There are three reasons Lucas commits suicide, and each reason teaches an important lesson to Alice. The first reason is that Lucas felt that he had no identity and did not fit in with his peers and other social groups. Secondly, Lucas was not able to commit to relationships. The final reason is that Lucas felt a lot of guilt for attempting to rape Alice. While all of these reasons negatively affected Lucas and were the reasons behind his suicide, they also taught Alice valuable lessons which allowed her to make improvements to her life. If it was not for the lessons in identity, cultural perspective, and self worth, Alice would not have been able to move forward with the changes in her life.
In the story of Good Hair, Lucas’ lack of
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Growing up, she felt that she did not fit in with the black girls who berated her on the fashions of the white magazines that she wore every day to school. It wasn’t until she started to embrace the stuck up group of girls in her school, that she could feel safe from being bullied. The notion of her childhood from her parents that the son should be smart and go to school while she should be satisfied because, “...it was enough, they said, that I was pretty”. The death of Lucas allowed her to see that she had more control in figuring out where she belongs as a successful writer . In Alice’s relationship with Miles, she had to submit to his will and not live a life that was fulfilling. The pleasures and the fashion that came with Miles’ money, did not make her feel complete. In the same way, Lucas’ death teaches Alice that she should not settle on things that did not add to her self worth.
With Alice’s identity, the role of fashion has always been a factor in her family's identity for her as a child. This role of fashion and beauty is also present in her understanding of the culture of black women in the tribe. As with the example of her grandmother who was abused by her grandfather with being “a beauty”, Alice has learned from her family history that the preconceptions of what beauty is should not be something to shy away from or to use the term beauty as a way to fill the void in the way she lives her life. The lessons of identity from Lucas’
In her short story “Everyday Use,” Alice Walker summarizes the representation of the beauty, the conflicts and struggles within African-American culture. “Everyday Use” focuses mainly between members of the Johnson family, consisting of a mother and her two daughters. One of the daughters Maggie, who was injured in a house fire and has living a shy life clinging to her mother for security. Her older sister is Dee, who grew up with a grace and natural beauty. “Dee is lighter than Maggie, with nicer hair and a fuller figure… (716) She also grew up determined to have a better life than her mother and sister. This takes place when Dee (the only family member to receive a formal education) returns to visit Dee’s mother and younger sister Maggie. Again this portrays a slight issue between two different views of the African-American culture. Alice uses symbolism to empathize the difference between these interpretations, showing that culture and heritage are parts of daily life. The title of the story, Everyday Use, symbolizes the living heritage of the Johnson family, a heritage that is still in “everyday use”.
The examination of black women's need to keep their powerful heritage and identity is important to the protagonist in “Everyday Use.” Walker uses the mother’s voice to show the trials and tribulations of a small African American family located in the South. She speaks on multiple levels, voicing the necessity and strength of being true to one's roots and past; that heritage is not just something to talk about, but to live and enjoy in order for someone to fully understand themselves. Unlike Kincaid, Walker gives her black female character’s an identity of their own, each in their own right, and observes the internal conflicts of each mother and daughters struggle with identity. The mother represents a simple content way of life where identity and heritage are valued for both its usefulness, as well as its personal significance. In order to illustrate how the mother viewed identity versus her daughters, Walker quickly acknowledges that the mother has inherited many customs and traditions from her ancestors. She describes herself as a large big-boned woman with rough man-working hands (485). She also describes here various abilities including, killing and cleaning a hog as mercilessly as a man. Being able to work hard and not care about being such a lady, is how the mother defines identity at this point. On the other hand, the two daughters each have opposing views on the value and worth of the different items
When Alice begins to grow forgetful at first she discards it, but when she gets lost in her own neighborhood, she realizes that something is terribly wrong. She didn't want to become someone people avoided and feared. She wanted to live to hold her daughter, Anna’s, baby and know she was holding her grandchild. She wanted to watch her youngest daughter, Lydia act in something she was proud of. She wanted to see her son, Tom, fall in love. She wanted to be able to read every book she could before she could no longer read. Alice once placed her worth and identity in her academic life, now she must examine her relationship with her husband, her expectations of her daughters and son and her plans for herself. “Losing her yesterdays, her short-term memory hanging on by a couple of frayed threads, she
I will be focusing this paper on the reasons why Maggie should be given the quilts, reasons why Dee should not be allowed to take them, and what this tell us about Alice Walker’s sense of what it means to be in touch with one’s heritage.
As portrayed in Geeta Kothari’s essay “If You Are What You Eat, Then What Am I?” and Patricia Riley’s short story “Adventures of an Indian Princess”, a divided identity, though supplemented with natural confusion and estrangement, presents strength and appreciation to one’s character. In Riley’s short story, she depicts the main character, Arletta, as someone who stands firm to her personal values. though thrust into an ignorant family, elevating her insecurity. When requested to pose as an Indian, Arletta, humiliated and self-conscious, refuses to cooperate: “Arletta glared defiantly at the man behind the camera and stubbornly refused to utter Mr. Rapier’s magic word, no matter how much he coaxed and cajoled” (Riley 17).
As her daughter arrives, she looks around the yard and recalls the old house. The old house which went up in flames and terribly burned Maggie, her youngest girl. Dee, however, was happy to see it go up in a blaze. In her eyes, the house was a disgrace. The older of the two girls, she liked the finer things in life. She was energetic and loved to stand out through her personality and clothes. The colorful clothes she was wearing when she arrived made this obvious. Dee, who changed her name to Wangero after joining “…the radical, black nationalists of the 1960s and 1970s…,” was now promoting”… a suddenly fashionable, or stylish, interest in what she passionately describes as her ‘heritage’” (416). Through the influence of American fashion, Wangero corresponds her own style to the notion that black is beautiful. The girl who once despised African custom now supports the traditions and wants to acquire the precious quilts made by her grandmother which were promised to her sister. However, Dee only shows her detachment from traditional ways by wanting the quilts because they are “fashionable” and “priceless” (416). Just as the fire symbolized her role in relation to her community, so does the desire to obtain the quilts. She insists on having what she is told to be stylish.
In the early 1970s, the Black Power movement was not only a political slogan against racism, but also an ideology that promoted racial pride and embraced the elements of the African culture. During this time, many African-Americans were encouraged to grow their hairs into afros, wear traditional African clothing, and reject their white slave names. In the story Everyday Use, Alice Walker presents a family with opposing views towards tradition and creates a character fooled by the Black Power movement. The author uses irony to reveal a meaning of heritage hidden under the perceived idea of African-American identity.
“ A dress down to the ground… yellows and oranges enough to throw back the light of the sun. Earrings gold, too…Bracelets dangling and making noises…” Her hair, “stands straight up like the wool on a sheep.” (183, Walker). This is how Mrs. Johnson describes her daughter‘s new appearance. Although Mrs. Johnson does not disapprove of Dee’s new African fashion she is not comfortable with it. Dee had taken on the task to flash her African roots while she failed to understand the true meaning of her heritage. Dee makes the mistake of believing that one’s heritage is something that one puts on to display. Mrs. Johnson does not display African fashion. Nonetheless she knows the true meaning of her heritage; something that Dee does not seem to understand. Through “Everyday use”, Walker conveys that culture and heritage are taught from one generation to the next and it is not suddenly acquired and definitely it is not something that one suddenly puts on.
One’s identity is composed of multiple aspects of physical appearance to intelligence to experiences to ancestry. Many of these features can be manipulated or altered to please the individual. One can dye their hair to look different or use big words to appear more intelligent. What can not truly change, however, is one’s heritage. In the short story “Everyday Use (for your grandmama)” by Alice Walker, Dee simultaneously rejects her family history and identity while also fabricating an artificial African heritage, disconnecting Dee from her roots.
The emotional focus of Alice Walker's story is rage, red-hot and isolating. As I read this piece, I became livid, not only at the thought of her devastating
Characters Claudia and Frieda MacTeer show envious disapproval towards Maureen Peal, a wealthy and stylish lighter-skinned African American girl who the girls refer to as a “disrupter of seasons” (62). Maureen’s character introduces the disruptive and wealthy society within the novel making the division between classes in black culture more apparent. The girls—clearly representing separate societal classes—do not relate to one another despite their shared race. Verifying that Maureen defines perfection in a black society, Claudia and Frieda had to “[look] hard to find [Maureen’s] flaws to restore [their] equilibrium” (63). The self-conscious girls literally search for any apparent faults middle-class Maureen may have in order to make themselves feel better about their “less beautiful” appearance and lower rank in society.
Gerald Early, the author of the essay Life with Daughters, describes the hardships of being African American especially when trying to raise two daughters who don’t believe they are beautiful . Early’s purpose is to inform the reader of all the difficulties that black girls face growing up in a society who has defined beauty with the image of a white, skinny blonde. He adopts a bitter tone in order to point out all of the difficulties these girls face in order to appeal to similar feelings and experiences of other African American girls their parents.
The woman in figure (2) has also been exoticized through her tribal stance and leopard print clothing, the idea of the exotic and its associated tribal symbols has its roots in Imperialism and is significant because it positions people and cultures who do not possess the dominant culture’s ‘civilised’ Anglo features as being fundamentally different (Hall 1997; Sturken and Cartwright 2009). Therefore, by objectifying the hair and not the woman who possesses the hair and coupling this imagery with the text “identity” and “identify” Simpson is releasing the stereotypical connotations associated with Afro hair and black women from their conventional context allowing for a different interpretation for where these stereotypes might fit within the personal and collective cultural consciousness (Sturken and Cartwright; Thompson
To fully understand the meaning behind the way that she learned to be herself one must summarize the story. During the essay, Alice was always the best at what she did in the early years of growing up. She was beautiful and everyone around her knew it, including herself. One day while she was playing with her brothers, and was blasted with an excruciating amount of pain to her right eye. Later to find out her brother shot her with a BB gun. After lying to her parents about the ordeal, they took her to the doctor a week later. He basically told her that their is nothing that he could do, and that their will be a white blog in her eye. After the visit the narrator become down on herself, and starting becoming bad in school. She then later on in life removed the white blob, and became a happy warm hearted person once again.
In this story, Alice Munro describes a slice of life story for a young girl who has her first encounter of being dumped. Though, in her family they rarely drink if at all, not the same was expected of her. She herself thought of her mother as a very cunning and convincing person even though she was mostly very unemotional but was able to make a good impression when necessary. She was shaped by her inability to come to terms with her breakup through how she got drunk and by almost committing suicide via aspirin though, she stopped herself after the sixth aspirin. It shows how her character developed to be able to relive those memories with a hint of fondness for she wouldn’t be who she was today without them. It shaped her to be a more to be