Relations Between Women In The 18th And 19th Centuries. Essay

The first chapter entitled: The Profile of Women in the British Society during the Nineteenth Century, is connected with the social history of women at that time, in addition to their status, position, rights, and the social classes they came from. It provides a description of the kind of education that the Victorian girls have received. Moreover, it gives a vision of married women and their rights, and the issues of sex, divorce, and spinsters as well.

The relationship dynamic between men and women in the nineteenth century was patriarchal, male dominated. Men were seen as physically stronger, but inferior to women morally. This led women to play the domestic roles within a relationship and household, someone who took care of house chores and children. The men would slowly begin commuting to their work places, where they would make money to support

The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage; or possiblyk20 the lady isn’t writing a letter at all, but a novel or a poem, never to be read by anyone but her. Edith Warton and Charlotte Perkins Gilman, are 19th Century ladies who dare to share their writing with the world. Through their works, the darker side of a woman’s life in the late 1800’s is exposed. Gender politics in the 19th dictates that a lady is dependent on her husband for her financial security and social standing; that is if she is fortunate enough to marry at all. In Edith Warton’s The House of Mirth, Lily Bart is a beautiful woman in her late 20’s, who fails to marry a wealthy man. The narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper slowly goes insane under her physician husbands misguided attempts to cure her of depression. The downfall of Lily Bart and the narrator of The Yellow Wallpaper is

In the early 19th century, women were oppressed, and marriage was a social status, not a choice. Mrs. Mallard was a wife during 19th Century and her home was where she would spend most of her days. She also suffers from a heart condition. She learns of the tragic news on the first floor of her two story home. Her sister Josephine was the one to tell her “ in broken sentences, veiled hints that revealed in half concealing.”(287) The news was revealed as delicate as possible, due to Mrs. Mallard's heart condition. Mrs. Mallard heard the news, she wept, a sense of grief comes upon her. Once she removed herself from her sister Josephine's arms, she went off to her room. It reads, “ When the storm of grief had spent itself she went away to her room alone. No one to follow her”(287). During this time, women were looked down upon if they were not married. Most women were given away by their

Perusing once more from nineteenth century working class sexual orientation parts, which consigned ladies solidly to the private universe of the home, students of history saw the white frontier lady's cooperation in a preindustrial family unit economy as empowering. A comparative propensity to romanticize the hard existence of Native American ladies differentiated their opportunity and impact with the patriarchal structure within which European ladies lived. Despite the fact that comparisons are perhaps unavoidable, they can cloud the complexities of ladies' lives both the assorted qualities that described them and the purposes of shared belief they shared. Such examinations likewise divert consideration from the historical changes that shaped these ladies' lives: the triumph of Native American, the importation and oppression of Africans, the monstrous relocation of European, and the financial and political developing of the British settlements. This period secured by the following section, the progressive time of 1750-1800, was likewise thick with changes that capably influenced the lives of

Thesis: A “true women” in the 19th Century was one who was domestic, religious, and chaste. These were virtues established by men but enforced and taught by other women. Women were also told that they were inferior to men and they should accept it and be grateful that someone just loved them.

In the 19th century, “Godey’s magazine” described the ideal of true womanhood behavior is piety, purity, submissiveness, and domesticity. “A young lady may excel in speaking French and Italian; may repeat a few passages from the volume of extracts; play like a professor, and sing like a siren; Though the arts; which merely embellish life, must claim admiration, when a man of sense comes to marry, it is a companion whom he wants, and not an artist. It is not merely a creature who can paint and play, and sing, and draw, and dress, and

Why were women considered weak and dependent? Gender roles in the nineteenth century were very different than they are now; women were very sheltered and restricted, while men did all the outside work and roamed free. This theory was conveyed in many articles, stories, and documentaries found previously. As a nineteenth century wife, a list of particular characteristics and ideas were formed in order to consider one as a quality wife. In the short story, “The Birthmark,” by Nathaniel Hawthorne, Georgiana succeeded as a wife during the nineteenth century according to these unfair gender roles.

During the late 1800s, women were devalued and not treated as fair as men. Women could not divorce and own a soul of their own. Women had certain expectations to live up to not only in their life, but in their family lives. There were also no telephones to cry for help or check on anyone. Hurston, Chopin, and Glaspell uses the historical settings to affect the readers’ judgement to sympathize with these women in the short stories and play.

The role of women have changed drastically throughout history. Women have had the opportunity to change their lives and live in their light and not the shadows of men. Between 1800 and 2000, women and young ladies have been treated completely different, however, there are similarities in the way women have been brought up.

Back in the 19th century, women were nothing more than maids and caretakers. Breaking their limitations was not a factor in their everyday lives. However Dorothea Dix had other beliefs. She believed that women could do more if they were as independent as their opposite sex. She perceived the idea that women could do so much more than just cleaning and cooking. With her powerful beliefs as her shield, Dix battled in the path to improved institutions as a humanitarian. She explored and encountered all types of institutions of the insane. She exchanged her thoughts and beliefs with her peers. The fierce and famous nurse struggled so that troubled people could find peace.

In order to understand the main subject of this paper, background events are explained, therefore, the second chapter is dedicated to the history and the gender roles in America in the 19th century. The third chapter gives a glimpse at the author of the story, namely Nathaniel Hawthorn, what influenced him and his understanding of female and male roles. The fourth chapter summarizes the story. The text

In Carroll Smith-Rosenberg’s essay, “The Female World of Love and Ritual,” the concept of “female friendship” is seen as a product of “cultural and social setting rather than from an exclusively individual psychosexual perspective” (Smith-Rosenberg 2). From her insightful readings of letters sent between women during the early to late nineteenth century, close female relationships seem to foster a type of network of support between women existing far outside of the realm of the heterosexual courtship society. These interactions ranged from intensely physical and emotional confidences between women, which by today’s standard would be seen as potential homosexual revelations, to ‘average’ platonic declarations of love. In any case, it would appear that the social standard for same-sexed bonds was much more flexible and intimate in the early 1900s than it is today, most likely due to the painfully divided and highly regimented rules of courtship and interaction between males and females. In this context, the vaguely intimate attic scene would not be unusual placed in the Victorian period of close female relationships, but it would be unusual given the topic of conversation is Dora’s apathetic view of marriage.

As a convention, marriage for women has been a landmark of success. It is necessary for a woman to enter into marriage to be recognized by the society as successful. The requisites of marriage such as love and affection are often neglected in exchange for some financial value imposed by the husband. In The Story of an Hour it is exemplified in ?a heart trouble? of Mrs. Mallard while in The Girls in Their Summer Dresses points out to Frances? longing to keep her husband in spite of her doubtful interest upon her.

During the mid-nineteenth century there were strict ideologies and guidelines held for women that they were supposed to follow. These expectations were especially strict for the women in the upper and middle classes. Women of the time period were expected to be elegant, beautiful, innocent, and domestic. The standard model for an ideal woman was exemplified in the idea of the True Woman. A True Women was “a pillar of moral strength and virtue” while also being “delicate and weak” (Cruea 189) A True Women was pure and wholesome, displaying all of the desirable traits and utmost femininity.