt, outworn values who refused to respect the autonomy of others and focusses on his personal desires over the needs of others. This is first displayed in Nathan's introduction speech after the dinner during their

The women of the story are not treated with the respect, which reflects their social standings. The first image of the women that the reader gets is a typical housewife. They are imaged as “wearing faded house dresses and

The author shows a great example of the power these men had against these women in the village. In the time period this story took place, it was amazing to the author to witness that gender inequality was still a very big issue in some places. The author described how shocked she was when she found out that these women were not allowed to

Throughout the beginning of the story, the wife continually references the things “John says” (844-5). That indicates to me that she is timid and perhaps frightened of him. “John says this,” and “John says that,” shows me that our narrator doesn’t feel permitted to have a thought that is her own. The story’s unilateral male, as well as unilateral female conversations are friendly and comfortable. However, male to female conversation in the writing is dominant, aggressive, assertive and sometimes dangerous. Female to male exchanges appear delicate, soft and understanding, always agreeing with the male perspective. I would consider women in this time period to be viewed as a pet or toy to the male, dominant figure in her life. The use of the words in this short is very important, and gives you the information to interpret the story. For instance, on page 845 it says, “It was a nursery first, then a playroom and gymnasium. I should judge; for the windows are barred for little children.” This discloses that our woman has post-partum depression. At the very least, she feels as if she is trapped or in an asylum within her own home. Perhaps this feeling of entrapment lends itself to driving her mad. It is no surprise that the woman feels trapped behind the pattern of the yellow wallpaper. Her days and nights are filled with constant repetition of the same nothingness. She is left with little to

In the beginning of the play, Woman is serving Man tea. She offers to feed him, and he says she is kind. “You are reckless in your flattery, sir. But anything you say, I will enjoy hearing. It’s not even the words. It’s the sound of a voice, the way it moves through the air.” (Hwang, 1740). Here, Woman is saying she does not care what Man says, as long as she hears the sound of his voice. This introduces her fear of silence. Woman inquires about where Man has been living and sleeping. He says he sleeps next to the waterfall, where the sound of the water allows him to sleep peacefully. This shows that Man also has a fear of silence. Woman then mentions that she will also sleep well tonight if she hears Man’s breathing. “Tonight, I’ll sleep. I’ll lie down in the next room, and hear your breathing through the wall, and fall asleep shamelessly. There will be no silence.” (Hwang, 1740). This quote shows that Woman sleeps better without silence. These incidents in the first scene introduce and develop the fear that both Man and Woman have of silence. This fear contributes to their downfall later in the play. Although they have a fear of silence, they seem to favor it when it comes to expressing feelings. Man’s silence about his feelings towards Woman leads her to commit suicide. He is too late in telling her his true emotions. Woman also keeps silent about her affection for Man throughout the play. They are both hesitant in expressing their love for one another. Although

The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards

Literature is the window to realizing the negatives of society and how destructive certain norms can be. Readers are brought into a completely different story than their own, but by using similar issues in today’s world, the readers can actually learn from the story and its overall message. All writers write for a purpose, whether it’s for a new meaning to life, to live a different life than our own, or to impact others on an emotional level by teaching them to see the importance of the little things. As a reader, you search for pieces of literature that interest you whether you find the story like your own, or wish you lived the life in the story. By using issues in today’s within their works, authors are able to grab the reader's attention long enough for them to get across what they wanted to get across. Often in many works of literature, writers use societal issues as their basis for the work’s themes and symbols. By doing so, this allows the reader to question the morality behind social norms and how impactful certain ideals can be in people’s lives.

While the plot and the theme are always very significant, a reader should never forget the importance of the setting in a story. This short story is a perfect example of the importance of the setting, since it is through it that the reader is able to truly understand the author’s message and intensions. It is through the description of a post-apocalyptic world, a city in ruins and the last house standing, that the reader is able to truly understand the

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Kurt Vonnegut is known for his dark humor, wit, and imagination. He is consistently listed among the great American authors of the later twentieth century and his novel’s such as Cat’s Cradle and Slaughterhouse Five are considered modern classics. In this essay, I will focus on two of Vonnegut’s short stories “Welcome to the Monkey House” (1968) which takes place in a dystopian future where everyone is required to take pills that take all the pleasure out of sex and “Miss Temptation” (1959) which takes place in a small east coast town by looking at them through a feminist lense. Both stories come to the same ultimate conclusion that over-moralization of human

The audience is made to feel sympathy in Irwin Winkler’s Life as a house and Ray Bradbury’s The Scythe. They make you feel sympathy for the lack of control the main characters have in the stories. The authors make you feel sympathy by using foreshadowing, symbolism, humour and irony. In both stories the main characters lack control over death.