Relative Wwas Antigone

I. SUBJECT Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.

Antigone, a Greek a tragedy, is the third of the Three Theban Plays by Sophocles. Throughout the play, readers are introduced to few, but intriguing characters, one being the protagonist of the play, Antigone. Antigone is the tragic hero of Antigone; she presents recognition of the gods, exemplifies good virtues,

Discuss the differences between Antigone and Ismene in their views of women in society. How does each sister’s view shape the choices she makes in the play? How consistent is each, in her view?

Mauricio Posos P.5 Antigone Questions 1-5 1. The relationship between Antigone and Ismene is close because they are both sisters but at the same time their relationship isn’t that strong. One of reasons they are foils to each other is because of their disagreement about burying the body of their brother Polyneices. Antigone already knows that she is willing to die to let her brother rest in peace but Ismene on the other isn’t on her side, instead she doesn’t want to help Antigone because she want to face the consequences that come with burying Polyneices. Antigone and Ismene are foils to each other because on one hand Antigone is willing to defy the orders of the king who has power over her, while her

Antigone: Not the Tragic Hero Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's

When a child is young, the parents always try to get their children to understand the importance of learning from your mistakes as well as valuing other's opinions. However, it is not always easy to admit you are in the wrong. When finally solving an insanely hard calculus problem, but to be told by the teacher your answer is incorrect is never a good feeling. In an excerpt from Antigone, a playwright by Sophocles, the main character, Teiresais states, "all men make mistakes, But a good man yields when he knows his course is wrong... The only crime is pride". By stating this, Sophocles points out that while some understand where they are wrong, those who do not and are too prideful to do so only hurt themselves and society. Today, pride being

Full of drama and tragedy, Antigone can be used to relate to current conflicts. One such conflict is that between Haemon and his father Creon. Haemon looks up to Creon with honor and pride, but as conflict arises, that relation is disassociated and new feelings grow. The first conversation between them is what initiates the downfall of their bond. While it seems that Creon is the most important person in Haemon’s life, Antigone is in fact the one that has won Haemon over.

The story of Antigone deals with Antigone’s brother who’s body has been left unburied because of crimes against the state. The sight of her brother being unburied drives Antigone to take action against the state and bury her brother regardless of the consequences. The concept of the Greek afterlife was far more important and sacred than living life itself. Everything they did while they were alive was to please the many gods they worshipped. They built temples for their Gods, made statues to symbolize their Gods, and had a different God to explain things that we now say are an act of mother nature. Antigone percieved her actions to be courageous and valid, and Kreone, the King, percieved them as blasphemous. The entire story focuses on

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who

An hour after “Antigone by Sophocles” has ended, in which Creon reflects such happenings. A magical mirror appeared on the wall in the palace. A gift from the gods indeed. Astraea, the god of truth appeared in the mirror. “Asking any question you wish, King of Thebes?” “Mirror,

Antigone As the play begins Antigone is just meeting up with her sister and is telling her about the decree of King Creon. Antigone and her sister, Ismene, had two brothers who had killed each other on the battlefield. One of their brothers, Eteocles, was buried with the military honors of a soldier’s funeral, and yet the other, Polyneices, was to be left out to be food for the carrion birds since he died fighting against the city of Thebes. King Creon forbade publicly for anyone to bury the body of Polyneices under the penalty of death. Antigone is now determined to bury her brother and wants Ismene to help her. Ismene does not want to go against what the king has ordered and is fearful of what may become of her if she

Thebes was invaded by Oedipus’ son, Polynices, and his followers. As Oedipus predicted in the previous play, Polynices and his brother, Eteocles, killed each other during battle. Creon, the king of Thebes, ruled that Eteocles should have a proper burial with honors and Polynices, the invader, be left unburied to rot.

In Jean Anouilh’s version of the play, Antigone, the protagonist, Antigone, is interpreted as a member of the resistance to despotism that parallels the antifascist French resistance against the Nazi occupation. Anouilh’s controversial play was performed in 1944 under Nazi-controlled Paris, so when Antigone sacrifices her life to defy the oppressive ruler Creon, Anouilh makes Antigone not only a heroine, but also a symbol for resistance. Anouilh based his playwright on Sophocles’ version, which was originally written in 442 BC in Ancient Greece. However, Anouilh uses different literary devices such as anachronisms, allusions, similes and symbolism to relate the story to the most disturbing dilemma during his time in the 1940’s. He writes his play to show the importance in joining the French resistance, but he must also make his play acceptable to the controlling Nazis. As such, the play Antigone can be interpreted as a political allegory of Vichy France.