Rear Window Analysis

it is the start of the story. The window fills the whole frame of the

If you're driving down the road and a big truck flings road debris against your windshield and damages it, you're faced with the decision of whether to drive with the damage or call for roadside repairs. Each situation is different, but generally, it isn't safe to drive with a damaged windshield, and it may even be against the law in your jurisdiction. Fortunately, you can call a mobile windshield repair truck to come to your location, whether it is by the road, at your work, or at home. Here is some information about how the repair process works.

As nurses we know medical professionals more than ever are responsible for treating large diverse populations. Understanding cultural differences in various populations is crucial to produce positive outcomes. Nurses have a major role in health care promotion. Nurses should be treating the patient as a whole in mind, body, and spirit. This should be included in community treatment too. Individual, family, environment, and community assessments are necessary to provide the care and improve health care outcomes in the community as a whole. The World Health Organization’ s (WHO) definition of community is “a group of

AWe’re a race of Peeping Toms. People ought to get out of their homes and look at themselves.’

Hitchcock uses many techniques throughout the film “Rear Window” to convey suspense. The major theme of the film regards Jefferies voyeurism. His intrigue in the everyday lives of his neighbours is viewed as intrusive and morally wrong on principle. However, without this voyeuristic tendency the crime committed by Thornwald would never have been solved. Thus, the audience is lead through emotional turmoil in questioning whether it is wrong to invade someone’s privacy, or just and heroic to solve a crime. We see the climax of the film when Lisa and Stella venture out of Jefferies apartment to investigate the murder of Mrs Thornwald. This leads to a confrontation between Thornwald and Jefferies. These scenes build suspense through the use of detachment, the use of ‘split-screen’, ‘red-herring’ plot devices, lighting, music and diegetic sound.

The opening scene in Alfred Hitchcock’s Rear Window essentially acts as one long establishing shot — only rather than establishing just the location of a scene, it establishes the entire film in more ways than one. One particularly important shot in the scene, beginning 00:02:36 into the film, tells the audience much of what it will need to know about Rear Window’s setting, characters, and themes.

Rear Window is compelling, clever, and utterly original. Hitchcock helps us share this obsessive curiosity, and draw our conclusions directly parallel to the characters in the film. The unique montage of imagery helps define our characters, and expose their vulnerability, their identity, and their own self-discovery

In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries’ window. In this “movie within the movie” his neighbors’ lives become the subject for the plot. Each window represents a different film screen, each which is focused upon only when Jeffries directs his attention to it. He witnesses both the anxieties associated with the beginning of a marriage and the heartache of relationships ending. The

The film Rear Window, released in 1954, and directed by Alfred Hitchcock, portrays the shift of power in the relationship between the central characters of Lisa Freemont and L.B. "Jeff" Jeffries throughout the film. As the characters are introduced in the beginning of the film, Jeffries is shown to have control of the relationship between himself and Miss Freemont, the power later shifts to Lisa as the film progresses and she takes an interest in the suspected murder. However, the film ends with relative equality within the relationship, after Lisa's intelligence is discovered by her partner.

     The death of the neighbor’s wife is what really allows you to see how the society is corrupted. The biggest reactions of the neighbors in the movie come where there is death. The first when the dog dies, and then when Jeffries is hanging from the window about to fall to his death. The only truly happy couple, made obvious by Hitchcock during the film, is the couple that death comes to, in the case of their dog. Everyone else in the film seems miserable and isolated only brought together by death. The wife of the couple says it when she makes a comment announcing how miserable of neighbors they are.

In this essay, I shall try to illustrate whether analysing the movie Rear Window as a classical example of the Freudian concept of voyeurism, is appropriate. Voyeurism is defined in The Penguin dictionary of psychology as:

When all the knowledge in the world fails to bring you happiness in life, where do you turn? In the case of the Glass Siblings, the answer to this question is spiritual enlightenment. Specifically, they are interested in Eastern religious philosophies. References to these philosophies – such as Taoism, Buddhism, and Hinduism – are found throughout the Glass novellas. The beliefs of the various members of the Glass family are frequently revealed through the children they encounter or observe. Throughout the Glass stories, small children are portrayed as spiritually advanced, with much to teach adults.

Hitchcock is known for the “meticulousness of his preproduction, shooting, and editing strategies” (Sterritt 9). An example of this is the filming technique Hitchcock used to illustrate Scottie’s Vertigo; to represent the sensation, the camera would physically move away from the subject while simultaneously zooming in on the subjects. Thus this specific shot was used whenever Scottie went through that experience, creating a specific motif for his reaction. Another strategy of Hitchcock is “his celebrated use of point-of-view shots”, which he employed to unite “physical and psychological identification between spectator and character” (Sterritt 11). This is exemplified in Rear Window, which is seen from almost entirely Jeff’s perspective, thus uniting audiences more with Jeff, and therefore the subjective narrative. This increases solidarity with Jeff, and makes it easier for the audience to adopt Jeff’s discoveries as the truth. Additionally point-of-view shots allow viewers to understand characters more, as seen through Judy’s point of view on her walk in the park with Scottie. Another camera angle favoured is the extreme high-angle shot, which in some cases marks a significant point in the plot; this shot is used to show Madeleine’s fall to her death in Vertigo, the point in the movie that serves as a climax that triggers the narrative

The Drive shared, “It wasn’t until the late 1920s that safety glass, windshields, were introduced. After the 1920s windshields quickly became a common safety feature in vehicles.” Chris Loberg, owner of Loberg’s Auto Glass and Repair, is the man behind the profession of replacing and installing windshields since 2003, it’s 2016 now. While the safety and advertising in 2003 and 2016 are similar, there are also so many technology changes that made installing auto glass safer and making advertising a little more challenging.

Some time later, Jeff wakes up tied to a wheelchair and Haley 's personality has completely changed. Haley had purpose sought out jeff and has come with a purpose. The audience learns that she drugged him and that she specifically chose this day to meet him because she new his neighbors would be out and no one would hear him screaming. Haley reveals that she has been chatting with Jeff under