Reality Tv : Should We Really Watch?

While reading the journal Reality Bites: An Investigation of the Genre of Reality Television and Its Relationship to Viewers’ Body Image researchers utilized a unique methodological approach, this study investigated subtypes of reality television (RTV) to study the influence of exposure to RTV on body image (body dissatisfaction and drive for thinness) as compared a more traditional weekly report of RTV viewing. Young adults (N ¼ 472) completed online surveys measuring their exposure to Reality TV and perceptions of their own body image. Four types of RTV were uncovered. Regression analyses using these 4 factors demonstrated that exposure to competition-based RTV shows (e.g., Dancing with the Stars) predicted increased body dissatisfaction and drive for thinness. On the other hand, the weekly self-report of RTV viewing did not reveal any relationships between weekly exposure to RTV and body image. These findings underline the need for cultivation-based media studies that include program-based measures of genre-specific media exposure, especially when seeking to capture media effects related to RTV.

The evolution of television content is currently steadily moving towards reality television shows. The shift from interest in fiction drama series to reality shows has turned the regular television viewers into addicted voyeurs. There have been diverse views on the effect of reality television shows ranging from support to criticism. George Will, in his article “Reality television: oxymoron” believes that reality television is making ordinary people degenerate morally and act stupid in the effort to please a disinterested audience. Reality TV shows are relying heavily on building extraordinary characters or events out of the norm and attract the attention of the audience. Kellner argues that the audience is enticed by “media constructs

Audience: The target of this piece is mainly millennials and those interested in Reality TV, however this piece reaches a wide range of viewers from young to old because of the vast audience that reality TV encompasses. Some chapters would be very interesting to people who have experienced and viewed closely the several reality TV generations periods that Kavka outlines in her introduction. The author reaches many audiences through the analysis of reality TV over an extensive timeline. Her intended audience wants to analyze the true definition of reality TV and its many intricacies.

In Cassie Heidecker’s paper, The Real, the Bad, and the Ugly, she exposes that reality television’s charm is the characters have real, normal lives like the audience’s lives. While the producers’ editing causes regular episodes of reality TV shows to differ from a viewer's normal life, it also generates larger audiences with every episode and the ratings continue to rise. Moreover, the shows follow a predictable formula so that even Heidecker, who regularly watches reality TV, realizes the shows are predictable; yet Heidecker continues to laugh, cry, and enjoy the predictable moves the shows make. Since the ratings of reality TV continue to rise, more people than just Heidecker still enjoy the shows, even though they are predictable. Though the shows are

Reality TV allows audiences to laugh, cry and to live vicariously through so called everyday ordinary people who have opportunities to experience things that, until the moment they are broadcast, most individuals only dream about. (Frisby,

"Reality TV is set up to make people entertaining. A good person with values and principles is not good television" a quote by Ronda Rousey a mixed martial arts artist. Many people believe or want to believe that reality tv is true, but many other people avoid it for the fact that it is obviously fake. I personally don't watch reality tv but for the sake of this essay, I watched a few episodes of many television series to see and determine what I think about them. The point of this essay is to prove how fake reality tv is and I have succeeded in accomplishing that. Most of the reality shows have the camera crew all up in people's business or "secret" cameras placed in which people don’t know about them yet keep

Also, in many cases, the characters used in these shows are not ordinary individuals, but highly paid actors that simply recite scripts. Clearly, these shows are inaccurately labeled as “reality television,” and many individual’s time is wasted as a result. Time for many is very valuable. Wasting a person’s time because of an inaccurate description could be just as detrimental as wasting a person’s money because of an inaccurate description. Many people watch these shows to view real life situations, but what they are really viewing is the complete opposite. This cultivates confusion about what is real and what is fake.

Reality show characters are often shown in embarrassing situations and their personal matters are publicized to the world. The research found that frequent viewers of reality TV highly value revenge, competition, and achieving status and prestige (Mendible, 2004, p. 336). Mendible further discussed reality television’s strategic use of humiliation as a form of entertainment to draw in viewers (Mendible, 2004). With constant exposure to media images, audiences may be influenced by the television show’s values and subliminal messages. People use reality television as an informational tool to “people watch” and observe what is socially acceptable or not (Tyree, 2011, p. 397). The problem with using television to observe and decipher social norms with is that reality shows are not actually based on real events.

Do you know the guiltiest pleasure of the American public? Two simple words reveal all—reality TV. This new segment of the TV industry began with pioneering shows like MTV’s The Real World and CBS’s Survivor. Switch on primetime television nowadays, and you will become bombarded by and addicted to numerous shows all based on “real” life. There are the heartwarming tales of childbirth on TLC, melodramas of second-rate celebrities on Celebrity Mole, and a look into a completely dysfunctional family on The Osbornes. Yet, out of all these entertaining reality shows arises the newest low for popular culture, a program based on the idea of a rich man or woman in search of

Reality TV is known as exciting entertainment because the audience never knew what will happen next as it is with no strings attached and even have the freedom of speech. Despite the entertainment it can bring, the content of reality shows are actually degrading the society. Our pop culture and civilization have been affected by the reality programs in a bad way. Indeed, reality TV is promoting bad social value to the

There is also the argument that reality TV actually exposes others to different perspectives and cultures, and also teaches to debunk stereotypes. “Thanks to reality shows like Shahs of Sunset, Princesses: Long Island and Keeping Up with the Kardashians, I learn all about different cultures and perspectives.” “ The Robertson family struck a chord with millions of Americans through Duck Dynasty, which avoids hicksploitation and focuses on good,clean family values. ”(Gennis). The opposition seems to overlook the countless stereotypes forced upon minorities through reality programs.

For close to a decade, the ethics behind the existence of reality TV have been questioned. While there are ardent viewers of reality TV, researchers and other scholars disapprove them, and claim that the world would have been in a better place. Reality TV shows, especially in America, are extremely profitable to media owners, and this has increased their popularity in the recent years. The main target audience for these shows are teenagers and women, who spend a lot of time discussing about them, even hours after the shows. Most of the reality shows in America and other parts of the world have common ideas. The most fundamental aspect of most reality TV shows is that they display people who go through embarrassing, painful and humiliating ordeals. This is what the reality shows expect their audiences to be entertained, and presumably laugh at the situations the people go through. For this reason and many more, it has been found that they are more detrimental than entertaining to the society, and therefore, the world would be in a better place without them (Pozner 89-91).

To quote Matt Philbin, managing editor of the MRC Culture & Media Institute, “the problem with much of reality TV is that it isn’t about real people or reality at all. These are highly scripted, performed shows, ‘written’ like a piece of fiction and as such they need the classic conflict-driven characters and soap opera melodrama.”

The cultural phenomenon ‘Reality Television (TV)’ has become an increasingly popular genre of television since its paroxysm onto the airwaves in 1945. The term ‘Reality Television’ can be defined as the genre of entertainment that documents the lives of ‘ordinary’ individuals through the exhibition of allegedly unscripted real-life scenarios, despite inquisitive inquiries disclosing Reality TV to entail facets of script. The primary objective of Reality TV is purely to entertain the audience. This genre of television is appealing to viewers due to its entertainment principle/value, the audience’s competency to correlate to the characters and their situations, and the contingency it presents for escapism and voyeurism. We can capitalise the Australian appropriation of the American popular dating Reality TV show ‘The Bachelor’ as a tool to further comprehend the purpose and appeal of Reality television. The postulations of media’s obligations to society in contrast to their current actions and media as a mirror to society - the normative theory, can also be utilised as an implement to apprehend Reality TV. Through the strict analysis of ‘ The Bachelor’ and the employment of the normative theory, the purpose and appealing factor of Reality TV can be deeply examined.

Today’s audience grabs hold of reality TV now a day. Looking forward week to week to watch these unscripted real life situation shows. In a way it 's becoming increasingly hard to avoid not watching. Some viewers see the TV show and tend to be attention seekers, and reality TV allows them to fantasize about achieving status through instant fame. Too much reality TV may lead viewers to idealize real world situations, like romanticizing dating. Like when Truman saw the girl in the library who was an actress and a fan of the show. He wanted to take her out sometime later that week, but she said it couldn’t happen because she knows what’s going on, but she had true love for him and asked to go out with him right then on a little date to the beach. As they went to the beach she was going to spill the beans and tell him everything. Then a man of the show in a car drove there to stop her acting like her father to get her before she ruined the show. It’s like most reality TV love shows on today people who audition for a show and know it’s scripted, but end up actually having a real feeling for the person.