Relationship Between The Old Man And The Sea And Ernest Hemingway

     Hemingway's view of human nature was that happiness was rare and was found within a man and not in his outside circumstances or surroundings.  Hemingway illustrates this in three ways.  First, he portrays the human nature of Santiago, the main character, as being one of humility and compassion, full of strength and pride.  He is shown not as a gleefully happy man, but one who meets life with a serene, quiet resilience.  Second, Santiago's fellow villagers are shown as shallow and materialistic, with a narrow view of life compared to his.  Their focus on appearances is in sharp contrast to Santiago's focus on intrinsic values.  Third, it will be shown that his rare

In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

Even though he is an adolescent boy, Manolin loves spending time with Santiago. He loves to go out fishing with him but, his parents no longer will let him. The reason for this is because Santiago has not caught a fish for eighty-four days. As a result of this unfortunate occurrence, others deem Santiago the term salao, or the worst kind of unlucky. Knowing the struggle Santiago is facing, Manolin tries to help him in as many ways as possible. Manolin brings Santiago drinks, food and the newspaper so they can talk about baseball and the great Joe DiMaggio. In spending all this time with the old man, Manolin develops a form of respect for him. He comes to understand that despite the recent unlucky situations, Santiago remains hopeful as well as prideful. This is why Manolin looks up to the old man so much. “Santiago… I could go with you again. We have made some money. The old man had taught the boy to fish and the boy loved him” (Hemingway 10). Along with just loving Santiago for himself, Manolin also looks up to him because Santiago taught him how to fish. Manolin understands that he is a large part of Santiago’s life and feels honored and

In the novel The Old Man And The Sea by Ernest Hemingway, there is a fish that the old man finally catches after 84 days, but is consumed by Mako shark’s in the process of reeling it in. Santiago, the old man, had a strong connection with the marlin even though he only saw him for a short period of time. They taught each other many things through a tug and war type of play. Catching a marlin fish was a goal of Santiago that he had been attempting to fulfill for a decent period of time, and after being persistent and patient, slowly but surely he was able to succeed. Many symbols in Hemingway’s novel have their own counterparts in my own life, which include a goal, hope, and idolization.

I wish I could feed the fish, he thought. He is my brother. But I must kill him and keep strong to do it. Slowly and conscientiously he ate all of the wedge-shaped strips of fish” (59). This relates to perseverance by showing how Santiago doesn’t really want to harm the fish, but he knows he has to in order to make a living. Santiago’s hand has cramped up, yet he feels sorry for the fish, not himself. He has caught a few small fish to eat raw. He wishes he could feed the

succeed. He uses his hands and he uses his instincts to master the art of

Ernest Hemingway's The Old Man and the Sea has engendered some lively debate in literary circles. Critics have concentrated on everything in the novella from the verity of Rigel's early evening appearance over Cuban skies in September (Weeks 192) to William Faulkner's judgment that Hemingway discovered God while writing The Old Man and the Sea (Bradford 158-62). Yet the most insightful commentary has gravitated invariably toward biblical, natural, and classical imagery in the novel. These images turn an otherwise simple fishing tale into a sublime narrative of human endurance. A reading that examines these images will serve to clarify the hidden significance in

“But man is not made for defeat," he said. "A man can be destroyed but not defeated. (Hemingway 103).” This quote, written by Ernest Hemingway in the short story The Old Man and the Sea, captures the theme perseverance in numerous ways. This quote describes when the old man Santiago was struck down physically, with the injuries of his hands and the pain of staying awake for a number of days. However, he mentally kept pushing forward, leading to his ultimate survival and his arrival home. Ernest Hemingway wanted the readers of this story to learn about the rewards of perseverance because of the hardship Santiago and the marlin had to endure, rather than themes such as luck, pride, and suffering.

     In the timeless novel The Old Man and the Sea, the hero is undoubtedly the old man, Santiago, whom us as readers become very acquainted with. Santiago is a hard-worker and perseveres through every problem nature brings to him. He is in the midst of a horrendous fishing drought, during which the townspeople laugh and ridicule him. Santiago just lets the criticism pass him by because he is confident that the fish of his lifetime is coming soon. In a sense, Santiago represents the ideas of honor and pride. He is also a hero to a young boy named Manolin who conveys the image that the old man is whom he would rather live

The Old Man and the Sea was written by Ernest Hemingway and published in 1952. This is a captivating fiction story about a man named Santiago and his adventure when one day, he goes on a fishing journey to catch the big one. However, this adventure quickly becomes one of pain and suffering when things take a turn for the worse.

In Ernest Hemingway’s novel, The Old Man and the Sea, Santiago demonstrates the traits of the code hero. The Hemingway’s code hero covers the principal ideals of honor, courage, and endurance in a misfortune life. Throughout the novel, Santiago shows a contrast between opposite attitudes and values which associate his behavior with the guidelines of the code. In this case, the depiction of conflicting values, such as dignity despite humility, perseverance despite despair, and victory despite defeat are aspects that help to describe and understand the role of Santiago in the novel, and reflect the reason why this character is perfectly suited to the heroic conduct established by Hemingway.

Hemingway has a way of making his readers believe that the feats and strengths that his characters obtain in his novels are actually possible. Although this statement may be too critical, and maybe there is a man out there, somewhere on the coast of Cuba who at this very moment is setting out to the open sea to catch a marlin of his own. The struggle many readers have is believing the story of Santiago’s physical powers and his strength against temptation bring forward the question of whether or not The Old Man and the Sea is worthy to be called a classic. Hemingway’s Santiago brought Faulkner and millions of other readers on their knees, while to some, believed Hemingway

Many of Ernest Hemingway’s stories are either literally or figuratively based on his life experiences. The Old Man and the Sea is a novella written by the American author Ernest Hemingway in 1951 in Bimini, Bahamas, and published in 1952. It was the last major work by Hemingway that was published during his lifetime. Its writing was influenced by his life around him. This is shown through the way the novella is written and key events and parts within it. The Old Man and the Sea can be interpreted as an allegory of Hemingway’s life and career at the time he wrote it.

Throughout the book, The Old Man and the Sea, Hemingway uses a writing style known as stream of consciousness which entails using uninterrupted thoughts and feelings of the main character. This writing style shows through the character Santiago while he is at sea. Santiago talks to himself which essentially correlates to how he feels at that moment. The usage of the technique stream of consciousness engages the reader into how the character feels during that moment making the reader connected to the character. Hemingway uses this technique to its fullest in the novel when the author shows Santiago talking to himself about DiMaggio and to then eventually thinking that he wanted to be the marlin.