Reflection Of The Experience In Carver's 'Cathedral'

Raymond Carver’s “Cathedral” is a short story that unfolds through the perspective of Bub. The story begins by depicting Bub’s narrow mindedness and as the story progresses it becomes clear that his perspective shifts after an encounter with his wife’s blind friend Robert. It is through this encounter that Bub has an epiphany. It is his jealousy towards Robert and intoxication that debunk his preconceived notations and highlight the connection between him and Robert. It is only after his epiphany that he is drawn out of this obliviousness and gains insight. Bub’s wife, his smoking, and drinking are key elements in breaking apart his bias and as a result he is enlightened.

Everyone at one point has judged a book by its cover. In the short story, “Cathedral”, Raymond Carver creates a narrator who bases off ideas and assumptions about blind people from movies. The narrator has never interacted with a blind person before the day where his wife invites her friend, who is named Robert, to stay. The narrator and Robert have never met, but the narrator has a strong dislike towards Robert before meeting. The narrator’s closed-mindedness and misconceptions leads him to judge Robert, however after a few hours of interaction, the narrator learns more about him and grows to have a new perspective about people not being who they think they are.

In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

The story of Cathedral, by Raymond Carver, shows that you do not have to see someone or something in order to appreciate them for who or what they are. It is about a husband, the narrator, and his wife who live in a house. The wife, whose name they do not mention, has a very close friend who is blind. His name is Robert. Robert's wife dies, and comes to their house to spend a couple of days with the narrator and his wife. The narrator, whose name they do not mention as well, is always on edge because he does not really know Robert very well and he does not like blind people, but he is being friendly for his wife's sake. The story comes to an end when Robert and the narrator draw a cathedral together using the narrator's hand and helped by

The beginning of the story presents the narrator’s wife working for a blind man one summer by reading, “stuff to him, case studies, reports, that sort of thing” (Carver, 34). She eventually extends an invitation for the blind man, Robert, to stay at their house after Robert’s wife had passed away. The narrator was not too happy about having a stranger stay in his home by stating, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 34). The narrator seems very timid about someone he had never met stay at his house who can see purely nothing. This gives off an impression that the narrator doesn’t want to have Robert stay with him because he will be a hassle to keep up with since blind people in the “movies” progress, “slowly and never

"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.

Plato’s “Myth of the Cave” and Carver’s Cathedral provide insight into parallel words. The protagonists in each story are trapped in a world of ignorance because each is comfortable in the dark, and fearful of what knowledge a light might bring. They are reluctant to venture into unfamiliar territory. Fortunately the narrator in the Cathedral is forced by circumstances to take a risk. This risk leads him into new world of insight and understanding.

Lives are diverse. Every being that passes by on the street, at school, at work, anywhere lives a completely unique life different from any other individual. Each person that one could meet has attended different schools, travelled to different places, and lived under different circumstances; they all pass by in an instant without a second thought or even a passing glance. These several diverse experiences sculpt diverse individuals with diverse thoughts, opinions, dreams, and motives. However, in Raymond Carver’s “Cathedral,” the narrator must converse with an individual that lives an extremely dissimilar life from his own. A blind man, friends with the narrator’s wife and a recent widower, has come to live with the narrator for a while. This sudden change in the narrator’s life does not come easy because of his inherent arrogance and prejudice. Nevertheless, the blind man remains polite and shows the narrator how similar, yet still different their lives are through example as well as an explicit exercise where he holds the narrator’s hands while he draws a cathedral in order to “see” what the cathedral looks like. To assist the reader in fully grasping the impact of this breakthrough in the narrator’s life regarding perspective and various types of human realities, Carver employs a large number of stylistic elements to enhance his writing.

The narrator does not find joy in learning, does not have close friendships, and superficially judges the world. According to his wife, he has no friends. “Every night I smoked dope and stayed up as long as I could before I fell asleep”. He has a monotonous life. He is also afraid of the blind man and does not know how to interact with him. The blind man’s eyes creep him out. “I’d always thought dark glasses were a must for the blind. Fact was, I wished he had a pair”. He judges the man based on his look instead of his personality. Even before he met the man, he fixated on the blindness. He also feels pity for

The story opens with the narrator giving a background of his wife and Robert. Immediately, it is easy for the audience to form a negative opinion about the narrator. Within the first paragraph of the story he says, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 33). This exemplifies his pre-formed opinion about Robert even though he hardly knows anything about him. He clearly is uncomfortable with the fact that Robert is blind, mainly based on his lack of exposure to people with disabilities. The narrator is very narrow-minded for most of this story, making it easy to initially dislike him.

The story “Cathedral” demonstrates that lack of sight does not necessarily prevent one from perceiving things as they are, or live their life to the fullest. In the story, a middle-age blind man, who is a friend to the narrator’s wife, and used to be her boss at one point, visits the narrator and his wife. The narrator has never interacted with blind people before, and all he knew about blind people was what he had seen on television. Blind people are stereotypically portrayed on television as slow moving, dull people, who never laugh. Based on this perception, the narrator was reluctant to meet the blind man and doubted whether they were going to connect. This is evident when the narrator states, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 1).

In Carver's story, the reader fully understands the main character. In the story, the reader gets insights into the narrator's view on the blind man. the reader can tell by the narrator's comments about listening to the blind

Through his abundant comments, the narrator expresses his judgments and misconceptions about people and the articulation of emotion. In other words, what the narrator thinks and says defines his wrongful ideas about the world. He admits that his “idea of blindness [comes] from the movies” and, therefore, expects the blind to “[move] slowly and never [laugh]” and be “led by seeing-eye dogs” (Carver 209). Because he lacks day-to-day interactions, he relies solely on popular culture, and rather than basing his expectations on real people, he forms stereotypes. Moreover, as a result of his limited experience, the narrator is unenthusiastic, bothered, and even distressed by Robert’s visit, confessing that “A blind man in [his] house was not something

As the story continues it exposes the many things that the husband fails to realize. For example, the husband neglects to recognize that Robert can feel. Robert commented about the train ride from the city that he’d "nearly forgotten the sensation" (1055). The husband does not understand that what blind people cannot see they can experience by feeling and hearing. The husband does not see what is underneath the skin or what is behind a face. The husband sees people and things at face value; he doesn’t look beneath the surface. In contrast, the blind man "sees" things with his ears, his hands, and his heart. Robert does not let the fact that he is handicapped affect how he perceives people and the things around him. Carver illustrates this when the husband observes, "The blind man has another taste of his drink. He lifted his beard, sniffed it, and let it fall. He leaned forward on the sofa. He positioned his ashtray on the coffee table, then put the lighter to his cigarette. He leaned back on the sofa and crossed his legs at the ankles" (1057) He did this just as anyone could have done. He doesn’t let the fact that he is