Reflection Of Tunay Na Ina

The images in the movie relate very closely to the amusing feeling the book gives us, giving us a high angle on the guests and long shots, showing us collectively how everyone was crying. At that night Nacha dies, and shatters Titas world. Later on Pedro gives Tita roses, and she decides to make quail in rose. The passion dripped from her to the dish, and made Gertrudis the older sister think of sinful thoughts. The aroma arousing from her reaches to a soldier Juan, who was Gertrudis dream, the moment is described magically: “A pink clod floated toward him, wrapped itself around him…naked as she was, luminous, glowing with energy… without slowing his gallop, so as not to waste a moment, he leaned over, put his arm around her waist, and lifted her onto the horse in front of him, face to face” (pg 55-56). The movie draws a great parallel here, the picture is blurry a little as if it is a dream, and for the first time in the movie, which is very dimly lit and poorly lighted, the picture is bright, with a flowing movement of the two as they disappear. One of the most significant moments in the book is when Tita delivers Rosauras baby Roberto, the thing she loved the most. In the movie however, the whole phase of taking care of Roberto in the kitchen and feeding him is very brief, which is very confusing for later scenes. As mama Elena senses that Pedro and Tita might have an affair going on, she sends them to one of her relatives in the United States.

Tita’s thoughts shows how, despite her fear of Mama Elena, she still attempts to gain her right to marry and she is secretly happy about Pedro marrying Rosaura just to be near her. Despite Mama Elena 's intentions to break Tita 's heart by making her watch the person she loves getting married to her sister, Tita completely changes the meaning of this wedding to something that makes her love for Pedro grow stronger. This is also portrayed in the film when Tita 's smile remains even after Mama Elena scolds her. The contrast in Mama Elena and Tita 's behaviour is conveyed when Tita thinks about what it would be like to have her mother’s strength:

Lots of music, fast cuts, fantastic cinematography and superb sets and costumes make it the lively tale it was meant to be. These features also make the film somewhat cartoon-like with a lot of heightened realism. Don't expect to see British people prancing around in tights when you rent this one. Luhrmann creates a world where gun-toting youths sport Hawaiian shirts and beachfront brawls are an everyday event.

Reyna felt proud when her friends would see her with Tia Emperatriz, thinking that she was her mother. She took her to the doctor and slept with her when the scorpion stung Reyna. Tia Emperatriz celebrated Reyna’s Birthday with a cake, presents, and food. Elida, Reyna’s cousin, and the neighborhood children called Reyna an orphan many times. Like Reyna, Mago was also left at a very young age by her mother with a huge responsibility to be Reyna’s “little mother” (12). Mago promised to take care of her siblings when her mother decided to leave Iguala, Mexico to join her husband in the United States. She protected Reyna from her cousin Elida and the neighborhood children when she was teased and called “orphan.” Mago was stripped of her childhood and forced to mature up. Mago molded Reyna into who she is today because of the absence of their mother when they were younger. Reyna believed that Mago was a much better mom than her real mom.

Beginning with the complexities of Ida’s family–including her nuclear family with the addition of her aunt Clara–and her social life and later relationships, the eldest-most narrator recalled her perspective of the significant events of the early-to-mid chapter of her lifetime and the outcomes of her relationships within. Almost directly after being introduced to Ida’s point of view, it is revealed that her aunt and best friend, Clara had, through the duration of her sister’s–Ida’s mother–illness, been impregnated with the child of her brother-in-law–Ida’s father. The impending child was to be Rayona’s mother, Christine. Subsequent to the news of

The scene with the guy playing the guitar and a moving exterior background became more fascinating after I watched the behind the scenes. The moving background was already awkwardly amazing when I watched the film, but the behind the scenes made me appreciate it more because they put in a lot of practice and preciseness. The behind the scene surprised me in many ways, especially when the city perspective was revealed as miniature 2D paintings hanging in different order. That was really unexpected and I’ve never seen this technique before. Additionally, when the behind the scenes revealed that Anderson painted his actors pale

Tita is born prematurely crying on the kitchen table in the De la Garza household. Pedro Muzquiz asks for Tita’s hand in marriage, to which Mama Elena refuses and suggest Rosaura. Rosaura De la Garza and Pedro Muzquiz are married. Nacha dies, clutching a picture of her fiancé. After eating Tita’s Quail in Rose Petal Sauce, Gertrudis becomes overcome with sensual desire, the quail acting as an aphrodisiac, she is then taken away by one of the Pancho’s Villa’s men. Pedro and Rosaura’s first child is born, to which Tita becomes attached to the child, as if Roberto is her own. Roberto dies from lack of proper nutrition. Tita becomes sickly and is taken in by John. Mama Elena dies. Rosaura dies. Alex and Esperanza get married. Tita and Pedro have

Because of the life that Christine leads, the role of mother and daughter are switched and Rayona often finds herself watching out for her mom. When Ray comes home from school, she would often learn that her mother had gone out to party. Times like

Everything looked like what you would expect of the late 1800’s. Horse drawn carriages, suspenders, paved streets, it all really added to the movie and helped the story along instead of getting in the way. Something that I think genuinely worked in their favor was the contrast between the wealthy and the poor. Take David’s family for example, a family of five living in what looks to be a studio apartment, maybe a one bedroom and contrast that with Joseph Pulitzer’s office at the top of a tall, domed building finished off with a gold coat. Also, the music used in the background was nice to help create suspense, I specifically liked how in spots during the second half you could hear pieces of “Santa Fe” float around. Along with that, this is a musical, songs are a large part of the plot and how the story is told and I believe that the songs were quite effectful. Songs where all of the boys sing together, like “The World Will Know” and “Seize the Day”, were really strong and gave you this feeling of power, determination, and readiness for what lies

As a whole, I think that the creators of the film had a good grasp on what they wanted to portray to the audience since everything was rather simple to follow along and understand where the creator was coming from.

Pedro- Tita 's true love. Pedro originally set out to ask for Tita 's hand in marriage but returned with rejection and an undesired resolution which will make him the husband of tita 's sister Rosaura causing Tita 's heart to break. Even though being married, his love for tita increases which in multiple occasions Tita is seen arousing Pedro 's emotions and pursues her secretly.

Nevertheless, instead of the satisfaction he expected from his wife about her new house, Mamacita seems to feel discontented about it. “She still sighs for her pink house, and then I think she cries. I would. Sometimes the man gets disgusted. He starts screaming and you can hear it all the way down the street” (p. 77). Mamacita gets extremely nostalgic about her pink house in Mexico. Her complaints make her now-irritated husband to yell and force her to stay in her house on Mango Street. To make matters even worse, her baby boy begins to imitate an English commercial he has heard on television. The book mentions, “… the baby boy, who has begun to talk, starts to sing the Pepsi commercial… No speak English, no speak English, and bubbles into tears. No, no, no, as if she can’t believe her ears” (p. 78). Mamacita’s child has begun to speak English, a language that she can’t interpret at all. The thought that her family relies on English devastates Mamacita, and this makes her feel completely torn apart. In the end, Mamacita refuses to learn English and assimilate to the people around her, so she becomes isolated and lonely.

The audio although normally overpowered by the visual aspect played a key role in defining and empowering the movie. The music was fast and uplifting during celebration and on

The sounds and music in this film are very realistic, and to the point. There is not anything abstract or out of place, and everything is very appropriate. The

"Desiree's Baby" is not a mere tragic short story by which a reader may be entertained by its ironic and catastrophic ending. It is a story of a crime and brutality against women of all generations to come, depicting vividly how a woman may suffer and conceal her anguish for the sake of others. It is a story of innocence slain mercilessly by the unscrupulous power of harshness that directly governs human societies.