Realism In The Revolt Of Woman

Central to the story is the wallpaper itself. It is within the wallpaper that the narrator finds her hidden self and her eventual damnation/freedom. Her obsession with the paper begins subtly and then consumes both the narrator and the story. Once settled in the long-empty “ancestral estate,” a typical gothic setting, the narrator is dismayed to learn that her husband has chosen the top-floor nursery room for her. The room is papered in horrible yellow wallpaper, the design of which “commit[s] every artistic sin”(426). The design begins to fascinate the narrator and she

Not only does the yellow wallpaper represent how the narrator feels physically trapped by the room but also how she feels oppressed by society. Through out her

The yellow wallpaper in the room shows, symbolically, the narrator was being oppressed. The narrator hated the wallpaper because she saw herself as a prisoner of her own husband. Spending so much time in the room, the narrator studied the wallpaper in details and found the wallpaper somewhat represents her. "There is one place where two breadths didn't match, and the eyes go all up and down the line, one a little higher than the other" (pg280), "Such a peculiar odor, too" (pg 285) etc. The confusing pattern, the bar, the woman behind the bar, and the yellow color of the wallpaper allowed her to feel so helpless, as if she was a bird

As the reader is introduced to the main character in the story, she is heard talking about strange things happening around her. She secretly wrote her thought in a journal but her husband was against it and never wanted her to do anything. The nameless narrator in her madness sees a woman in the pattern of the wallpaper. In addition, she sees the woman struggling against the bars of the paper and this is a symbol for the struggle of women who attempt to break out from the infringing rules of the society. The woman the narrator sees caught in the wallpapers also parallels her virtual imprisonment in an isolated estate away from her child by her mean husband.

When the narrator states: “I pulled and she shook, I shook and she pulled” (Gilman 517), this goes to demonstrate that the woman in the wall that she’s been trying to free is really herself. The woman trapped in the wallpaper is a significant metaphor to represent that the narrator is trapped in an oppressive society, and more specifically

She explained this in Why I Wrote the Yellow Wallpaper. After the loss of her child she admits she suffered from a sort of mental breakdown but never had any sort of hallucinations. The actual yellow wallpaper in the story was described to be hideous just as her situation was. This ugly situation “the wallpaper” is what had her trapped and she felt she need to free herself by tarring it down. The nursery room she was staying in resembled her being stuck in a period of morning for the lose of her child. Her doctor at the time and the doctor in the story was of the male gender along with the males being the ones that told her what to do and what was wrong with her and how to feel symbolizes how she felt oppressed by men and how other women in society did as well. This oppressing lead her to seeing the women in the wallpaper. She felt the need to free this woman and capture her because she initially wanted to free herself from the situation as well as find herself and her dignity

The yellow wallpaper is the most obvious symbol found in the story. The yellow wallpaper symbolizes how women were portrayed in the nineteenth century. In the story the narrator describes the wallpaper as "One of those sprawling, flamboyant patterns, pronounced enough sin. It is dull enough to confuse the eye in following, pronounced enough constantly to irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide - plunge off at outrageous angles, destroy themselves in unheard-of contraindications" (Gilman 545). The narrator basically feels that her life is dull and boring which can lead to her committing suicide. Later on in the story the wallpaper was described as “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing. You think you have mastered it, but just as you get well underway in following, it turns back somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream” (Gilman 548). The pattern in the wallpaper basically represents the narrator’s mindset. The narrator calls herself “hideous” and “unreliable.” Women during this time period were often view as “unreliable”

In the 19th century, expectations were very different for men and women. Men were expected to be more in the public view such as going to work and socializing with other men in clubs, meetings or in bars. Women were expected to live their lives mostly in their home cooking, cleaning, and child rearing. For women they were not to socialize in their free time, they were expected to do other things to “better” the home such as sewing socks or doing laundry. Very few women had the same educational opportunities as men. “The Yellow Wallpaper” and “A New England Nun” are very good examples of how things were for women and the American culture at the turn of the century and in each of these stories the women were able to defeat the patriarchal culture represented in their husband and soon to be husband.

During this time, society acted against women. Women weren’t allowed to hold a political office, nor were they allowed to vote. In addition, they were virtually submissive to their husbands because they couldn’t do anything without their husbands’ permission. Also, women didn’t have as much freedom when it came to choosing a profession (most ended up being teachers or writers). “The legal status of women was essentially that of a white child or black slave” (Hippocampus). Many women began to notice what little rights they had. Margaret Fuller, a transcendentalist and the editor of The Dial, wrote, in Woman in the Nineteenth Century, about how women were beginning to question what they truly needed in life, and why they didn’t have it. The first American feminist movement soon came underway.

Similarly, “The Yellow Wallpaper” symbolizes the trapped narrator with an urgency to escape from her dwelling. Like Elisa, the narrator finds a task that would keep her boredom away as “life is very much more exciting than it used to be” (443). By staring at the wallpapers pattern constantly all day, she is no longer bored. In addition, the narrator believes that in order to escape she must free the woman behind the wallpaper. The narrator turns insane by visioning a woman in the wallpaper and trying to escape. The narrator is imprisoned, and the bothersome patter of the yellow wallpaper begins to straighten out to her. The narrator finds a channel of hope outside the windows, through the bars, wanting to leave the room and depart into the real world. Both Elisa Allen and the narrator feel a need, a desire for an escape from their current lives.

This woman she sees in the wallpaper would be symbolic of herself, and the battle of imprisonment that she was feeling internally.

The pattern of the wallpaper is also significant because in a manner of speaking, it symbolizes solitary confinement and it is almost like the room she is in is one resembling one seen in a mental institution, or could also be considered to be a jail cell and the woman had been put behind bars; both cases would involve desperately trying to find some way to escape and declare her freedom.

The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment. Since the wallpaper is always near her, the narrator begins to analyze the reasoning behind it. Over time, she begins to realize someone is behind the

Thesis: A “true women” in the 19th Century was one who was domestic, religious, and chaste. These were virtues established by men but enforced and taught by other women. Women were also told that they were inferior to men and they should accept it and be grateful that someone just loved them.