Reflection On Francisco De Quevedo

The gazes of the fresco’s subjects run along this depth axis towards a point that lies beyond the coronal plane of the fresco. This intersection of gazes to a point beyond the plane of the visual text is reminiscent of those in Diego Velázquez’s Las Meninas, on which critical theorist Michel Foucault comments, referring to the gazes of the model, the spectator, and the painter, “These three ‘observing’ functions come together in a point exterior to the picture: that is, an ideal point in relation to what is represented, but a perfectly real one too, since it is also the starting-point that makes the representation possible” (15). Gaulli’s Triumph of the Name of Jesus, once again, is a visual text that is viewed di sotto in sù, the viewer’s gaze turned skyward to partake of the text. This viewing takes place across a vertical space—a distance between the viewer on ground level and the vaulted ceiling—that is pronounced by a set of trompe-l'œils that the viewer is responsible for reconciling. The aforementioned disruptions of visual boundaries and patterns in the text, the disruptions of media boundaries from paint to sculpture to architecture, and the artificial shadows projected by the painted figures all contribute to the viewer’s ability to perceive this depth axis and focus on the burst of light that resides at a point beyond the coronal plane of the

The aim of this essay is to present the different ways E.E. Cummings and Pablo Neruda in their poems “It May Not Always Be So” and “Always” respectively deal with the issue of love affairs. It will also seek to examine the similarities and differences in the poetic devices they use, and in the way the idea of prospective change, namely the possibility of unfaithfulness in the first, and the past of the speaker’s lover in the second poem is encountered by each speaker. The two poets have their speakers to express their feelings addressing the women they love in order to emphasize the theme of the poems, which they perceive in two utterly different ways: cummings’s speaker views the end of his

Braving a new world, punishing barbaric people, spreading the influence of your king and gaining riches. These are just a few things that Juan De Onate writes in his letter published in For the Record, “Letter from New Mexico”. Juan is writing to a rich and powerful Lord in hopes that he will grant him help and protection that he needs badly. Everything in Juan letter is influenced by his knowledge that if he is going to succeed that he needs more money and help, and he uses his experiences and how strong his morality is to convince this Lord to give him more money.

     Francisco Pizarro was a conquistador born in Trujillo, Spain in about 1471. His father, Gonzalo Pizarro, was an infantry captain and he taught Francisco how to fight at an early age. Francisco Pizarro never learned to read and write but he was full of adventure.

The author of this book is Juan Jose Arevalo and he was a professor of philosophy who became Guatemala’s first democratically elected president in 1944. He was elected after a popular uprising against the United States, backed by Dictator Jorge Ubico, which began the Guatemalan Revolution. He stayed in office until 1951 and had survived 15 coup attempts. During his presidency he had passed several social reform policies that included an increase in minimum wage and a series of literacy programs. He also directed and ministered the drafting of a new constitution in 1945. Arevalo focused much on the need of advancement with individuals and communities. After he was exiled as being a university professor he went back to Guatemala to help the new post-Ubico government, focusing on the areas of social security and drafting of a new constitution. He developed the term “spiritual socialism”, in which he defined his political philosophy as. The philosophy was pointed towards the moral development of Guatemalans with the intent to liberate man psychologically. Arevalo strongly believed that this theoretical doctrine was vital to the making of a progressive and peaceful Guatemalan society. He felt in order to create an ideal society it was necessary to allow the citizens the freedom to pursue their own opinions, property, and way of life. He proclaimed that protecting the freewill of the citizens creates more support for governmental institutions, which in turn ensures the security of

“Perpetua’s Passion” is one of the only few records of the life of a female martyr Vibia Perpetua. This record is very special because it contains Perpetua’s own narrative of her last days before her execution, along with an editor’s comments. Most of Perpetua’s narrative is about her experience after the capture, and her dreams, or visions, or the “revelations” of the divine to Perpetua. In this paper, I will discuss the presentation the symbols in her dreams, in order to exam the power balance of female and male presented in her voice, and reveal the struggle of Perpetua’s voice under the editor’s manipulation.

The Renaissance was an influential period in developing humanistic inquiry. The age is characterized by a deep commitment to education and the arts. People began studying science and creating art for its own sake; it was believed that engaging in such endeavors allowed one to lead a life of morality, and Renaissance artwork was devoted to core values concerning early Christian morality and learning. This paper discusses Joaquin des Prez's "Ave Maria"¦virgo Serena," and how demonstrates core values of Excellence, Community, Respect, and Personal Development, Responsible Stewardship, and Integrity. Attention is paid not only to the lyrics themselves but also to the formal technique of the song.

Adams Onis- international treaty signed in Washington on February 22, 1819 between the United States and Spain on territorial demarcation in North America. Treaty gave the transfer of Florida from Spain, the United States and defined the border between the United States and Spanish Mexico. Signatories to the agreement were US Secretary of State John Adams and Spanish Foreign Minister Luis de Onis and Gonzalez Vara.

The exemplary novels are timeless not only for the stories they tell, but also for the vivid ways in which they depict society at the time when these stories were written. Through the analysis of Cervantes’s Jealous Extremaduran and Deceitful Marriage, one is able to see and dissect the many jobs and roles played by people in society during the 16th and 17th centuries in Spain.

Lorca described ‘Romance de la pena negra’ as one of the most representative poems from the ‘Romancero gitano’. The poem was written in 1924, when Lorca had been sent away from Granada, due to his homosexuality and was living in Madrid, the centre of the cultural ferment of the 1920’s. Here, he attended the ‘Institución Libre de Enseñanza’ (ILE), where he was inspired to search for the national Spanish spirit, through literature.

In this essay I am going to discuss whether or not we can consider Lazarillo de Tormes as a subversive text and the reasons behind why or why not we may believe it to be so. To accomplish this, I will explore the background behind Lazarillo, the different methods and literary devices used to convey dual meaning and give the text an undertone of subversion.

The Renaissance and Baroque era entailed very different characteristics, due to the Renaissance composers writing more freely and being more individual then those of the Baroque era where they followed more ‘rules’ and experimented less. This essay will show the difference in two pieces by different composers, even though they were written less than a century apart.

"Everything we hear is an opinion, not a fact. Everything we see is a perspective, not the truth." -- Marcus Aurelius

Miguel Cervantes’ Don Quixote is a masterpiece in many senses of the word: at the time of its conception, it was hailed as a revolutionary work of literature that defined a genre, in later centuries regarded as an acerbic social commentary, a slightly misshapen romantic tragedy, and even as a synthesis of existentialist and post-modernist features. At the centre of this Spanish satirical chronicle is the perplexing character Don Quixote. Don Quixote’s personality and perspective is rapidly established fromsince the beginning of the novel, revealing unabashedly to readers that he is mad. The source of his madness lies in the extent to which Don Quixote acts on his delusions and projections unto reality as he saunters through Cervantes’ Andalusia. Don Quixote’s delusions have two primary functions in the novel: demonstrating the reality and tragedy of Cervantes’ manifestation of idyllic themes of love and chivalry, and revealing certain characteristics about narration.

As I read about different types of literary criticism, I felt compelled to apply the Marxist school of literary criticism to Poe’s short story “The Cask of Amontillado.” The Fortunato character appears to have a rising distinguished social status, a nobleness forming an equality, and or possibly surpassing the Montresor character. This changing social status acts as a symbol of the status the Montresor family name and crest used to have but it’s in decline. The success of the Fortunato creates the thousand injuries that aggravate the Montresor to plot and commit murder for revenge of the Fortunato’s success.