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Reflective Essay On Night And Fog

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There was a point in time, when the Holocaust tragedy transpired, where the Nazi’s committed genocide during World War II. In this day in age, the world looks back upon these ultimate crimes against humanity, when these atrocities occurred, believing this could never feasibly happen again in our time. Alain Resnais created the self-reflective documentary film, Night and Fog, to act as a warning to the audience that the tragic significance of the Holocaust was a past reality and always will threaten humanity by its ability to return and become our present reality.
The circular narrative of the film began in the present, reverts to the past, while returning in the end to the present time. With Resnair’s circular narrative, he was able to show …show more content…

As the visual display of black and white screen shots shown throughout the film, Resnais wanted to problematize the relationship between the horror and a kind of cultural memory (where one would want to forget). By exploring the impossibly of adequately representing the brutality of the camps according to the lectures. To which the question was asked “If the camps cannot be represented, what does it say about our capacity to remember?” During the montage sequence with the train moving through the fog in the dark of night, as the lectures referred to as a metaphor for what we can know about something like this; genocide under night and fog so no one would know what was happening. These powerful visual images of the past, are revealed by camera as previously covered by the night. From the past, documented images contain stillness from a fixed point similar to what the lectures refers to historical consciousness. Compared to the present day footage with Resnais using subjective camera shots from the viewers point of view, as if the viewer is walking down the tracks; while opening the camera up into long shot that leads to the gates of front door of the concentration camp. Through continuous editing, the relationship between the trains shown in the black and white footage and the train track shown during present time, represent the moral dilemma humanity faces as naturalistic memory fades. As the lectures states, things growing over, nature taking its course, but still the tracks are there towards the camp. With Resnias stating in the film, “Today, on the same track, the sun shines. Go along it, looking for

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