Reasons And Emotions In Sophocles's Antigone

On the evening of Wednesday October 9th, I attended a performance of The Antigone Project presented by the University of West Georgia Theater Company in the Blackbox at the Townsend Center for the Performing Arts. Adapted from the play Antigone written by Sophocles in 443 B.C. This production was written by Jameela Smith, Deja Culver, Myles Wright and, Jenna Miller, directed by Amy Cuomo. Bringing Antigone to a more modern time made the play entertaining.

Humanity is often faced with ambivalence towards law; at once, we find it a necessity in attempting to deal with a world which is constantly in some type of chaotic turmoil, and also as a glaring flaw in our society, which can at times result in more chaos than was originally had. This conflict is no more obvious than in Sophocles’ Antigone. Antigone, the character, represents half of the struggle between what the law says is just and what we inherently deem to be morally upstanding – Creon represents the opposing side which views law and power as the ultimate dictator of life’s unraveling. Though Antigone is ultimately thwarted, she is on the side of justice rather than blindly following the law. Antigone’s empathy while breaking the law

Sympathy for the Main Character in Sophocles' Antigone Sophocles' play is named after its main character, Antigone, and for

Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who

In the play Antigone, written by Sophocles, King Creon created a law that denied proper burial rites to anyone who invaded or betrayed the city of Thebes. Antigone defied this law by burying her brother, Polynices, after he was harshly accused of being a traitor. Both Creon and Antigone showed a tenacious passion toward their perception of justice, unwilling to accept that honoring the law and honoring the individual conscience were both justified in different ways. The stubbornness that they shared led them both to meet their downfalls, which conveyed the idea that being too proud to accept guidance from others ultimately leads to dire consequences.

Sophocles, in Antigone says, if we cannot determine what is right or wrong, we should ignore pride and continue living by reasoning and follow God’s laws; however, if we don’t follow God’s law we will experience the wrath of God.

This Sophocles tragedy seemed to touch many readers. This tragedy has made many people in present and antiquity rethink their purpose in life. This story also intended to raise many questions. One question that I will discus is what means more to you, social acceptance or staying true to your beliefs? This classic tragedy that I am referring to is called Antigone. This fascinating story touches many subject of social and religious matter. I will discuss the tragic turmoil of Antigone, her surrounding family, and the social and religious dilemma that Antigone faces that will ultimately decide her fate.

The moral compass of planet Earth intends to point north at all times. This isn’t always the case. People make mistakes, and others immediately judge their decision. Are they right, or are they wrong? If they are right, then perfect -- no harm done. If they are wrong feelings of guilt and shame may overcome. It is at this moment in time where the wrongdoer needs to make a decision in accordance to their actions. In an excerpt from Antigone, by the classic Greek playwright Sophocles, the wise Teiresias observes, “Think: all men make mistakes, But a good man yields when he Knows his course is wrong, And repairs the evil: The only Crime is pride.” Teiresias statement is valid. The time period in which this poem was written does not remove its

"Ah Creon! Is there no man left in the world” (Sophocles page #). Greek theatre played a large role in Greece. The citizens were supposed to learn from the mistakes made in tragedies. The citizens should have learned what not to be like as a citizen or person. In Antigone, written by Sophocles, there are two main characters, Antigone and Creon. They are both strong willed and stubborn people. Both being unwilling to change, they both seal each other’s fate with their stubbornness, shortsightedness, extreme beliefs and their hubris.

Throughout the play Antigone by Sophocles, Antigone does not have one main motivation, but rather a blend of many. As Antigone’s three most evident motives are doing the right thing, flouting Creon’s authority, and expressing her overall anger at life, the first and the last are most important. In this play, the combination of Antigone’s emotions toward her grave past and her obligation to her brother, regarding the gods, fuses together to be the incentive for her actions, regardless of Creon. Challenging Creon is almost a side effect, a medium through which Antigone can achieve her goals.

The character of Antigone in Sophocles’ play, Antigone, is one of the most controversial tragic characters in classic literature. The war in her city has torn her family apart, caused the death of both her brothers, and created a reason for her to fight against the King, her uncle. Her uncle, Creon, makes a ruling that her brother, Polynices, is not to be buried because he is a traitor, but according to her religion, her brother’s soul will not go to the afterlife until he is buried. In defense of her brother, she buries his body illegally and is subsequently sentenced to death. With her complex patterns of thought, bold actions, and the end she encounters, the character of Antigone causes debate among critics as to

When in love, emotions become the driving factor in how people live their lives. Thoughts such as “what will they think of me if I say or do this?” are all but too common within the mind of someone in love. Due to this people go out of their way to avoid these any types of situation they would believe to upset a loved one. This type of understanding can be seen in the play Antigone by Sophocles. In ancient greece plays were similar to movies and TV shows. Perhaps without even knowing it, the general public is highly influenced by the messages and themes that TV shows, Movies, Books, and almost any form of entertainment they might express. This was same of plays in ancient greece, except the themes were expressed through different tactics. In Antigone the tactic was using specific odes that express specific themes in the play. Ode 4 expresses the themes: Love for a partner shouldn’t control the choices people make however, love is a natural occurrence that cannot be destroyed.

Though the choices that Antigone and Creon face in Sophocles’ Antigone differ, their decisions often end up pitted against each other’s, inviting comparison. Since I am juxtaposing the characters’ degrees of rightness, I believe that the rightness of the reasoning, not just their ultimate stances, should be examined. The entirety of his or her argument, not just the conclusion, must be taken into account. I’ll also note that my perspective of rightness could and does conflict with that of the gods in Antigone and Sophocles. Furthermore, “rightness” has an element of nuance to it because of the word’s multiple definitions and their connotations.

In about 344 BC, Sophocles transcribed the play Antigone, detailing the distressed royal heir of the same name’s struggle with burying her dead conflicted brother. Set in Thebes, the play script gives the story of Eteocles and Polyneices, two brothers struggling to inherit the throne from their late father. Both are killed in the quarrels, allowing for Creon to become King. The new leader keeps Polyneices unburied against the advice of a prophet, allowing the body to rot. Antigone covers her brother’s body in dirt, eventual ling leads to her being condemned to being buried alive by the king.

In the Greek tragedy Antigone, written by playwright Sophocles, a conflict is presented in the aftermath of a rebellion against Thebes, wherein the brothers Polyneices and Eteocles kill each other, as leaders of opposing armies. Creon, their uncle, assumes rule of Thebes, as the only remaining heir of the previous king; then honors Eteocles as a hero, but forbids any burial for Polyneices, calling him a traitor. Antigone defies this, claiming the gods require him to be buried. This essay will argue that Creon was correct to forbid the burial of Polyneices. Both Antigone and Creon have ample justification. The justification, and flaws therein, for Creon’s actions will be discussed, resolving the conflict.