Reflection Paper On Dance Performance

always been known for the risky and powerful movements which are often why dancers retire from the company. The dancer’s movements were often very intense and emotive, such as the “throws” across the stage in which the dancers would, almost violently, launch themselves across the stage in different forms (leaps, falls and flips to name a few). Another section where the movements were emotive is where the dancers were thrusting their hips in different positions to perhaps show sexuality in “self”.

The two live dance works viewed this year were “Emergence”, performed by Sydney Dance Company, choreographed by Rafael Bonachela, performed at the Princess Theatre and a recorded dance performance titled “Image”, choreographed by Jason Northam and Liesel Link. The two dance performances substantiated were exceedingly diverse and dissimilar. The two performances juxtaposed their intentions and interpreted opposing elements through diversity in movement vocabulary, structural devices and form, performance skills and technical elements.

The premiere of Witnesse, choreograph by Rebecca Lemme bring the audience to a gloomy opening and extraordinary set of stage. From the dimmed light to the dark green costumes wore by dancers, there is a particular set of spotlights that were slowly drawn on top of each dancer as they were laying on the floor. From the moment that the spotlight was hitting on each of performers’ faces, I came into the thought of life. Moreover, spotlights are the representation of the sun and the color of green associated with

The Repertory Dance Company Fall Dance Concert was held at the Mannoni Performing Arts Center. The dancers involved in this dance concert are part of the University of Southern Mississippi Dance Department meaning they are either pursuing a degree in dance or teach dance at a university level. Both students and faculty had the opportunity to present work during adjudication to be chosen to be presented at this concert. I particularly enjoyed this concert because, while all of the dances presented were a part of the broad genre of modern dance, each dance had such a unique aesthetic so the concert still provided a great amount of variety to keep the audience captivated. The two pieces I have chosen to review represent this variety very

On April 14, 2017, my friend and I visited for the first time Salt Lake City Community College dance company’s annual performance. The show was presented at the Grand Theater at the South City Campus of the college. The performance’s name “Moving Words” imply what the audience was about to experience. “Moving Words” consists of 18 different dances and each of those dances brought a unique feeling to the overall performance. I thought that the dancers and choreographers have done an amazing job. However, after seeing all the different dances there were two that stuck together with me, because of the ideas and the morals these dances introduced.

The dancers in the earliest ballets were highly skilled professionals capable of feats of strength and agility.

Reed argues that as gender is performative, performance studies highlights the gender issues visible in dance (1998: 516). The unconnected cross cultural examples of the rituals of Cuban Santeria, Greek Wedding, and the Weimer performer Anita Berber illustrates how dance can used to analyse how performance challenges, as well as enforces gender relations and power structures.

At 3:00 PM on Sunday April 13th, 2014, I attended the performance “Shared Graduate Dance Concert at the Clarice Smith Performing Arts Center-Dance Theatre. Walking into the theatre I had anticipated experiencing an upright performance. This sensation came as I visited the website for the Shared Graduate Concert and saw a breath taking photo that entailed a person behind a curtain holding their hand up and a fuzzy person in front of a curtain. Also, I knew I was in for a good ride after I saw Meghan Bowden in the pamphlet.

The female dancer re-enters the stage sans the blue shirt/shorts and repeats the gestures with a bit more feeling, and the male does the same thing after the female exits. The next time the female enters the stage, she is only in the colorful bra and black briefs. The male enters the stage in a black bra and colorful underwear. The color in the costumes sends a message of the differences between males and females, but the black undergarments lean towards blurring the lines of gender. The lights get brighter as clothing is shed. The two performers fully embody the gestures now, and seem to have more of an intimate connection with one another. The music constantly seems to be an underscore of the dance, but does not add much to it. The dancers share weigh and partner with more sensuality, and eventually are silhouetted with blue light as they return to gesture and awkward ballroom partnering. The lights fade as they continue to move.

My overall response to the dance concert is spectacular because each dance piece was moving, remarkable, and motivational. Each dance had an astounding affect on me and allowed to me repelled into the performance. These impressions came from me analyzing the dance pieces, “A Brief Study of Recent History and “One Heart, Two Worlds”, for the Spring 2016 Studio 115 Dance Concert Series at USM’s Dance and Theatre Building on May 4th. The first performance, “A Brief Study of Recent History” was choreographed by Elizabeth Lentz-Hill and introduced by the dancers Jennifer Alafat, Megan Bradberry, Shaquille Hayes, etc. While the second piece, “One Heart, Two Worlds”, was choreographed by Dejonelle Gleeton and the performers were Brittain Allgood,

On Wednesday, November 18th, I had the pleasure to attend and watch the Dance Plus’s Fall show. The Dance Plus was performed at the Douglass Theatre, Victoria Mastrobuno Theater. When I entered the show the theatre seemed a little small for such big crowed. I immediately thought there would not be enough seats for all the audience, but somehow it fitted everyone. As everyone got settled down, the dance performance had started. I chose to write about the first performance that was choreographed by the amazing director, Jessica Lange her work was simply wonderful! I loved every little piece of the play. It put a smile on my face watching this amazing work of art. So with that said, I would now like to talk about the dance performance. There were

Dance is defined by Webster as “moving rhythmically to music, typically following a set sequence of steps”. However, it can also be used to sway an audience’s judgment or exhibit feelings and emotions that cannot be conveyed by the usage of verbal language. When watching a show, I would like to be able to get something out of it and with this it brought childhood memories and rung my old tomboy ways and made me realize not only is it okay to sometimes still have those tomboyish habits but also to see you don’t always have to be an adult and take everything in life seriously. During this performance two of my favorite pieces were 909 Lamentations and On the surface. I felt as if these were two of the strongest pieces throughout the whole performance.

Saturday, February 25, 2017 at the Oscar F. Brockett Theater, the UT Dance Repertory Theater presented a dance concert titled Momentum. The performance featured eleven unique pieces that were meant to “investigate and celebrate diversity in dance” with the community. These pieces presented, were a tribute to two important African American events in dance: The First Negro Dance Recital in America and Parallels. These two pieces are important to African American culture because they helped transform contemporary American dance.

On May 18 2016, I attended the La Costa Canyon Dance Recital, “A Night At The Movies”. The show was performed by the school’s dance team, Dance Mavs, and was well executed and rehearsed. The show provided an interesting interpretation of famous movies and their impact on the audience. Famous dances and themes were portrayed throughout the night, allowing for not only an entertaining experience, but an extremely memorable one. The amount of work put into the show was evident and allowed the audience to appreciate each dance with more respect and admiration. It is obvious these shows can take a toll on those performing, so it must be all the more rewarding when it turns out as great as the recital did.

For Understanding Dance, we were assigned to go to The University of Oklahoma University Theater School of Dance’s Contemporary Dance Oklahoma. The show contained six different performances with a fifteen-minute intermission after the first three. Each performance featured different choreographers, including our professor Ilya Kozadayev for his part in the performance Lucid. While I did prefer some of the dances better than others, I was able to find things I appreciated in all six dances.