Reflection Paper On Art Museum

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

It must have been 13 years or so since I have been to the art museum, back in elementary school, on a one of a kind field trip. 13 years is way too long to have been away from the art museum, as my experience this year reminded me that. It was a beautiful, sunny October day, although it felt like July, and it was an even better day to talk a walk through the vast, mesmerizing pieces of art that the museum has to offer. The North Carolina Museum of Art provides an abundance of artwork from various time periods, cultures, and one can find art anywhere from Egyptian, to classical, to modern and contemporary art. The artwork that the museum provides not only displays an abundance of artwork, but

Lorraine O’Gradys’ unintentionally historic performances, seemingly elevate everyday life to the status of art. In her ‘exhibit’ at the Studio Museum, her work is represented through photographs, in ‘Art is…’. Thirty years ago, O’Grady presented ‘Art is’ in the form of a float in the African American Day Parade right here in Harlem. Performers pranced with empty frames, metaphorically capturing fleeting pictures of the people and places that surrounded the route of the parade. By doing so, the trappings of high art were brought out of the museum, into the street, which promotes a new way people might begin to recognize this new art form in the celebrations of every day life. The

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

I visited National Gallery of Art, Washington DC on Friday, March 29, 2013 to see the exhibition “Pre-Raphaelites: Victorian Art and Design, 1848-1900”.

I wanted to hear more about the story of the family, Judge, and Mrs. E. B. Crocker and how and why they were so generous with their artwork. We first started in the new part of the house, where the modern art is displayed, and then we proceeded to go to the older part, which is inside two old houses, so I loved seeing all the old architecture and walking through all the rooms imagine what it was like when people lived there. My favorite part of this whole visit was when, I was trying to find out how the museum acquired all this artwork and

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

The Philbrook Museum of Art is easily the best museum Tulsa has to offer, and since I have been there before I probably wasn’t going into with a fresh mindset. However, I think the additional knowledge of art I learned through the couple of years in between allowed me to appreciate even more of the art there. I went there with Prof. Trotter and most of the class of art appreciation. I don’t think that most people that go there realize that the museum has such a rich history, and some of the art there is exceptional in my opinion. We went there November 6th, it was a sunny Friday, and I was able to get off work so it made the visit even more fun. The museum was located in the heart of one of richest neighborhoods of Tulsa, which makes sense considering the museum was once owned by a wealthy oilman. I went to the Philbrook not only to make sure I was able to write this essay, but because I truly love art throughout history.

At the California Center of the Arts I learned a lot about many artists and their many works of art. Throughout the Heated exchange exhibit of Contemporary Encaustics, Jan Jaylo: All these answers that may never come out and Living with the muertos: A Dia de los Muertos Experience by Daniel F. Martinez I learned many interesting facts that change the way I view art work.

In the past few months, I 've had a lot of opportunities to observe and experience art through the course materials at school, galleries, museums, architectures, and so on. Even though I always have great interest in modern art and really enjoy the works of contemporary artist such as Claes Oldenburg and Andy Warhol, my knowledge and understanding about abstraction is quite limited. However, after our discussion and lecture about Abstract Expressionism, I found myself drawn to the picture of the "Sea Change" by Jackson Pollock that presented at the Seattle Art Museum (SAM) and have learned more about abstraction aspect through his paintings.

My experience to the Dallas Museum of Art was a bit different from the last time I had attended the museum. I was curious to see what pieces of art there would be and if it would be the same as the previous visit which was long ago, but to me all the pieces of art were so different and very interesting. It may have been because I saw all the pieces in a new perspective since learning about the different types of paintings there can be and knowing how and where sculptures come from. Even though I do not know much of art I really gave it a try into seeing what the artist may have wanted us to get out of his work. By reading a view of the chapters made me aware of art, I wouldn’t call myself an expert, but it was actually nice knowing that a

For my visitation paper I choose to attend The Patricia and Phillip Frost Art Museum (mostly known as the Frost Art Museum). It's situated on the campus of Modesto A. Maidique of Florida International University (FIU) in Miami, Florida.The forst Art Museum at Florida International University was established in 1977, it has developed to accomplish official acknowledgment as a noteworthy cultural foundation of the State of Florida for its phenomenal collection of Latin American and twentieth century American craftsmanship.

The S.W.O.T. analysis for the Cinicinnati Art Museum is what gives the viewer the information to easily see what is wrong and isn’t wrong with the museum, while providing information on possibilities the museum can capitalize on and what threats could harm the museum.

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

     The art exhibit was in the Gordon Hightower Library. The exhibit was on Thursday, April 10, 2002 and lasted all day long and is still going on. There were not many paintings, but the two main painters were Marlin Adams and R. Defamore. Adams painted portraits of fruit and people. Defamore painted a series of paintings that were all similar but very different and dark such as “The Victim- Talking Hand and Screaming Heads” and “The Hero-To Tell Or Not To Tell”.