Reality In Inception By Dorian Gray

Of course people did not start going around and implanting ideas into their rival's minds. instead, people began to look deeper into the human dream itself. a growing trend started to emerge, lucid dreaming. the idea behind lucid dreaming is that one can consciously wake up in the dream world and start controlling their dreams. this idea is completely fathomable, with many people claiming to have been able to control their own dreams. the idea of lucid dreaming is not a new idea at all. however, lucid dreaming has been used for many years before Inception was released. But in reality, Inception effectively boosted the popularity of lucid dreaming, expanding it popularity many times its original prevalence.

The movie Awakenings is a true story about a neurologist played by Robin Williams, at a hospital in the Bronx, who discovers a drug L-Dopa in which helps temporarily with unresponsive patients. Leonard Lowe who is played by Robert Deniro and the other patients are given this new age drug and are forced to adapt to the world around them that has been changing ever since they began to be catatonic.

The fantasizing film Inception directed by Christopher Nolan opened up many doors for individual’s to understand the brain’s vulnerability to new ideas while they are dreaming. The main character, Cobb, and the rest of his team open up an individual’s mind while they are dreaming, through each level of consciousness. Inception helps a person better understand that the nature of reality is within a persons mind. Christopher Nolan created the perplex concept of inception through the five levels of consciousness throughout the entire film.

Most people are taught from a young age what is right, and what is wrong. These teachings set up the basis for later discovering one’s personal values. In Oscar Wilde’s The Picture of Dorian Gray, these same principles are applied and challenged by Wilde. Not only does he question morality and human nature, but also the ideas of the Aesthetic movement- which influenced the ideals and behavior of Dorian Gray. Through Dorian’s morally ambiguous character, Wilde asserts that one is not purely good or evil, but a mixture of the two; Wilde establishes this theme when Dorian breaks up with Sibyl Vane, murders Basil Hallward, and stabs his decaying portrait.

The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.

In the beginning of The Picture of Dorian Gray, Dorian is viewed highly by Basil and is claimed to be his sole inspiration. By this little description we read of Dorian, the reader can already see how Dorian at the beginning of the book has a strong presence. However Basil describes Dorian as having a “simple and beautiful nature”(pg-12) and tells Lord Henry, “Don’t spoil him. Don’t try to influence him. Your influence would be bad.” (pg-12). Lord Henry is the first person to start to influence and change Dorian into being deceitful. The second factor that changes Dorian is the painting. In chapter two, Basil finishes the Painting and presents it to Dorian. Instead of being filled with joy, Dorian realizes that he will grow old and the Painting will stay young. Later in the story the Portrait changes to show a sneer around Dorians mouth. The reason for this is because Dorian broke Sybil’s heart. After learning about Sybil’s suicide, Dorian accepts that the Painting will show ageing while he appears to have not aged. This forces Dorian to lock away his painting and this also shows Dorian being deceitful with his looks.

Oscar Wilde’s The picture of Dorian Grey’s novel is about a young man named Dorian Gray, the subject of a painting by artist Basil Hallward. Basil is impressed by Dorian's beauty and believes his beauty should not be wasted and it is responsible for a new mode in his art. Dorian meets Lord Henry Wotton, a friend of Basil's, and becomes enslaved by Lord Henry's world view. He shows him a new hedonism, and suggests the only things worth following in life are beauty and fulfillment of the senses. When he realizes that one day his beauty will fade, Dorian feels a desire to sell his soul to ensure the portrait that Basil has painted would age instead of him. Dorian's wish

You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism-- that is what our century wants." Through him, Dorian faces the harsh realization that his physical attributes are ever fading. Upon this sudden insight, he dreads the physical burden of aging. He envies the perpetual beauty of Basil's masterpiece. As Dorian says, "If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that - for that - I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!" The materialization of this wish and the metamorphosis it will ensue are to bring his demise. Dorian's figure remains immaculate while the picture bears his abhorrent transformation. This is first confirmed following his amorous relationship with Sibyl Vane, an actress he meets at an infamous theatre. Like him, she is characterized by an entrancing beauty and a youthful naivety. Mesmerized by one another, they promptly exchange vows of fidelity. Dorian invites Henry and Basil to

What is real and what is really real? Philosophy is interesting and can be really confusing at times. The film I will be analyzing with philosophical views does a good job on giving examples of the nature of reality and the Methodological doubt. I will show by giving examples of Descartes rule that everything is to be doubted and Plato’s allegory of the cave.

As his soul “undergoes…psychic disorder” (Monsman), his fascination with the grotesqueness of his picture also grows. Watching his picture Gray “would sit…filled…with that pride…that is half the fascination of sin…smiling with secret pleasure as the misshapen shadow…” (Wilde 133). Gray becomes interested in seeing his sin come alive on canvas. This in itself represents a man who is unstable mentally, as he derives pleasure from his own image’s ruin. Eventually Dorian’s downward spiral of mental ruin leads to his death.

He is even told by Lord Henry he is far too charming to go into philantropy. This remark may be the beginning of the flattery that opened Dorian's mind up to his corruption. Dorian is being moved by Harry's speech about cherishing youth and enjoying it. His mind was being challenged by the thought of his own passions until the point when he proclaimed "stop! You bewilder me. I do not know what to say. There is some answer to you, but I cannot find it. Do not speak. Let me think. Or rather let me try not to think". Dorian allows himself to be corrupted. He begins to fear aging and begins to think that everything will be loss with the loss of his youth and beauty. Dorian goes from no worries to this thought as Harry speaks. He was convinced that this "new Hedonism" was the way. This shows the weakness of his mind in his youth it is also the begginning of his fate. With this flaw of character, Dorian seemed to write his fate unknowingly. When Basil Hallward, the painter, rewarded Dorian with the portrait he replied "If I were to be the one always young, and the picture grow old! For that-for that-Iwould give everything!…Iwould give my soul for that!". This was just a plea at the depth of his sorrow, a remark made totally through whim.

Things go from bad to worse for Dorian’s soul when he becomes known for his wrongdoings and ruining the reputations of others. It is clear by this point that he has chosen to live

Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become

He is infatuated with Dorian's beauty in the beginning. He appreciated Dorian's beauty but did not wish to possess it for himself. Basil exclaims, “When our eyes met, I felt that I was growing pale... I knew that I had come face to face with someone whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself.” His love for Dorian changed the way he perceived art. Basil eventually paints a portrait of Dorian to capture his beauty forever. Basil’s portrait marks a new phase in his career. Once he has painted Dorian, he fears that he has put too much of himself into the work. Basil reluctantly introduces Dorian to Lord Henry, who he fears will have a damaging influence on Dorian. He admits, “Yes, that is his name. I didn't intend to tell it to you.” Basil is later envious of the relationship between Lord Henry and Dorian. Lord Henry upsets Dorian with a speech about the transient nature of beauty and youth. Basil, wishing to protect and defect him, voices his objection to Lord Henry’s influence over Dorian. Dorian felt Basil had come to realize his true personality and that he would bring it to someones attention. Basil is murdered by Dorian. The murder of Basil marks the beginning of Dorian's end. He cannot overcome the realization that he killed his friend.

After receiving this advice Dorian soon becomes distraught over the fact that he will get older. He sees the portrait Basil Hallward has painted of him and prophetically wishes, “How sad it is! I shall grow old, and horrid, and dreadful. But this picture will remain always young…If only it was the other way! If it was I who were to be always young, and the picture that were to grow old! For this—for this—I would give everything! Yes, there is nothing in the whole world I would not give!” (205). When Dorian realizes the transient nature of life he decides to embrace new hedonism to the fullest, giving in to every impulse.