Redemption In Pulp Fiction

I have chosen to investigate these films because of how both films were released at the time of the relaxation of violence in cinema.

1. Sobchack’s argument pertaining to on -screen violence that she wrote thirty years ago was that any violent acts portrayed in movies back then was to emphasize the importance of an element in a story, an emphatic way of engaging the viewers and forcing them to feel what the movie was about. It gave them a sense of the substance of the plot which would allow them to feel for the characters and yearn for good to overcome evil. In other words, the effort made to engage audiences through depictions of violence created violence that was artistic and well done, or as Sobchack writes, violence was “aestheticized.” Violence was incorporated into film in a stylistic

If human beings are a part of nature, it can be assumed that they too have violent tendencies; in that respect, violence is a natural and innate response. Though we pride ourselves on being able to control these urges, they are always lurking somewhere beneath the surface of our most serene and civilized moments.

In great literature, no scene of violence exists for its own sake. Explain how a violent scene or scenes contribute to the meaning of the play.

You will be completing this assignment in two stages: for the first stage (1500 to 1800 words), you will analyze an entire movie; in the second stage (300 to 600 words), you will reflect on how you analyzed the movie as well as how your ability

Being or doing something violent is often one’s way of getting out of a situation or turning to as a last resort. In action movies, there is usually a main character trying to achieve their goal and they revert to violence to advance to it . Violence can be used to achieve what they need or to fulfill their emotions. The characters in All Quiet on the Western Front, by Erica Remarque, The Odyssey, by Homer, and Macbeth, by William Shakespeare, exemplify using violence as a last resort. In All Quiet in the Western Front, Paul Baumer is put in the detrimental position of becoming a soldier. He uses violence to try to achieve a piece of mind. Additionally in The Odyssey, Odysseus faces a cannibal monster, who makes Odysseus fear for his life

In the first chapter of How to Read Literature Like a Professor, every trip a protagonist takes becomes a quest in the story. These quests often entail a Quester (the protagonist), a specific place to go, a reason to go to a said place, obstacles, and challenges on the way, and the Quester’s real reason to go to said place. Whatever is gained from this quest can vary from unlimited wealth to a whole lot of nothing, but the Quester seems to always be guaranteed to receive one thing: self-knowledge. In chapter 2, Foster emphasizes the point that whenever people eat or drink together, it’s communion. Basic survival states that people need food to be able to live.

"The three-step key to happiness when everything is down is - Redemption, Reconstruction, and Recover." Redemption, Reconstruction, and Recover demonstrate how the Reconstruction era prevailed. The Reconstruction era did redeem and reconstruct the United States but did not recover it. However, the United States still hasn't fully recovered because we still struggle with discrimination. For example, during the era, slaves were freed from slavery and received suffrage (the addition of 3 new amendments to the Constitution). But, the whites were not able to come to terms with the new Constitution. As a result, they continued to discriminate against the former slaves because of their new rights. Instead, we have to define the most important factor

Another element of the gangster genre that is seen in Wellman’s film is the rise and fall trajectory of the central gangster protagonist. In order to avoid glamorizing the life of a gangster and his perverted American Dream, his crimes must be punished. This is a central element to any gangster film created under the auspices of the production code. To obey the rules and regulation of the PCA, any gangster in film will live “a short but glamorous life..that reaffirms the audience’s knowledge that in Hollywood, lawlessness cannot go unpunished” (Køhlert 857). The era under the PCA shaped the narrative of the gangster genre to include the death of essentially every gangster protagonist. In one of the most powerful scenes of the film, after Tom has taken revenge on the rival members, he stumbles, shot, clutching his chest into the raining streets and gutter (The Public Enemy). He is alone, isolated by the rain, and likely going to die. This is not a character the audience is supposed to sympathize with, and this is exactly to goal of the gangster genre. After the audience has seen Powers rise through the world of crime starting as a little boy

Already five minutes into the film we have the exposition. The time period is set in the late 1960’s early 1970’s. The audience is given narrative economy that sets up the time period as well as the location, Harlem, New York. Along with just the basic time and place we clearly see that Frank Lucas is the protagonist. We learn from the start that he can be violent. This builds his characters, he has the will to be dominant and gets power, just as he wants power. From the beginning we are lead to believe Frank will do anything it takes to get what he wants even if that means burning a man alive. We learn right away this film is about gangsters, about crime, and it is about struggle for power.

Violence can be described as a behavior involving physical force intended to hurt, damage, or kill someone or something. Violence has been around from the beginning and can be seen through history in writing and events that occurred. In Mark Twain’s The Adventures of Huckleberry Finn, violence’s jarring effects on societal members are evidenced through various relationships and partnerships, portraying society’s corrupt ideologies and ethics.

The most striking moments of Heineman’s film shock the audience through their depictions of horrific violence and its effects.

In conclusion, Shakespeare illustrates the theme of violence by writing about three murders committed by Macbeth. Macbeth starts off hesitant about murdering someone, but by the end of the play, he has no hesitation whatsoever. He uses violence to achieve power, gain power, and keep power and overtime it corrupts him. His violent actions lead to his overconfidence, which eventually lead to his downfall and death. This is what violence can do to a person. Just ask

The movies that Tarantino makes are not just violent, but have a great storyline, which he writes. His most famous movies include: Reservoir Dogs, Pulp Fiction, From Dusk Till Dawn, Kill Bill Vol. 1 & 2, and the newest one, Inglourious Basterds (IMDb). Other, less famous ones are: Jackie Brown and Grindhouse (a double-feature consisting of Planet Terror, and Death Proof) (IMDb). To this day, people still talk about how great of a movie Pulp Fiction is. These movies are well known for their graphic violence, and sometimes profanity.

"True redemption is when guilt leads to good" (Khaled Hosseini). Not one person on earth is completely free from wrongs. Humans have lapses in judgement that can hurt them and others. Some people believe you can be redeemed and can put your wrongs behind you, these people are kind and generous. Others believe you have one chance to get it right, these people are often angry and judgmental. There are also those who believe that someone can't be redeemed, but begin to realize that people can change. By looking at the Bishop, Javert, and Jean Valjean and their actions it becomes clear that Les Miserables is a book about redemption coming to those who did wrongs in their past and the behaviors of those who believe and don't believe.