Relativity Of Truth In Life Of Pi

Most people don’t have to suffer trauma in a lifeboat all by themselves. Further, most people don’t have to retell their story years after with accuracy. That is exactly what Pi has to do in Yann Martel’s novel Life of Pi. There are many challenges that Pi goes through that Pi goes through that could make him an unreliable narrator including a lack of written records, trauma, loneliness, and the effects dehydration and malnutrition has in a person. Furthermore, by considering Pi’s unreliability the reader comes to understand that the truth of his story remains irrefutable and therefore the truth is more important than the facts. Pi could be assumed by the reader to be an unreliable narrator through a lack of written record of his experiences from the past, his trauma and loneliness at sea, and the mental effects of dehydration, malnutrition and hallucinations.

First of all, the island was full of enticement. It was like the Garden of Eden in paradise. Pi is comfortable until temptation overcomes him when he picks the fruit. He becomes similar to Eve when he mentions, “I wanted to try the fruit [...]”. Once he grabs it, he must leave the island. Richard Parker is then forced to leave along with him, similarly to Adam. Another show of temptation occurs when Pi figures out how the island works. “The island attracted saltwater fish into its subterranean tunnels-how, I don't know; perhaps fish ate the algae as gluttonously as I did.” Through this quote, Pil explains how the fish are eaten by the island. They are brought to their death by the algae. The temptations that the island showed were powerful but, Pi decided he had to leave.

Yann Martel`s Life of Pi follows A journey of a young man and a Bengal tiger as they travel across the ocean in a lifeboat.Director Ang lee made many consider the book to be beautiful,but virually unflimable.Being needed to told on screen Ang lee discerned very adeptly,about Life of Pi ‘’if there is will there is a way’’.

In the novel, Life of Pi, by Yann Martel, the theme of truth is seen most prominently in the last part of the book when main character, Piscine Patel is being interviewed by two Japanese men. Pi defines truth as being relative and an invention of man, when the believability of his story is questioned. He argues that even stories, such as his, can still be true to some no matter how difficult to believe they are.

Pi’s life before the boat crashing was full of hope and wonder. His presence was ethereal, making a purpose out of everything around him. His family ran a zoo, which gave him a tight-knit relationship with animals. Pi loved to try new things. He met new people which led to his exploration

“The Real Story in Life of Pi
The difference between fiction and reality is not always evident to those who are unable or unwilling to recognize the difference.”

Being a castaway on the verge of death, the carnivorous algae island became a crucial element in Pi’s survival. It offered Pi a sense of not only hope, but salvation. In many ways, the island shows a parallel to the Garden of Eden. It is a sacred garden created by God for Adam and Eve, who lived on his plants as a source of food. With the animals that lived alongside them, the Garden of Eden was truly a paradise, a place of peace and happiness. However, this did not last long. After being tricked by a snake to steal the forbidden fruit from the Tree of Knowledge, they were banished to Earth. Adam and Eve, once so pure, lost their innocence as they became tainted with knowledge, of both evil and good.

As stated beforehand, the isolation truly hits Pi throughout the majority of the second part of his journey. On their way to Canada, the ship Pi and his family resided on got/became caught in a large storm. The ship flooded eventually, resulting in the ship and occupants submerged in the ocean. Pi watches this unfold from a small emergency/evacuation/escape boat. To expand on this, Pi is shown swimming against the waves in an attempt to avoid Richard Parker—thus noticing the ship descending underwater. During this scene, Lee films a medium shot of

Pi’s narration also supports the theme of the importance of storytelling. As the only evidence of the story, people have no choice but to believe what he tells them, however wild it seems because while he might lack evidence, they don’t have any at all. When Pi is recalling his story to the Japanese in charge of the sinking, he tells them two stories, one with animals and one with people. One version, although it may be factually true, does nothing to reveals the emotions and masked memories that should not resurface. By creating the animals Pi blocks his mind from

Desperation forced him to try and move towards the safety box that was near Richard Parker who has the ability to easily attack him. Once Pi is near the safety box he illustrates the feeling of satisfaction by saying, “oh, the delight of the manufactured good, the man-made device, the created thing! That moment of material revelation brought an intensity of pleasure -- a heady mix of hope, surprise, disbelief, thrill gratitude, all crushed into one … I was positively giddy with happiness." (Martel 141). He finds water in the box as he hoped for and this has brought him a confidence boost. Even though Pi completed the first of many stages in the hierarchy, he is still stranded in the ocean. He acknowledges the fact that animals or very territorial and in turn marks his own territory within the boat. Pi insists that, “I had to fix in his mind that the top of the tarpaulin and the bow of the boat, bordered by the neutral territory of the middle bench, was my territory and utterly forbidden to him” (Martel 168). He urinated on the parts of the boat that he claims as his part of the boat and does it in a way that Richard Parker who is an animal would understand.

When writing, authors focus on what they wish for their audience to gain from the story, what they want the readers to learn from the actions and thoughts of the narrator. In The Life of Pi Yann Martel uses Pi and his experiences whether the audience believes Pi’s grand story of his survival or not, to impart upon them the relativity of truth. In the beginning this is shown threw Pi’s explorations with different religions already guiding the reader to consider what truth means with his thoughts on the different religions. It is later explored in Pi’s telling of what occurred to him while shipwrecked to the officials and their reactions to his tale. Especially once it becomes clear that the few differences between the stories were the lack of animals in one. Pi asks the officials which story they prefer; the officials can choose to believe whichever story they prefer, and that version becomes the truth to them.

He starts out with a zebra, hyena, an orangutan, and a tiger, but the animals slowly diminish leaving only Pi and Richard Parker. Pi works to tame and care for Richard Parker, and the two survive for two hundred twenty-seven days. Pi encounters a fellow French castaway who is eaten by Richard Parker (Martel 311-320). Pi also comes across a man-eating island (Martel 322-358). The events that take place are fairly far-fetched, and the probability of all of them occurring to the same person in the period of time given is even less believable. The second story, on the other hand, is a perhaps more believable retelling of the original story. Pi relates the second tale upon the request of his interviewers for “‘a story without animals’” (Martel 381). In this story the animals are replaced with human representatives including an injured Chinese sailor, a French cook, Pi’s mother, and Pi himself. The second story, like the first, begins with many passengers on the boat, but in the end it leaves only Pi to survive by himself after brutally murdering and eating the cook who killed both the sailor and Pi’s own mother (Martel 381-391). Unlike Pi’s first story, this account is dark, desperate, and harshly realistic, without any sense of hope to counter it all. After relating both of these stories to his interviewers, Pi asks them which story they think is better (Martel 398). Although the

Yann Martel’s theme of truth being relative is again established when Pi experiences a shipwrecked. On the lifeboat, Pi continues to survive living with a bengal tiger, he survives after seeing the other animals on the boat kill each other, and he survives by eating fish even though he is a vegetarian. Inspite of all the suffering Pi is going through he still turns towards God. This is proved when Pi says, “I practised religious rituals that I adapted to the circumstances – solitary Masses without priests or consecrated Communion Hosts, darshans without murtis, and pujas with turtle meat for prasad, acts of devotion to Allah not knowing where Mecca was and getting my Arabic wrong. They brought me comfort, that is certain. But it was hard, oh, it was hard. Faith in God is an opening up, a letting go, a deep trust, a free act of love – but sometimes it was so hard to love. Sometimes my heart was sinking so fast with anger, desolation and weariness, I was afraid it would sink to the very bottom of the Pacific and I would not be able to lift it back up...The blackness would stir and eventually go away, and God would remain, a shining light in my heart. I would go on loving” (208-209). Through this quote, Yann Martel is showing how Pi continues to worship God even though he was suffering and struggling with his faith. Pi still believes that God is the most important to him inspite of what his is going through emotionally

Throughout time, humans have written books based on various genres in an effort to tell a story, whether it is fact or fiction. Storytelling is one of the most beautiful ways to express ideas, and creative thoughts, involving characters, settings, to create a plot. Life of Pi, by Yann Martel, cleverly incorporates ambiguity from the omission of information, and lack of resolution. These aspects in turn, create the ambiguity, which leaves the reader to interpret the text in anyway. The ambiguity formed develops the significance of Pi’s storytelling, to the author and the readers. The post-modern aspects in Life of Pi, leave many things open to interpretation based on Pi’s storytelling ability.

By sharing a lifeboat, Pi had a zoomorphic arrangement with Richard Parker, a 450-pound Bengal tiger. At first, Pi and Richard Parker did not coexist well, but then both had to adapt to living on a lifeboat with limited supplies and together they went through traumatizing experiences, such as the storm. By going through this experience with Richard Parker, Pi noticed a bond growing between them. Pi was first scared of Richard Parker, but then as time went on, he thought of him as a friend rather than an enemy. To some degree, Pi even loves Richard Parker and sees him as a human. Once the lifeboat reached Mexico, Richard Parker disappeared into the jungle unceremoniously, which troubled Pi. Humans often expect goodbyes when someone is leaving from their life and this shows how Pi had seen Richard Parker as almost human