Relationship between Sublime and Magical Realism Explored in The Monkey

The fear of the unknown is a common Gothic theme that is used to create fear and uncertainty in the responder. This is achieved through the use of a number of different techniques and conventions. The fear of the unknown is expressed through dark, uncertain and mysterious circumstances cause responders to feel vulnerable and fearful. In Bram Stoker’s Dracula the overpowering force of the sublime, the prominence of religion, death and use of darkness accompanied by typical Gothic techniques evoke a fear of the unknown in responders. This common Gothic themes can also be observed in The Road by Cormac McCarthy, in which the fear of the unknown is enhanced by the sublime, the prominence of religion, death and the use of darkness. Furthermore,

Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.

David Kherdian’s novel Monkey: A Journey to the West, begins with the creation story of Monkey. On the Mountain of Flowers and Fruit, a magic stone is fertilized by the seeds of Heaven and Earth and is impregnated by divine inspiration. Following the embryonic stages of development, a stone egg is revealed. The stone egg instantly undergoes a physical transformation. “Once the egg was exposed to the elements, the wind soon transformed it into a stone monkey, complete in every way in all aspects of its being”(Kherdian 1). The stone monkey soon comes to life, explores his surroundings, and makes friends with other monkeys and other mammals. Monkey and his friends fool around in the forest and spot a curtain of water flowing from a waterfall.

Authors, such as Upton Sinclair, incorporate allusions in their books to refer to other great works, people, and events. However, in the book The Jungle, biblical allusions are mixed in throughout the story. These allusions are used to fuse the story with references from the Bible; however, it’s extremely important to understand the literature of the fairy tails and short stories attached. With that in mind, we use these biblical excerpts and allusions in How to Read Like a Professor, such as the story of the Garden of Eden, and the story of Noah to enrich our perception on the sole idea of how biblical allusions can deepen our understanding of The Jungle.

The power of the imagination is one of the most under-appreciated capabilities that human kind has. Though it is broadly under-estimated, it is essential to exercise the imagination consciously and unconsciously in order to achieve in-depth understandings of the creative world. After analyzing the individual components that make up fairy tales and the gothic, it becomes evident that these two genres are unified into one blended genre full of interplay on innovation and underlying meanings. Both fairy tales and the gothic genre have similar imaginative aspects, symbols and motifs that interact in unison.

Monkey: Journey to the West is a story of an adventure for enlightenment to India in order to find ancient Buddhist scriptures. The story consists of Chinese legends, tales, and superstitions. Daoism, Confucianism, and Buddhism play a huge role throughout this story. Monkey: Journey to the West is a story that discusses religion, and moral issues. The monkey acts the way he does due to underlying religious themes played throughout the story. At first understanding why the Monkey acts the way he does may seem difficult. However, after reading deeper through the story one learns that social satire in the Monkey is what gives him his rebellious personality. The end of the story reveals the hidden spiritual meaning behind the monkeys change in

Gothic literature is the genre known as a mix of horror, death, mysteries, and love. This kind of literature is still well known to this day with its use of intriguing the reader to reading vile romance stories. In the book The Night Circus, the gothic elements portrayed would be a magical romance with death, and darkness of architecture. These elements compare to the short stories “Masque of Red Death”, “Dr. Heidegger’s Experiment”, and “A Rose for Emily”, by sharing the same theme as the outside reading book.

These journeys vary in nature, traveling though the more pessimistic, cynical, and sometimes even nihilistic parts of the intellect, to traveling through the optimistic peaks of higher human ideas. In “The Minister’s Black Veil,” Hawthorne has shown that we all hide secrets; in “The Fall of the House of Usher,” Poe has shown the strength of fear over each individual; and in “Civil Disobedience,” Thoreau revealed the power of one to govern oneself. The vast range of knowledge that these insights present is great, but they all accomplish the same thing: providing a glimpse into the complex working of the human mind. This goal is not an easy one to accomplish, but throughout the history of Romanticism, Gothicism, and Transcendentalism, it was done time and time again. One can begin reading a story from one of these periods in the name of pleasure without any intent of gaining knowledge, but upon finishing the text the reader will certainly know his or herself at a much more intimate and personal

This quote shows a hyperbole by having an exaggeration of something. Another one is personification in the book it says, “No grass, says first elk.” (Lake 129). This quote shows personification by giving an animal human capability, in this case an

These records reflect mythical reality. The same concept of nothing, paradise, and distance from the creator. Cultures like Christianity, Bassari tribes of West Africa, and the Pima Indians. 3. What is a metaphor and how does it operate in religion? How does metaphor assist one with the “journey inward”?

Although now seen as the father of the modern horror story, Edgar Allan Poe was previously viewed as a drunken failure. Within Poe’s writings much of his own life riddled with guilt, anxiety, alcohol, depression and death shines through resulting in works that appear unrelated yet once dissected prove similar. This is true for Poe’s works “The Raven” and “The Black Cat”. Poe’s examples of gothic fiction share the use of the color black and a rapid digression of the narrator 's sanity while seemingly unveiling Poe’s internal pain. Despite these similarities, Poe’s works also differ immensely. “The Black Cat” focuses around death while “The Raven” is fixed around discovering the reasoning for a bird 's arrival. Moreover, gothic themes seen within “The Raven” do not necessarily remain constant when compared to “The Black Cat”.

Novel in particular and literature in general is more than just a work of fiction but in fact the hidden reflection of a specific historical era. Although, Frankenstein, Wuthering Heights and Dracula were written in different times and each leaves its readers with different emotion and contemplation stages, they all share an affinity: the presence of Gothic elements. Indeed, these novels are designed to lead their reader into thrilling journeys through spooky dark setting, suspense horrifying plot, and claustrophobic atmosphere. These elements, though appear in various forms throughout these three novels, still excellently accomplish their mission of enticing the readers to be caught up in the narrative.

The realism movement of the late nineteenth century produced works in literature that were marked by reduced sentimentality and increased objectivity. The goal was to let details tell the story, and remove noticeable bias of the author through scientific and detailed descriptions. While this form of storytelling undoubtedly is most accurate, it creates difficulties for authors to incorporate their themes into the story. This resulted in an increase in symbolism in realist works. The objects and descriptions within the story are the author’s vehicle for displaying the values and themes of the work. Light and darkness are symbols commonly used in literature, and have held specific symbolic

All too often the gothic literature genre is reduced in its interpretation to gloomy weather and archaic haunted houses. These patterns do exist, but they do not define the genre. Gothic literature found its niche in the 18th and 19th centuries, and during the Victorian era it served a more nuanced purpose than simply to scare readers. Many gothic authors used a monster as a vessel to symbolize topics that the Victorian era sensibilities would label as “monstrous.” They are the incarnation of the taboo subjects society is trying to repress. In Bram Stoker’s Dracula and Edgar Allan Poe’s “A Tell-Tale Heart”, the authors use Freudian symbolism along with literary symbolism to demonstrate the repercussions of repressing “id” desires.

Vivid images, from visions, to detailed explanation and accounts of places and events, to symbolic imagery used to explain parables, or teach and encourage the first century churches are driving forces within the Biblical text. Metaphorical language, by virtue of the fact that it preserves the literal meaning of the symbol, while intending an analogical secondary meaning, is able to communicate profound truths about reality, mainly by creating an alternative, symbolic way of seeing and understanding the world. (Liubinskas, Susann. 404) Throughout the New Testament of the Bible the most commonly used images are the: body of Christ, and vine imagery. These images work together to create a powerful example of the necessity for unity among individual believers, and that unity tying them Christ.