Relationships in Greek Mythology

Othello is a play that asks the reader to take a look at how women are viewed within society. Part of the fear of cuckoldry derives strongly from the play’s cultural influence. In the times of the play it was important for a woman to stay chaste which explains why one of the central issues in the play; adultery gives rise to anxiety on the part of Othello and also the female characters of the play. The Venetian and Cyprus societies has established through social conditioning of the sexual dominance of men. As it is often so in modern day society, men are positioned to be the initiator for an intimate relationship. Women who try to do so are often looked down upon and are reprimanded if they do not meet the ideal that befits a female of those times. An illustration of this particular type of act can be seen in the second setting of the play; the island of Cyprus. The reader will find in the first scene in Cyprus, Iago who most likely has the most hateful attitude towards women says to Desdemona and Emilia ‘You rise to play, and go to bed to work.’(Act 2.2.114). In this scene the reader sees that even royal daughters and wives are looked down upon as material objects and whores. The illustration of victimization of women is strongly depicted through the lack of representation of women. The play carries only three main female characters; Desdemona, Emilia, and Blanca when comparing to the number of male characters.The removal of minor female characters in the play show

Emilia acts similarly when she defies her husband in the final Act of the play. She is of a middle class and serves as a maid and a loyal friend to Desdemona. Her character is somewhat different as she follows her husband, Iago, diligently but speaks disparagingly of men and believes them to be foolish and perverse. This is particularly evident in Act 4 Scene 3 “let husbands know their wives have sense like them: they see, and smell, and have palates both for sweet and sour” and “what is it that they do when they change us for others? Is it sport? I think it is”. She expresses the inequality between men and women living in this time

Shakespeare's point in Othello the Moor is that each individual has a destiny and fate is central in the lives of his characters.  Othello, a great warrior, is the lead character and the target for attack from a disgruntled soldier, Iago.  Iago plots with the aide of his wife, Emilia, to plant subtle notions of jealously in the case of Othello's expedient marriage to Desdemona.  Othello loves Desdemona and the same is true for Othello, but Iago successfully destroys the trust between the couple with a scheme in which Othello is unable to control his jealousy.  There are several other characters that Iago uses to set his plan into motion such as Roderigo, Bianca and Cassio.  Cassio is not so much a willing participant in the scheme of the play as he is a scapegoat (or object of irrational hostility; Webster's Dictionary, 652) to pin the entire plot on.  It is known that Emilia's character becomes crucial to the plot, as she is the most essential character to her husband's crusade to destroy Othello and Desdemona.

Shakespeare’s play Othello is based on tragedy of Othello’s jealousy, which ironically leads Othello to kill Desdemona, his beloved (wife). Evil Iago is above all Shakespeare’s villains. Iago is a person with evil emotions, and as a result he deceives everybody, he also is exceptionally influential character who has taken in everyone, above all his own wife Emilia. His public face of bravery and honesty conceals a satanic delight in manipulation and destruction, and he will stop at nothing. Iago’s opinion on women is that he detests women in all kinds and shapes, and finds faults even when they have little or no faults.

In Shakespeare’s “Othello”, Emilia is considered one of the minor characters. She is the wife of Iago and the lady in waiting to Desdemona. Emilia makes a crucial contribution to the play as a whole. She contributes to the characterization of a couple of key characters and adds to the dramatic irony of the play. She plays an essential role in the escalation of the dramatic action. She also adds to some of the themes of the play.

Othello is set during the Elizabethan era, where men were considered to be the leaders and women their inferiors. Women were often regarded as the ‘weaker sex’. This patriarchal society and theme of male superiority is portrayed throughout the play. These themes are depicted through the relationships between the characters. Brabantio and Desdemona’s relationship shows how he believed the traditional Elizabethan view, that men were to control and dominate their wife’s or daughters. He is furious at Othello for stealing his daughter from him. Also, Othello’s masculinity is destroyed through the poisoning of his mind against Desdemona, his wife. Iago also treats his wife

Greek Mythology originated around 775 B.C.E. It all started with Homer’s Iliad and continued on with Hesiod’s Theogany. These were the first two myths to be recorded in Greek Mythology. Both of these myths reveal to us about their understanding of the universe, and about their culture. Not only do they talk about their various gods, and heroes, but they also talk about how they viewed the universe in general (Rosenberg 79). Greek Mythology evolved from two early civilizations, the Mycenaean’s and the Minoans. It was the combining of these different Greek cities and Kingdoms during 10th century B.C. that created Greek Mythology. Its Geographic isolation gave it a place for mythologies to evolve (Gale Virtual Reference Library: Greek

In Shakespeare’s Othello, the role of women is greatly emphasized. The important characters of the play, Othello, Iago, and Cassio, each have a women that stands behind him. These women each have an obligation to remain loyal and respect their husband's wishes, especially Desdemona and Emilia.

In Othello, the play vividly portrays the tragic fall of an admirable General who is transformed into a victim through manipulation by the atrocious villain, Iago. William Shakespeare illustrates the setting of Venice in the late 16th century, displaying gender inequality as an issue where wives are viewed as possessions belonging to their husbands. However, Emilia, being one of the most loyal characters, developed qualities of an early feminist who opposes unjustified treatment towards Desdemona. Emilia is practical and realistic due to her clear knowledge of humanity within both genders, in which she further challenges the male authority in order to advocate her right to speak.

Iago often refers to Othello as the "Moor" and when Emilia realises how Othello has treated his wife, she calls him "the blacker devil". As Iago's plan unfolds, Othello's suspicions and jealousy come to the fore. Iago's blasphemous expressions gradually infiltrate Othello's vocabulary as Othello becomes more and more convinced that Desdemona is being unfaithful. Initially he claims that while the marriage is expected to bring him some physical satisfaction, he and his wife value their mental attraction just as highly. However, as he becomes ensnared in Iago's trap, Othello reveals a more detailed acknowledgement of Desdemona's sexual appeal. As he discusses her death with Iago, he says he will not argue with Desdemona"lest her body and beauty unprovide my mind again".

In addition, Emilia proves her underrated intelligence by standing up for what she believes is right. Desdemona, Othello's wife, and Emilia's relationship grows because of her great loyalty towards her. At the end of the play Emilia stands up for Desdemona because Othello kills her. She explains Desdemona's true love for him and would never do anything to hurt him, which proves Desdemona's innocence. Not only does Emilia stand up for Desdemona, but she also voices her opinion to Othello. Emilia shows no fear standing up to Othello to prove to him that his wife has always been faithful. At first Othello finds it implausible but then Emilia says, "Thou art rash as fire, to say that she was false. O, she was heavenly true!" (Shakespeare V: ii, 165-166).Women are looked at in Othello as unintelligent and unfaithful, but Emilia changes that stereotype by standing up to the men. From the start Emilia and Iago's relationship always seemed rocky. Emilia's confidence in herself shows that she is not afraid to stand up to her husband. Emilia realizes the danger she puts herself in when she stands up to Iago. In order to make things right, she does whatever it takes, even if that means ruining their marriage or taking her life.

Emilia didn't have a very wonderful marriage relationship with her husband Iago. She wished for more because she really loved Iago and did some bad things like stealing the handkerchief that she knew meant so much to Desdemona just to make Iago happy, of which she did not notice(3.3.297-320). In another incident where Emilia is not appreciated by her husband, is seen when Iago is ready to compose a poem for Desdemona, because she is beautiful but refuses to do the same thing to Emilia, his wife (2.1.117-134). According to Emilia, men are the cause of many marital relationships. The jealous men posses make them ruin the relationship they have. In the play, we see this come to pass when Othello, because of being jealous loose the trust he had on his wife to the point of killing her. She further says that, women cheat on their husbands because their husbands don't satisfy their wives sexually for they go to sleep with other women beside their wives (4.3.87-88).

Aside from Iago, his wife Emilia, also shares in his racist outbursts. Berry clarifies that when Othello tells Emilia that he has killed Desdemona and Emilia calls him “[a] blacker devil. ” (Berry 321) she shows that she has always thought him “a black devil” (Berry 322). Her racist tendencies are exemplified in this statement and ascertain that she has always harbored bad sentiments toward Othello regarding his race. Even when Emilia finds that her husband, Iago, is mostly responsible for the crimes that had occurred, she still feels hatred towards Othello for no reason other than his skin color.

However the textual integrity of the play can be questioned. In terms of its pacing, Othello’s transition from a love that overcame social boundaries to murderous hate is almost too abrupt, to the point that it is unconvincing and unrealistic. The fact that Othello blindly follows the words of Iago, without once consulting Desdemona, takes away the play’s realism. On the other hand, this can be attributed to the gender system of the time, and Othello’s insecurities about his race and age. Stage directions instruct Othello and Iago to kneel, and to modern audiences this symbolises that the bond between the two men is stronger than marriage representative of the patriarchal society of Shakespeare’s time.

Relationships Iago’s has a wife named Emilia and she knows how Iago actually behaves. Emilia knows how he’s manipulative but was shocked for what he had done with Othello. She did not expect her husband to manipulate Othello and drove him to murder. Iago had no remorse for killing her because she was a complication for his plan.