Reflection Of The Movie Remember This House

Movies and entertainment outlets speak volumes about the current state of a nation’s culture. Cinematic creations in the United States allow small voices to be heard and controversial issues to be addressed. However, a repetitive and monumental issue continues to be addressed, yet continues to persist in our 21st century culture, racial inequalities. Since the inception of the United States, black men and women alike have been disenfranchised at the hands of the “white man” in America. Instead of continuing the conversation today, the issue is continually silenced referencing the successes and achievements of the Civil Rights Movement in the 20th century. Nonetheless, an unfortunate reality looms upon this great land; racially based systems and structures continue to exist in 2015 the in United States. This paper synthesizes three films focused on racial inequalities in different time periods. Separate but Equal (1991), Selma (2015), and Crash (2005) illustrate how influential the Civil War amendments are, while serving as an uncanny reminder of how the racial prejudices during the 20th century continue to exist in our great nation today. Needless to say our nation has made great strides, but still has a long way to go.

Have you ever felt like the place you belonged to didn’t belong to you? In The House on Mango Street, this is how the main character, Esperanza, felt. The author, Sandra Cisneros, did a good job in portraying a girl who couldn’t find her place. She had a problem accepting where she was from, The House on Mango Street is heartfelt novel and is great to pass the time. In this story, you will be shown the lives of Esperanza, her sister Nenny, their two best friends Rachel and Lucy, and the many people who lived on Mango Street. This book is about a girl who went from denying her place to accepting it.

The film reminds us that “slavery and its aftermath involved the emasculation-physical as well as psychological - of black men, the drive for black power was usually taken to mean a call for black male power, despite the needs of (and often with the complicity of) black women. That continues to result in the devaluing of black female contributions to the liberation struggle and in the subordination of black women in general.”4

“Mississippi Burning” is based on the investigation of a missing persons case which turned into a murder case in Mississippi that involved three young students who were civil rights workers involved in Freedom Summer of 1964. Two of the students were Jewish and one was an African-American whom came down to Mississippi from New York City. After the students did not return home the parents pushed for media attention since the Mississippi Police were not doing any investigations. The FBI then had to get involved with the case. Little did the parents know that the police were the ones who actually committed the murder of their children. This film shows us the oppression towards African-Americans, specifically in the south.

Reading the content in this book made me get a picture of what it was like to be a colored person in this time. My eyes were opened to the meaning of the word “nigga”. Nigga is such a derogatory term, yet now-a-days it is used by people so much. Kids in this generation use it as a term of endearment when they see their friends, or they say it when they are shocked by something. Frankly, I don’t believe they know how serious it really is. The fact that white people could look at a person and see less than a human being when they did nothing wrong distresses me. They (white people) treated them as if they were property and below them. Even though we don’t have racism to this extent

As generations have passed, society has become less and less racist. From a young age, many children are taught to celebrate diversity. This instills a sense of being able to love everyone, regardless of skin color or race. But a little over half a century ago, it was a completely different story. There was segregation present in buses, water fountains, and even bathrooms; this was all due to assumptions people made, just based on someone else’s skin color. To add on to the list, parents instilled racism in their children in multiple ways. Records of inequality and racism can be seen in literature from that period of time. Recitatif by Toni Morrison shows how this tragic situation was

The Film I Am Not Your Negro is a 2016 Documentary that depicts the key events of the 20th Century African American History. This documentary was inspired by James Baldwin’s thirty-page unfinished manuscript. The manuscript was going to be his next project in which he called Remember This House. The manuscript was to be a personal explanation of the lives and successive assassinations of three of his close friends, Medgar Evers, Malcolm X and Martin Luther King, Jr. Unfortunately, in 1987 James Baldwin passed away leaving the unfinished manuscript to be forgotten, well that is what some thought. Now master filmmaker Raoul Peck envisions the manuscript James Baldwin never finished. The outcome is a fundamental examination of race in America, using Baldwin's original thoughts and materials to make the project possible. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of Black Lives Matter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for. Though this is the main thought of the documentary there are many key features that make this film much so about whiteness in American History and now.

The presentation of a 150 year timeline of Black newspapers: from their roots during the Reconstruction period, to their “deaths” shortly after the Civil Rights Movement through various aids proved the film’s strength. The use of actual photographers, journalists, and editors from the Black newspapers solidified this film’s sincerity; it allowed the people that actually lived through those changes and events to recount their stories. Even when it profiled different people from the past, the filmmakers used voiceovers that fit each character, facilitating the film’s narrative. These qualities elevated the movie and enhanced the understanding of it overall.

Baldwin determines that violence and racial separatism are not acceptable solutions for achieving “power”. Baldwin believes that black people will only be able to achieve lasting influence in America if they love and accept white people. In contrast, writing 52 years after Baldwin, Coats tells his own son to “struggle” but not

As we celebrate Martin Luther King Day and Black History Month, Blacks have made huge strides although coming from a past of inequality. I wasn’t particularly interested in seeing Selma because I knew what it represented. I feared to cry and get emotional over the hardships of post-slavery and the battles of the Civil Rights Movement. I knew it was going to be gruesome to watch because of its vivid depiction of how our nation used to be and a touch of reality of how it continues to become.

If a movie of this sort had such an emotional impact on me, it is no wonder people embraced these ideas back then. The use of new and popular media methods in those days was more than adequate in transferring the black inferiority ideas to the general public. Beginning at the early 19th century with the happy, dancing, toothless, drunken Negro with big, bold and white lips to the image of the mid 21st century African-American, the media has always used these images to convey inferiority. These images implied inherent traits in the black community. This whole community was represented in the new media as one who can not be collateralized and integrated in to society without being happily enslaved. Most of these images had great commercial values that made it all the more impossible for the rest of the nation not to embrace the African American stereotypes.

James Baldwin was an African American writer who, through his own personal experiences and life, addressed issues such as race, sexuality, and the American identity. “Notes of a Native Son” is one of many essays that Baldwin wrote during his lifetime. Within this essay, Baldwin talks about when his father died and the events that revolved around it. His father’s death occurs in the early 1940s, where oppression and racism were still fairly prevalent in many cities across the nation. So amidst the events that revolve around Baldwin’s father’s death, there are many riots and beatings taking place. This essay is simply not a recollection of what Baldwin experienced in the

On the first day that Melba Patillo Beals went to school, she thought it was a nightmare. There was a huge mob outside Central High School, along with the Arkansas National Guard soldiers keeping them out. The image of Elizabeth Eckford really shows how it was. White people were surrounding them, cursing at them, of course saying the word “nigger”, and occasionally striking them (1994). It was so bad that Melba had to take the keys to their car from her mother and run away to escape. Imagine the sight of Melbas mother screaming at her “Melba, take the keys. Get to the car.

But as the sub-context of his controversial crusade, we also learn as the film unfolds that Malcolm X's mother, father, uncles, and countless other relatives and friends were direct victims of the hatred and violence of the white majority in America, during a time when the nation was supposed to be free and equal for all.

The film grants audiences to gestate their understanding of the movie and the manner experiences antiquated regarding racial violence and prejudice. The ineptitude of history implies to the intellectual chattels that chronicles and culture can have on all progeny. Malcolm Little would ultimately revolutionize into his worst adversary, that entangled with the decisions he would subsequently make. Malcolm's philosophic mentality and provocation with death was indicative to his life. The remarkable depiction in the film pronounced the indubitable fortitude and essence of the audience.