Religion And Hypocrisy In Tartuffe

Tartuffe initially comes off as a well put together religious man, who has nothing but good intentions in mind. However, Tartuffe is deviously disguising his harmful intentions through religion in which he puts on a front of smoke and mirrors hiding the fact that he is, in fact, the opposite of a devout, put together christian.  When Orgon first meets Tartuffe, he has great respect for him simply for the fact that Orgon believes that Tartuffe is a religious man.  Knowing this, Tartuffe believes that he now has the power to do whatever he wants within Orgon’s house.  Molière exposes Tartuffe’s hypocrisy and abuse of religious power through the way that Tartuffe communicates throughout the play.  The character Tartuffe does not appear in the play until the third act, once every other character has had the opportunity to describe their opinion.  Molière uses this as a way to expose tartuffe’s real character through the way tartuffe communicates with the other characters.  When Tartuffe speaks, he portrays a very confident superior being to everybody else with almost a divine presence. It fools the society that tartuffe is targeting and essentially gets what he wants.  He also takes religious passages and interprets them to fit into his

The central theme of Tartuffe is the exploration of religious hypocrisy in contrast to true Christian virtue. Tartuffe is a hypocrite because he creates an outward appearance of extreme piety and religious devotion, while secretly leading a life of crime and immoral behavior. Throughout the play, various characters refer to Tartuffe as a hypocrite and can see clearly that he does not practice what he preaches. For Example, Tartuffe instructs his servant to tell anyone who asks that he is busy giving out charity to the poor and downtrodden, where as in fact he was attempting to seduce Elmire. Other principal themes throughout the play include Dichotomy of man and mask, where Orgon found Tartuffe on the street as a homeless man preaching of religious faith but he was nothing more than a religious hypocrite. Another theme is the struggle for economic power, where Tartuffe comes from being a homeless man to attempting to become the owner of all the property of Orgon. At the very end of the play there is seemingly another small theme called Deus ex Machina, it is shown when the officer comes in to the play to execute the eviction order, and instead of taking away Orgon, he takes away Tartuffe because of him now being the owner of the property. Then the king, who in Deus ex Machina is considered the god, finds out what Tartuffe

Tartuffe is portrayed as a light hearted comedy that a reader can sit down and enjoy; however, there are layers underneath that must be peeled back to see a theme that is crucial to the play, feminism. Moliere’ has created this wonderful drama in which three ladies stand out and really drive the action. Madame Pernelle’s excessive ranting, Dorine’s disrespectful back talking, and Elmire’s devious scheming seem to be the only actions taken to resolve the conflicts of Master Orgon’s household. Moliere’ has given us a look into a particularly odd eighteenth century home, where ladies should be demure and soft-spoken; and yet these three women are not. Though a humorous piece of literature, Tartuffe makes a serious, feminine

One highly esteemed student at Susquehanna University describes Moliere 's Tartuffe as “an attack, not on religion, but on people who hide behind religion and exploit it” (Sodd 1). Aside from this central theme, Moliere develops the plot and characters of the play in a way that makes an even more significant social observation. His writings leaned on the ideas of reason and ordered structure of society from the Enlightenment period. “Writing during the Enlightenment, his plays satirized a great many aspects of society, from hypochondriacs to hypocrites (Lawall 11). Most importantly, Moliere’s Tartuffe gives readers a taste of the

The main subject of Tartuffe is religious false reverence, and the character of the Tartuffe most epitomizes this quality. He over and again claims to be a genuine Cristian when he really is a fake. He indicates to be ethically better than others, when in actuality he acts ethically by attempting to allure Organ spouse, for instance organ sibling Cleante is the good inverse of Tartuffe. Tt the point when Madame Pernelle depicts every relative regarding his or her connection to the unit. They are largely inseparably entwined in the house, and the selling out of one part Orgon has caused or threatens to cause unexpected troublesomeness for them all. Orgon's most noteworthy sin, truth be told, isn't in valuing Tartuffe yet in dismissing his family

Tartuffe could do no wrong in the eyes of Orgon. In a conversation with Dorine about Elmire’s health, his sole focus is on Tartuffe, ”Ah. And Tartuffe?” (1.5, 13), he repeatedly asks. Even more, the treatment of his own daughter, Mariane, reflects the dark side of his obsession with Tartuffe.

But once Tartuffe is unmasked and his hypocrisy discovered, Orgon reverses himself and determines to hate and persecute all pious men. Orgon in the play seems to represent man's extravagant and uncontrollable nature, which never takes the right and rational direction, but instead, constantly shifts between absurd extremes.

Orgon, the main character, starts off at the beginning of play with an infatuation towards his guest Tartuffe. Tartuffe uses this to his advantage and persuades Orgon to hand over his daughter’s hand in marriage instead of the man that she had previously been promised too. Throughout the play, Tartuffe shows his true self to everyone except Orgon and works his plan to take over everything that Orgon has. Everyone tries to convince Orgon that Tartuffe is just playing him, but Orgon continues to take the side of Tartuffe and accuses his family of being liars. Finally, Elmire convinces Orgon to hide in the room while she has a conversation with Tartuffe, so that she is able to get Tartuffe to show himself without knowing it. This is a crucial point in the play, because Orgon and his mother, madame Pernelle were the only two people that were backing Tartuffe and that were on his side. After hearing the advances that Tartuffe makes towards his wife, Orgon changes his view on Tartuffe and goes on a rampage against the “holy” man. This changes

In Moliere's comedy, Tartuffe, the main focus of the play is not on Tartuffe, but it is on the blind fascination and obsession of Orgon with Tartuffe. Moliere uses Orgon as a representation of how one can be so blind in his dedication to a belief that he cannot make an accurate judgment as to the genuineness of others who would use that belief to mislead him. However, how is Tartuffe able to integrate himself so heavily in Orgon's household? The answer to this question solely depends upon on one's view and understanding of Orgon. Therefore, in Orgon's life, Tartuffe serves as a form of encouragement, a promised sense of control, and a religious saint as the key to Heaven.

I think Molière's play Tartuffe is mainly about religion and hypocrisy. The character Tartuffe is used as an example of people who bend the guidelines of religion to get what they want. He is labeled a hypocrite because he does not practice what he preaches and deceives people. On the other hand, Molière uses Clèante as the voice of reason, who I think represents what Molière thought religion should have been back during that time.

Beginning in the 18th century, French intellectual philosophes blazed a path for the culturally rebellious thinking of the Enlightenment. This movement rejected traditional methods of viewing the world and instead insisted all things were based in logic and reason, emphasizing the irrationality of slavery, religious intolerance, and human inequality. Perhaps the most famous philosophe, Voltaire presented such ideas to the ages in his analytical masterpiece, Candide. With deep satire, Voltaire illustrates the hypocrisy of religious intolerance and the pointlessness of slavery, brutality, and war.

Furthermore, the people and culture in Paris at the time were interested in Enlightenment values such as rationality, moderation, and order. In addition, good manners and gender roles were strictly enforced during this time period. Paris provides a perfect location for the story. Moliere demonstrates all of these Enlightenment values in his play. The difference and conflict between true religious virtue and the religious hypocrisy represented by the antagonist Tartuffe, is, of course, one of the main themes of Tartuffe. Moliere’s play does not reject or deny religion outright, because religion played an important role in Enlightenment France and it would be political suicide. One could also argue Moliere believed in the end that religion to a certain degree does have a place in

A standout amongst of the most controversial characters, other than Tartuffe himself, is Dorine. She has exceptionally liberal actions for her time and is not depicted in a way that women of that time should act. He uses her as a voice of reason who can voice her opinion and eventually free the other characters from such a manipulative man. Moliere shows through Orgon how the fanatical need to believe can cause man to be taken in by those might shroud themselves in others wealth and manipulate people through their convictions. The Roman Catholic ministers of Moliere's day might have thought the writer was an atheist.

With Orgon recognizing qualities that he was aware of in himself causes great flattery for Orgon. Orgon seems like a confident man. The confidence that Orgon ironically stems from, what Orgon has. During the Enlightment period in which this play was written status and wealth was everything, in which Orgon had both. With Orgon being wealthy and well known this causes Orgon to feel that it is duty to help Tartuffe. ”Heaven prompted me to take him in” (223) Tartuffe can be seen throughout the play as a very religious man whom takes his faith seriously. “He used to come into our church each day and humbly kneel nearby and pray” (223) With Tartuffe feeling as though Tartuffe is still a person just like everyone else despite of his past this, helps to cause Orgon’s friendship with Tartuffe as well. “Tartuffe is no young dandy but still is a person”

As a fellow reader of this exquisite play that goes by the name of Tartuffe that is well written by a well - known author in literature that goes by the name of Moliere. Moliere discusses in the play that the fact of society is that public life is more matter than private life. However, this means that in general, people were judged by others just by the way they dressed or even acted on the outside. As a matter of fact, that is how people were treated during The Enlightenment period. Since their life mattered more in the public than their private life. For example, this quote explains how Madame Pernelle is treating her daughter – in – law therefore it states, “You spend money like it grows on trees then wear it on your back in clothes like these…” (Moliere 1.1 line 29). However, that clearly explains that Madame Pernelle is being critical to her daughter – in – law by calling her out that she is being too free with money, by spending it all on clothing, and that she dresses like this princess when she is not even one. The emphasis of having a public and a private life is that it is an understanding between a person’s psychological motivation.