Reflective Essay On Gibney Dance

‘For me, it is important that the work I make finds connection … but at the same time… calls into question our conversations of what dance is’ (Garry Stewart, 2010). Garry Stewart, the Artistic Director of Australian Dance Theatre (ADT) since 1999, began his dance training at the age of twenty, after leaving university studying social work. Through his explosive, energetic and electrifying style, his unique dance pushes drives boundaries empowering his works, which are technically demanding, frightful and exhausting, creating an intriguing performance. In his pieces ‘Birdbrain’ and ‘G’ a combination of classical ballet, contemporary dance and gymnastics is utilized throughout to create a fascinating performance. Stewart’s productions have toured

important foundation in understanding the broader scope of how dance can be seen as a

On April 14, 2017, my friend and I visited for the first time Salt Lake City Community College dance company’s annual performance. The show was presented at the Grand Theater at the South City Campus of the college. The performance’s name “Moving Words” imply what the audience was about to experience. “Moving Words” consists of 18 different dances and each of those dances brought a unique feeling to the overall performance. I thought that the dancers and choreographers have done an amazing job. However, after seeing all the different dances there were two that stuck together with me, because of the ideas and the morals these dances introduced.

The dancers in the earliest ballets were highly skilled professionals capable of feats of strength and agility.

The movement is, above all else, gestural. The gestures start out as being removed from meaning and feeling, but eventually become more sensual and fulfilled. The gestures are also what could be considered taboo. Both dancers grab their breasts, groin, and thrust their lower bodies repeatedly throughout the piece. As the dance progresses, the movement goes from being placed and calculated to becoming something more reckless and passionate. There is also a lot of

My overall response to the dance concert is spectacular because each dance piece was moving, remarkable, and motivational. Each dance had an astounding affect on me and allowed to me repelled into the performance. These impressions came from me analyzing the dance pieces, “A Brief Study of Recent History and “One Heart, Two Worlds”, for the Spring 2016 Studio 115 Dance Concert Series at USM’s Dance and Theatre Building on May 4th. The first performance, “A Brief Study of Recent History” was choreographed by Elizabeth Lentz-Hill and introduced by the dancers Jennifer Alafat, Megan Bradberry, Shaquille Hayes, etc. While the second piece, “One Heart, Two Worlds”, was choreographed by Dejonelle Gleeton and the performers were Brittain Allgood,

On Wednesday, November 18th, I had the pleasure to attend and watch the Dance Plus’s Fall show. The Dance Plus was performed at the Douglass Theatre, Victoria Mastrobuno Theater. When I entered the show the theatre seemed a little small for such big crowed. I immediately thought there would not be enough seats for all the audience, but somehow it fitted everyone. As everyone got settled down, the dance performance had started. I chose to write about the first performance that was choreographed by the amazing director, Jessica Lange her work was simply wonderful! I loved every little piece of the play. It put a smile on my face watching this amazing work of art. So with that said, I would now like to talk about the dance performance. There were

Dance is defined by Webster as “moving rhythmically to music, typically following a set sequence of steps”. However, it can also be used to sway an audience’s judgment or exhibit feelings and emotions that cannot be conveyed by the usage of verbal language. When watching a show, I would like to be able to get something out of it and with this it brought childhood memories and rung my old tomboy ways and made me realize not only is it okay to sometimes still have those tomboyish habits but also to see you don’t always have to be an adult and take everything in life seriously. During this performance two of my favorite pieces were 909 Lamentations and On the surface. I felt as if these were two of the strongest pieces throughout the whole performance.

For Understanding Dance, we were assigned to go to The University of Oklahoma University Theater School of Dance’s Contemporary Dance Oklahoma. The show contained six different performances with a fifteen-minute intermission after the first three. Each performance featured different choreographers, including our professor Ilya Kozadayev for his part in the performance Lucid. While I did prefer some of the dances better than others, I was able to find things I appreciated in all six dances.

The choreography of Danielsen’s life goes far beyond the corners of dance. Ever since the day she stepped foot into a dance studio, she has had big dreams and lets nothing stand in her way of accomplishing them. “I saw myself as a prima ballerina, but when I actually started to dance, my dream turned into being able to execute well and being able to perform in any

1.1.1 Before starting this chapter it might be useful for you to write out your definition of dance. Let’s pretend for a moment that aliens landed on earth looking for intelligent life. Obviously they ended up at your apartment and

On Wednesday, October 11th, at 7:30 pm, Doug Varone, and Dancers, of his Company, performed at the Modlin Arts Theatre, located in Richmond, Virginia. The artistic director of these performances just so happened to be, Doug Varone, himself. I watched several dances throughout an evening's length performance. I developed a theme for each performance, by connecting them through various factors such as, movement, music, and staging, and performance. I feel that each dance together, hinted a sense of fear, isolation, and then freedom. Although there was connectivity in the dances all together, they each rendered a story of their own.

Martha Graham once said “Great dancers are not great because of their technique, they are great because of their passion.” In my personal experience with dance and other forms of art I would have to agree 100% with Graham’s statement. Art can only be true when it’s a passion, when it’s raw and makes you feel something deeper than what you are as a being. It’s supposed to bring your passion and emotions out into the physical world. As I sat through the show I couldn’t help but feel detached. I felt as though the dancers performed with their knowledge of dance instead of with their passion. While it was impressive to watch, I left the theatre feeling the same as I entered, and art isn’t supposed to make you feel that way.

A series of set of movements to music, either alone or with a partner. That is the definition of dancing. Dancing is a way to express one's feeling and to get active.

I attended DancePlus show On Friday December 2, 2011 at 7:30pm at night. It was performed in the Victoria K. Mastrobounno Theater in New Brunswick, New Jersey. There were four different parts that I saw that day. All of the dances were very interesting and very different from each other. All of the dances had its own unique key factor that separated it from each other. I enjoyed the entire show very well. Out of all the dances I had strong reaction to “Lapa’s Lament”. I believe this specific dance stood out to me compared to the other dances from the show. This show had many different factors that stood out from other shows in the entire performance.