Reflection On The Count Of Monte Cristo

Change over time; that is a common theme with everything in the world. The concept of punishment is no different in that regard. In the 16th and 17th century the common view for punishing people was retaliation from the king and to be done in the town square. In what seemed to be all of a sudden, there was a change in human thinking, the concept of punishment changed to a more psychological approach compared to a public embarrassment/torture approach. The following paragraphs will discuss the development of prisons and what in fact gives people gives people the right to punish; as well as the overall meaning and function of prisons. The work by Michel Foucault in Discipline and Punish: The Birth of the Prison will help with the arguments

Throughout the years, the use of imprisonment has varied, along with its influences of society. It is thought that although prisons have been around since the thirteenth century, prisons as we know them now to be have only been around for the last three centuries. The first uses of prisons were not seen as a form of punishment instead they were used as a way of making people do something. People would be held in prison until they paid their debts, or awaiting trial and then leading up to their sentence. McGowen (1995) suggests that from the early 1700s ‘bridewells’ a house of correction have existed, however at that time being used merely for vagrants and drunks. At the end of the sixteenth century there was a shift in punishment to imprisonment, along with this came a new, more humane idea of reform. Criminals would spend their days of prison carrying out hard labour. However after the American Revolution, imprisonment took a step back and there was another change. There was mass overcrowding within the prison service and although the death penalty was still being used it was a symbol of the power of the state. Therefore, an everyday way of dealing with offenders would be transportation to the colonies, being either Australia or America.

Throughout the book, the Count of Monte Cristo, written by Alexandre Dumas, the main character, the Count of Monte Cristo has a certain je ne sais quoi. He defines a certain way, just like the rest of the characters in the text do, as well as every single character ever written. That is because of his archetype. An archetype is a type of character, detail, image, or situation that continually reappears throughout literature.

Dumas, Alexandre. The Count of Monte Cristo. Trans. Lowell Bair. New York: Bantam Edition, 1956. Print.

The Inferno is a tale of cautionary advice. In each circle, Dante the pilgrim speaks to one of the shades that reside there and the readers learn how and why the damned have become the damned. As Dante learns from the mistakes of the damned, so do the readers. And as Dante feels the impacts of human suffering, so do the readers. Virgil constantly encourages Dante the pilgrim to learn why the shades are in Hell and what were their transgressions while on Earth. This work’s purpose is to educate the reader. The work’s assertions on the nature of human suffering are mostly admonition, with each shade teaching Dante the pilgrim and by extension the reader not to make the same mistakes. Dante views his journey through hell as a learning experience and that is why he made it out alive.

Douglas Horton once said, "While seeking revenge, dig two graves - one for yourself". The Count of Monte Cristo, a truly captivating novel written by Alexandre Dumas, lives to tell the tale of a young French Sailor, Edmond Dantés, who is forced to spend fourteen years in prison due to the actions of his jealous enemies or so-called "friends". When he eventually escapes, he is left with the feelings of a strong hatred and a thirst for revenge which sets him up to be the man he develops into throughout the novel. Throughout the novel, the Count of Monte Cristo seeks relentless revenge on all of the people who had wronged him many years ago. Dantés, completely unrecognizable after being freed, became only a prisoner of himself due to his need

Edmond Dantes was a young leader whose purpose in life, who he cares about, and how others viewed him contributed with remaining humble to his father, his love for Mercedes, and most importantly himself. Yet his naive manner made him ignorant of his surroundings. The purpose of Dante's´ life contributed to his loved ones expressed by “ With my first pay I shall buy you little house with a garden where you can plant your clematis, your nasturtiums, and your  honeysuckle” (Dumas , 10). This expressed Dantes’ immensely loving bond with his father, for his dream was to give everything he can to him. Edmond’s passion in life is to grow in happiness with his loved ones, for that is his only duty in life for him. His sole purpose is dedicated

The main theme that is presented within The Count of Monte Cristo is that revenge and manipulation is easily able to hurt someone, but also benefit another. In this case, Edmond Dantès takes the side of benefit and those brought underneath his vengeance had been ruined. After a plan carefully schemed by three of his false friends, Dantes was thrown into prison and placed under a situation of betrayal and resentment. This long wait in the chateau d’If had put a need for revenge into Dantès head which had transformed him into the Count of Monte Cristo. Although the Count was considered bitter and cold, his seek for revenge had only benefitted him into a more creatively malicious character. Furthermore, this manipulation that Dantès had been put

When Dante first begins in this story he was lost and clueless physically and mentally.  Dante was located in a forest with his life ruined and not knowing what was in store for him. Dante had given up on his future and had given up on finding the correct path of life for himself. However, when he sees a sunset and a very important mountain that represent Heaven he will soon change. Dante is given an opportunity to change and turn his life around but to do so he must first experience the darkness of Hell with the assistance of Virgil who helps him and guides him through what is right and wrong.

We see Dante’s first step is to acknowledge his inferiority to Virgil; it is to him he owes his modest authorial prowess. This sentiment is understandable indeed. It is only natural for Dante to have nothing but the utmost respect for the great poet who, having preceded him by thirteen hundred years, merits such treatment.

With his writing style and the implementation of some literature firsts, Dante assured his name in history. His mastery of language, his sensitivity to the sights and sounds of nature, and his infinite store of information allow him to capture and draw the reader into the realm of the terrestrial Hell. His vast store of knowledge of Greek mythology and the history of his society assists Dante in the

Edmond Dantes was a 19 year old man who became captain of a ship name the Pharaon. He was much loved by everyone. He is pretty gullible and becomes vengeful when the one guy he considered his friend betrayed him the other two who he was not to fond of ruined his life. He was a respectable young man who showed that numerous times like when he had to leave Morrel while he was talking to him; he said “I beg you excuse me, Monsieur Morrel (Dumas 5). He was to be betrothed to a girl named Mercedes who he’d loved very much but he loved his father most of all. He felt bad when he found out his father was broke from paying his debt causing him to fall to his knees and said “may God forgive me” (Dumas 9). Dantès is a pretty unique character who

Dante had his fair share of the real human experience, whilst traveling through hell in Dante Alighieri’s “The Divine Comedy”. Characters in literature have been popularized since this masterpiece to favor sins as a type of personality trope. The lazy bum, the angry husband, or the prideful peacocks; the list goes on and on. The cause and effect of these traits have served well to teach generations of readers, the ideas and meanings of our actions as humans. Although it is rare, some works leave open ended plots for us to contemplate the meaning of said sin. In conjunction to some of the deadly sins, the main characters from “The Cask of Amontillado”, “The Veldt”, and “Soliloquy of the Spanish Cloister”, all display a truth about human nature.

Often when we set out to journey in ourselves, we come to places that surprise us with their strangeness. Expecting to see what is straightforward and acceptable, we suddenly run across the exceptions. Just as we as self‹examiners might encounter our inner demons, so does Dante the writer as he sets out to walk through his Inferno. Dante explains his universe - in terms physical, political, and spiritual - in the Divine Comedy. He also gives his readers a glimpse into his own perception of what constitutes sin. By portraying characters in specific ways, Dante the writer can shape what Dante the pilgrim feels about each sinner. Also, the reader can look deeper in the text and examine the

The Count of Monte Cristo, by Alexandre Dumas is an adventure and historical fiction novel that encompasses forgiveness, power, and vengeance. The story follows the adventure of Edmond Dantès, who dedicated the rest of his life to getting vengeance on the men who crossed him. Critics Justin Kaplan and Bryan Aubrey both explain their views on Dumas’ work, in great detail. Kaplan, in Treasure and Vengeance, speaks of his own life, and connects it with Dumas’ work. Aubrey, in his critical essay, on the other hand analyzes Dumas’ piece strictly based upon Edmond’s morality.